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Happy New Year! Hope your 2010 is a good one.

I am such a sap, I always make resolutions, and usually endeavor to keep them in mind throughout the year. I won’t reveal all of mine here (really, do you need to hear about my determination to keep the dishwasher clean?), but some of my resolutions include:

1. Write more, complain less.
2. Stay positive about writing.
3. Write at least every other day.
4. Finish, or at least start, that $@*@$# synopsis.
5. Did I mention less complaining? Yeah. And whining. Less whining, too.

That’s it for now–my husband took the whole week off, so we’re all lounging around in comfy pants and watching movies today. How is your New Year so far? Any resolutions you want to share?

Megan

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Happy Birthday Week, Jane!

This Wednesday, Jane’s actual birthday, I went to the Morgan Library to see the exhibit A Woman’s Wit: Jane Austen’s Life and Legacy. I went with two writer friends–Liz Maverick, whose new book Crimson & Steam features a historical section, and Elizabeth Mahon, who is hard at work on her non-fiction book Scandalous Women (and who also does a blog with the same name).

The exhibition combines Jane’s correspondence–both from and to her–with prints of James Gillray, one of the caricaturists who lampooned society and politics with as broad a wit as Jane’s was subtle.

As might be expected, Jane’s letters were gently mocking of the life she observed around her, sharing candid appraisals of her friends, family and neighbors. But–and this is true of her writing, as well–she is never mean-spirited. Honest, direct, even blunt, but never mean. That delicate line is one of the things that makes her writing so special; yes, Mr. Collins is a pompous ass, for example, but she doesn’t exaggerate the ludicrousness of his personality, just describes it. That is damning enough.

If you click through to the exhibition, you can see samples of the letters, as well as a draft of Lady Susan, the only surviving complete manuscript in her hand. That is neat to see, because she writes with as firm a hand in her fiction as she does in her letters–no cross-outs, or scribbles, or anything that would indicate she had doubts about what the final version of the manuscript should be.

In addition to the prints and printed material, the exhibit featured a short film with reflections on Jane from a variety of intriguing sources: Cornel West, Siri Hustvedt and Fran Lebowitz, among others. My favorite was West, who was almost elfishly delighted with talking about how much he loved Jane. He came to her late, he said, only starting to read her in graduate school, but he clearly adored her work.

Like Jane herself, the exhibit was small but all-encompassing, revealing a witty, clever, loving woman who had a lot to share to a very intimate group. That group has expanded in the 200 or so years since her works were first given to the public, but that feeling of intimacy remains. Who among us, reading Jane, hasn’t felt as if she were sharing a private joke with us alone?

Thanks for sharing your wit, Miss Austen, and Many Happy Returns!

Megan

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This weekend, my husband and son are heading out of town to help my mother-in-law decorate her house for the holidays.

Leaving me very much alone.

Now, if you have read my posts before, you will know that this is not a moment to feel sorry for me. But to be envious of all the freedom I will have!

I will do some of my favorite things this weekend:

Frequent Napping.
Wine-Imbibing.
Watching Movies, preferably, as one friend says, long-ass Japanese ones with subtitles.
Although I Might Also Go See New Moon.
Reading.
Playing Word Games Online (Facebook’s Scramble rocks my socks).
Seeing a Friend or Two.
Taking Baths.
Drinking Tea (a friend just sent me a whole awesome package of tea from Teavana! I was floored!)

And perhaps a few of my less favorite things:

Exercising (I have lost seven pounds, would like to drop at least seven more).
Synopsis-Writing.
Regular Writing.
Mopping (have you SEEN my floors?!?)

What would you most like to do with your free time? How about what you’d least like to do?

Megan

PS: Middle School applications go in on Monday; hopefully regular Frampton Frenzy, including writing, will begin after that.

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Today, the Riskies are delighted to present an interview with one of our own, Diane Gaston. Her newest book Gallant Officer, Forbidden Lady is out now. A random commenter on today’s post will win a copy of Diane’s new book!

Welcome, Diane! Tell us about Gallant Officer, Forbidden Lady:

Gallant Officer, Forbidden Lady is the first book in my Soldiers Trilogy. Three soldiers—an ensign, a lieutenant, and a captain—share a ghastly and distressing experience after the battle of Badajoz, an experience they agree to keep secret. It affects the rest of their lives.
Battle-weary soldier turned brooding artist, Jack Vernon, is hired to paint London theatre’s newest sensation, Ariana Blane. As this stunningly beautiful actress ignites feelings Jack thought destroyed in battle, another man has Ariana in his sights.

You’ve got such a deft touch with your historical details; just how many research books do you have?
Omigosh, I’ve never counted them. I estimate I have about 700. I would love to catalogue them and organize them better. For Christmas I want this BOOKCOLLECTOR software!

What inspired the story?
When I was groping for story ideas my friend Julie suggested I watch the 1935 Gary Cooper, Franchot Tone movie, Lives of the Bengal Lancers, a story about three soldiers who go through hardships and adventures together in British India (Julie loves watching old movies!). What I took from the movie was the idea of three soldiers sharing an experience during the war, something that affects the rest of their lives. I also took from the film a tough Colonel (although I made him a General) who has a weak son under his command. This formed the basis of the trilogy.

What did your editor say when you said you wanted to write about two people, neither of whom had titles?
This is my niche at Harlequin Historical. They want me to write about the seamier side of the Regency, or, as they wrote on the back cover copy of my first book, The Mysterious Miss M, “The Regency Underworld- sex, scandal and redeeming love.”

How hard was it to be a virtuous actress at that time? How many actresses went on to get titles and make their way into Society?
I think it must have been very hard to be a virtuous actress during the Regency. I imagine women in the theatre would expect to become some man’s mistress. They’d hope to attract the attention of a wealthy man to supplement their income, so to speak.
One actress managed to marry a man with a title. Elizabeth Farren, who has a lovely portrait by Sir Thomas Lawrence in the Metropolitan Museum, married the Earl of Derby in 1797. Because she had the patronage of the Duke of York (one of the king’s sons), she managed some sort of acceptance in Society. There may have been other actresses who made good, but I can’t think of any at the moment.

It’s easy to really feel for what Jack went through; what true accounts, if any, did you read to get the feel of Badajoz and Jack’s subsequent PTSD?
I bought a book (to add to the 700), Badajoz 1812: Wellington’s Bloodiest Battle by Ian Fletcher, and pored through the brazillion Napoleonic War books I already own, as well as looking online. As for Jack’s PTSD, I just transferred what I knew about the diagnosis into how a soldier during the Regency would experience it.

What risks did you take with this book?
I thought the artist hero was a risk, because it was a challenge to keep him “hunky.” For the whole series, I think it is a risk to begin each book with the same scene. The challenge is to make the same scene different in each of the books.

Did you learn anything new?
I learned a lot about paint! (I bought a book about that, too – Techniques of the World’s Great Painters by Waldemar Januszczak). I learned to paint in oils while still in elementary school, but that was a long time ago. Not long enough to be similar to the Regency, so I had to learn about paint before it came in tubes. For example, I learned that Gainsborough used a pure white pigment called Cremora White. So Jack did, too.

Thanks, Diane! And congratulations on Gallant Officer, Forbidden Lady‘s release. What questions do you have for Diane? And don’t forget to visit her website at DianeGaston.com.