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Category: Giveaways

Posts in which we or our guests offer a giveaway.

Due to my own silly scheduling snafu, today’s planned guest post from Alyssa Maxwell (author of the lovely new “Gilded Newport” mystery series!) will run next week.   So, let’s do a giveaway for today instead!  I have been cleaning out boxes of back copies of my older titles (if anyone knows anyplace that needs foreign language copies, let me know!), and need to make some space. 🙂

LadyMidnightCoverSo I will give away one copy of my out-of-print 2005 title Lady Midnight (which will be released as an ebook later this year!).  I loved writing this touch-of-gothic, moors of Yorkshire, governess in disguise story…

From the back cover:

Everyone that Katerina held dear has perished in a tempest off the coast of Italy.  With not a penny to her name, the once-moneyed Venetian lady knows she must travel far to forge a new life.  No one would ever accept her if they knew her mother Lucretia Bruni, an infamous courtesan breeding Katerina to fill her shoes one day…

Still mourning his late wife, Michael Lindley knows life must go on–and that his little sister and daughter need a woman’s nurturing.  When a dark-eyed beauty alights on his doorstep, claiming to be a widowed governess, he feels a fire rekindle in him he thought was snuffed out long ago.  And Katerina, who thought her capacity to love had gone down with the ship, there flares a yearning only Michael can subdue.

But just as they give in to the desire that knows no words, a wealthy enemy plots his revenge…and their newborn passion must undergo the ultimate test…

I loved writing this book (which was an RT Reviewer’s Choice Award nominee!), since I cut my romance writing teeth on stuff like Victoria Holt and Mary Stewart!  I will give away one signed copy to a commenter today.  Who are some of your favorite Gothic authors???

First things first–winners!!!  The winner of a copy of my book Lady Midnight is…HJ!!!!  Email me your info at amccabe7551 AT yahoo and I will get it sent out to you…

MurderBreakersToday I am buried in some revisions, but Alyssa Maxwell, the author of the fabulous new “Gilded Newport” mystery series, has graciously agreed to do a guest blog for us!  I read Murder at the Breakers and loved it.  Comment for a chance to win a signed copy, or an ARC of the next in the series Murder at Marble House

She Could Not/Would Not Do THAT!

How many times have you heard this in terms of historical heroines? That for a historical heroine to be believable, she must adhere to the social standards of her times and refrain from any activities that were not considered appropriate for a lady of her era.

To that I respectfully say, “Pish!”

The achievements of women throughout history have been pitifully under-reported and, as a result, sadly dismissed, and although we’re becoming more enlightened about the varied roles women actually did play through the centuries, notions of women not coming into their own until the latter half of the 20th century persist.

When I was crafting my sleuth for my Gilded Newport Mysteries, I knew what was considered a “typical Victorian woman” wouldn’t do. To be a strong and compelling enough character to keep readers interested in not one but multiple books, she needed to be smart, resourceful, forward-thinking, and unafraid to step out of the traditional roles of the times.

But would she be an anachronism? A look at the 1890s supported my theory that not all women existed in a gilded cage. The Suffragette Movement was gathering steam, as was the concept of what was being hailed then as the “New Woman.”

According to author Jean Matthews in The Rise of the New Woman: The Women’s Movement in America, 1875-1930,the “new woman” was “young, well educated, probably a college graduate, independent of spirit, highly competent, and physically strong and fearless.” She spanned economic classes, and could be single or married. Often, she took an active interest in political issues.

Another name for the New Woman was The Gibson Girl, coined for artist Charles Dana Gibson, who in his sketches revealed and then actually perpetuated the changing appearance of women in the 1890s. They shed their restraining corsets, petticoats and frills in favor of simple shirtwaist blouses and long skirts that allowed for activities such as tennis and bike riding. Gibson Girls were confident, capable, athletic, and even flirtatious and again, they hailed from all segments of society.

NellieFor the character of Emma Cross, I drew on the real life Gilded Age journalist, Nellie Bly. At a time when most female reporters were relegated to the society columns, Bly stubbornly proved her mettle by seeking out hard news. In 1887 she had herself committed to an insane asylum, an undercover assignment lasting 10 days, in order to investigate and bring attention to the appalling conditions suffered by mental patients. In 1888, Bly traveled alone around the world in under 73 days, beating the fictional record of Jules Verne’s Phileas Fogg in AROUND THE WORLD IN EIGHTY DAYS.

I wouldn’t, however, consider Nellie a true feminist—not when one of her lifelong ambitions was to marry a wealthy man, which she managed to do at the age of 31. Her wealthy guy was millionaire manufacturer Robert Seaman, who was 40 years her senior.

Like Nellie, I don’t see Emma Cross in feminist terms, either. She simply isn’t political enough. She doesn’t take up broad causes with activism, because she’s too busy taking care of loved ones and taking in women in need in Newport. Rather than being a feminist, Emma is an individual who recognizes her own potential, appreciates the resources that have given her a good measure of independence, and will not accept a pat on the head in lieu of professional opportunities she has worked hard to earn.

You can “see” Emma in action in Murder at The Breakers (available now), and in Murder at Marble House (releases in September), and judge for yourself—anachronistic, or one of the many women throughout history who stood out because they stood up for what they believed in.

AlyssaMaxwellYou can find out more about my Gilded Newport Mysteries at http://alyssamaxwell.com. I love to hear from readers, so while you’re there drop me a line!

I am buried in BetrayedByHisKissCoverrevisions that are due (gulp!) today, but in the meantime we have winners!  The winner of Alyssa Maxwell’s “Gilded Newport” book is…Alison!  If you will email me at amccabe7551 AT yahoo, I will forward your info to Alyssa.  Next week, we’ll have another Tuesday guest blog–drop by to chat with Sheri Cobb South!

I’ll leave you with a peek at my newest cover!  Betrayed By His Kiss will be out from Harlequin Historicals in october 2014.  I loved writing this one!  It’s set in Florence in the 1470s, and was inspired by a binge-watch of all the episodes of The Borgias (I love the heroine’s dress here!)  Let me know what you think of it, and I will see you again in a couple of weeks…

Amanda will be back with her regularly scheduled Tuesday post next week, because this week she is busy being on her honeymoon!  Wedding pics will surely be shared then.  This week, we’re visiting the Wild, Wild West with guest author Linda Carroll-Bradd.  Comment for a chance to win a copy of her latest title….

Stagecoach Travel in Texas– Only The Hardy need Apply

In the mid-1800s, people needed determination and patience to travel from one side of Texas to the other. Early in the Civil War, the government banished the Butterfield Overland route that had been an established route from St. Louis, Missouri to San Francisco through the southern states. Subsequent to the war, shorter routes were established between population centers. Stagecoaches ran on a weekly or bi-weekly schedule. A trip from St Louis to San Francisco involved about 25 days of travel. The coaches were drawn by six horses and stops were made every 12 miles for fresh teams. Depending on the terrain, coaches covered between 5 and 12 miles per day—running day and night. Passengers were grateful to get hot coffee, biscuits and jerky at these stops; on rare occasions, hot meals were available.

BW stagecoachThe suggested items to travel with would have filled a large satchel or three. In addition to their clothing, passengers were admonished to pack 6 pair of thick socks, woolen underdrawers, blankets—one in summer and two in winter, 3-4 towels, heavy overcoat, light coat, hat and their choice of pistol or knife for personal protection. A lady such as Jessamay Morgan from San Antonio reading that list and traveling in summer would probably not worry about the woolens or blankets.

Once Jessamay got inside the stagecoach, she would have had her choice of window or middle position (approximately 15” in width) on either a forward or backward-facing bench seat. She would not have wanted to be the last to board because that would leave her on the middle bench with no backrest. As she set out on her journey, she could read the rules about men forgoing swearing and smoking in a lady’s presence, but tobacco chewing was allowed, as long as the chewer spat downwind. I would hope so. Or if the person (presumed to be a male) couldn’t refrain from drinking alcohol, then he must pass the bottle around. Yum. Snoring loudly or using another passenger’s shoulder as a pillow was frowned upon. Improper advances toward a woman could get the male kicked off the stagecoach in the middle of nowhere. Nothing about a woman making a pass was mentioned. Forbidden topics of conversation were stagecoach robberies and Indian uprisings. Sounds like a smart rule. Passengers were encouraged not to jump from the stage in case of runaway horses so as not to be left victim to the weather, hostile Indians or hungry coyotes. Ouch.

Capturing.the.Marshalls.Heart.webJessamay had a purpose and she looked at all these strictures as part of her great adventure. She was done with the life at Miss Veronica’s Pleasure Palace and wanted to see mountains—at least until she set her gaze on a handsome stage passenger, Slade Thomas. But nothing every goes as planned. The “excitement” of her first trip is interrupted by a holdup, and she and Slade fight the clock to outwit the bandits.

Capturing The Marshal’s Heart is available only on Amazon. http://amzn.com/B00EKS4OHS

More information on Linda Carroll-Bradd and her other titles can be found at www.lindacarroll-bradd.com, http://blog.lindacarroll-bradd.com, Twitter https://twitter.com/lcarrollbradd, and Facebook at http://www.facebook.com/pages/Linda-Carroll-Bradd-author/44081494263528

“Mr. Collins to be sure was neither sensible nor agreeable; his society was irksome, and his attachment to her must be imaginary.  But still he would be her husband.  Without thinking highly either of men or of matrimony, marriage had always been her object; it was the only honourable provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want.  This preservative she had now obtained; and at the age of twenty-seven, without having ever been handsome, she felt all the good luck of it.”

on Charlotte Lucas’s marrying Mr. Collins
Pride & Prejudice, Volume 1, Chapter 22

1_MG_9842Last week, at 6:30 on a Friday evening, I married my sweetheart (and future romance novel inspiration), Kyle!  It was nothing like Charlotte Lucas’s pragmatic arrangement, really nothing like a small church Regency wedding at all (except that it was small!  We married in the garden of a hotel in Taos, New Mexico, with 10 people there including us, and a lovely dinner with cake and champagne after).  There were no grand spectacles, a la Marie Antoinette’s great crush or the Cambridges’ regalness, but it was beautiful and romantic, and exactly what we wanted.  It was a day I never thought would come for me–walking down the aisle toward a man I am madly, romance novel-style in love with, my best friend and partner in a crime.  And now we’ve stared a new life together, which I find to be amazing (and scary as heck, natch).

1 IMG_1054My dress was a pale pink silk and soft white organza, with a pleated bodice and pearl-beaded satin belt, strapless with a pleated bodice, and I told the salon I wanted a “fairytale” look for the hairstyle and makeup, which I think they did so well with long curls and soft lipstick.  The vows were tailored just toward us, how we met, how we share a love of music and theater and creativity, and my best friend and her husband read a lovely poem that perfectly depicts “us.”  (see it at the end of this post!).  The rain held off until just after we finished the photos and went in to dinner, so all went off perfectly. 🙂

 

 

1 IMG_1059Next year we’d like to renew our views in England, maybe Bath in Regency attire at the Pump Room, or Tudor garb at Hever Castle.  Or maybe I’ll be crazy, get a Kate lookalike gown and parade around Westminster Abbey!!!  With him, the adventure is endless.

What was your wedding like?  What would you have done differently/the same?  Where would you have a wedding now?  And whos had your very favorite wedding ever (in books, in history, or in real life!).  We have wedding fever here today….in fact, I will give away a signed copy of my book “Betrayed By His Kiss” (not out til October!) to one commenter on the subject of weddings….

“I Like You” by Sandol Stoddard Warburg

I like you and I know why.
I like you because you are a good person to like.
I like you because when I tell you something special, you know it’s special
And you remember it a long, long time.
You say, “Remember when you told me something special?”
And both of us remember

When I think something is important
you think it’s important too
We have good ideas
When I say something funny, you laugh
I think I’m funny and you think I’m funny too

I like you because you know where I’m ticklish
And you don’t tickle me there except just a little tiny bit sometimes
But if you do, then I know where to tickle you too

You know how to be silly
That’s why I like you
Boy are you ever silly
I never met anybody sillier than me till I met you
I like you because you know when it’s time to stop being silly
Maybe day after tomorrow
Maybe never
Too late, it’s a quarter past silly!

That’s because you really like me
You really like me, don’t you?
And I really like you back
And you like me back and I like you back
And that’s the way we keep on going every day

If you go away, then I go away too
or if I stay home, you send me a postcard
You don’t just say “Well see you around sometime, bye”
I like you a lot because of that
If I go away, I send you a postcard too
And I like you because if we go away together
And if we are in Grand Central Station
And if I get lost
Then you are the one that is yelling for me

I like you because I don’t know why but
Everything that happens is nicer with you
I can’t remember when I didn’t like you
It must have been lonesome then
I like you because because because
I forget why I like you but I do

So many reasons
On the 4th of July I like you because it’s the 4th of July
On the fifth of July, I like you too
If you and I had some drums and some horns and some horses
If we had some hats and some flags and some fire engines
We could be a HOLIDAY
We could be a CELEBRATION
We could be a WHOLE PARADE

See what I mean?
Even if it was the 999th of July
Even if it was August
Even if it was way down at the bottom of November
Even if it was no place particular in January
I would go on choosing you
And you would go on choosing me
Over and over again

That’s how it would happen every time
I don’t know why
I guess I don’t know why I really like you
Why do I like you
I guess I just like you
I guess I just like you because I like you.