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Category: Giveaways

Posts in which we or our guests offer a giveaway.

Megan and I are at the RWA New England Chapter Conference this weekend.  We will be celebrating Romance Writers (mostly women) of the 21st century.  We’ll also be hanging out with Romance Writers of the 21st century and going to some great workshops, including a master class with Julia Quinn on dialogue (at which she is, indeed, a master).  While we’re going to workshops with women writers of the 21st century, I thought it might be nice to give you a glimpse of women writers of the 18th and early 19th century.

Chawton House

Chawton House

Chawton House Library was founded in 1996 by Sandy Lerner in the home owned by Jane Austen’s brother, Edward Knight in Chawton England.  After years of  restoration, it became the home of a extensive library of women’s writing in English 1600 to 1830.

According to the site, “Writers whose work is held in the collection include Penelope Aubin, Aphra Behn, Frances Burney, Maria Edgeworth, Eliza Haywood, Charlotte Lennox, Hannah More, Sydney Owenson, Ann Radcliffe, Mary Robinson, Mary Shelley, Frances Sheridan, Charlotte Smith and Mary Wollstonecraft, and many more both well-known and lesser-known writers, as well as a significant number of anonymous works.”

Fortunately for us, Chawton House Library has made many of these texts available on line and continues to add to their digital collection.  You’ll find the Georgian/Regency era represented among the novels available.  If you’d like to visit the library in person, it is open to the public.  Anyone may apply for a reader’s pass.

In addition to this extraordinary resource, Chawton House and its farm has been restored to its 18th century condition using traditional methods.  The farm is also run on 18th century methods.  It is an easy walking distance to Chawton Cottage, Jane Austen’s last home and the site of the Jane Austen;s House Museum.  If you’re in the area (and don’t we wish we were?), Chawton House Library  offers a wide variety of events that illuminate the period in which we read and write.

It’s well worth a virtual visit.  Enjoy.

bio_picWelcome back my friend Lavinia Kent! Lavinia is known for her hot, smart, sexy and intelligent Regency Historicals for Avon. What the Duke Wants, for example. Or her very creative Real Duchesses of London ebook short story series.

I thoroughly enjoyed Lavinia’s Real Duchesses series! But I’m not alone. Here are a few of the Amazon reviews:

“…she managed to capture intense emotions and give great characters even in a really short novella, so kudos!” — Stella (Ex Libris), Of Kathryn, The Kitten.

“Another fun, fresh addition to what is shaping up to be a fantastic set of novellas that feature tests to the bonds of friendship, cattiness, laughter, and the overpowering result of true love.” — Lisa Wolff, of Linette, The Lioness.

“The marriage of convenience is one of my favorite tropes in romance and Kent’s Elizabeth, The Enchantress is a magnificent marriage of convenience tale.” — Yvonne.

PO456_RMS_Kent_Book_Georgianna_finalLavinia has continued the Real Duchesses of London series with a brand new novella — Georgianna: The Last Real Duchess and she’s giving away a Kindle download of the novella (or a copy of a signed copy of an earlier book) to one lucky commenter.

Here’s the Amazon blurb:

Lavinia Kent returns to her iconic Real Duchesses of London series of novellas to tell the story of Georgianna, the last Real Duchess. When Georgianna’s husband. Lord Richard, unexpectedly becomes a duke, the two are brought together and then torn apart as each tries to find a place in their new lives. Georgianna had married for love – only to discover her husband’s mistress. Now the two find themselves sharing residence at the ducal estate. Are circumstance and passion enough to bring the two together? Can Richard reveal the love he has barely admitted to himself? Can Georgianna forgive him for all the hurt and lies?
Will one night of passion become a lifetime of love?

Welcome back, Lavinia! Tell us about The Real Duchesses of London series and about Georgianna, The Last Real Duchess.

I had so much fun writing this series.  I loved the idea of writing about a group of strong women who would support each other during hard times.  The first four novellas are definitely tied together in an overarching story.

Georgianna is more of a stand-alone story, although the other duchesses do appear.

I had originally hoped to write her story as full-length novel, but time and circumstance got in the way.  I had a hard time cutting some of the earlier scenes to create something tighter, but I think in the end I succeeded in creating a novella about emotional trust.

 You created quite a challenge for yourself. Both writing short novellas AND planning a series. How did you manage it?

The first four were relatively easy – except for the time pressure involved in writing a novella a month.  They left me feeling a little burned out.  I discovered that I get so attached to my characters when writing, that I needed more time to make the transition to the next hero and heroine.

I found writing Georgianna to be more difficult because I wasn’t following my original plan, but I still wanted to write a compelling love story.

What is risky about Georgiana, The Last Real Duchess?

Georgianna has to learn to trust a man who has completely betrayed her.  Everything she believed when she fell in love and married turned out to be a big lie.  She must make the decision to take a great risk, rather than live without love.

 Did you come across any interesting research while writing the novella (or the series)?

I had a lot of fun researching political cartoons when I was working on the earlier four books of the series.  I enjoyed thinking about the different ways information has been distributed over time.  We take so much for granted today about how quickly information spreads.  It was interesting to consider how differently a scandal would spread during the Regency.

For Georgianna, I researched funerals, but none of my work made it onto the page when I shortened the story.  I’m saving it for later.

RDoL- largeWhat’s the connection between the caricature of the Real Duchesses on your website and Risky Regencies? 

The fabulous Janet Mullany’s daughter drew the original sketch for the caricature.  I loved it, and it helped make the characters really come alive in my mind.

ImageYou’ve recently embarked on an indy published series. Tell us about it. How can readers find the books?

The series is called The Desire Series and consists of three books: Hint of Desire, Price of Desire, and Taste of Desire.  This series is a prequel to my books for Avon.  The hero of my first book, A Talent for Sin is the younger brother of the hero in Taste of Desire.

The series is currently on available on Amazon for Kindle, but I am working on increasing formats.

What’s next for you?

Ahh, the most difficult question of all.  Currently, I’m working on (and about to finish) a prequel novella for a brand new regency series.  This series is completely unrelated to any of the books I’ve already written.

If all goes as planned, this series will be darker and more erotic than my current books.

I’m also working on a steampunk romance that requires more world building than I’ve ever done before.  It features a wonderful hero, and I’m working hard at getting him out of my head and onto page.

Thank you for having me at Risky Regencies.  I love having the chance to visit.

And now my question for readers – one of whom will win either a Kindle copy of Georgianna: The Last Real Duchess or a signed copy of one of my earlier books.

At the end of the prequel I’m currently writing, the hero sends the heroine a gift.  I’m debating whether he should give her a beautiful enameled hand mirror or kitten.  There are reasons why each would be appropriate.

The hero has never actually seen the heroine’s face, and in the next book he will recognize the heroine because of the gift.

So, mirror or kitten?  Help!


Hello everyone! Gail Eastwood here. I’m popping in for a visit thanks to the kind invitation of our Risky hostesses, most particularly Elena Greene, who has given me the opportunity to guest blog on first Fridays of alternate months. I am delighted to be here to share your gracious company and conversation, and also to help Elena gain a little more time to work on her newest work-in-progress. I have read a little of it and can’t wait for her to get it done!!

Some of you already know me, or may remember that I wrote Regencies for Signet back in the day, but for those who don’t, here’s a link to an interview Elena did with me a few months ago on this blog. Coming back to the writing realm after ten years makes me feel a little like Rip Van Winkle at times, so much as changed! It is indeed a brave new world, but I’m excited to jump into it.

If I may beg your indulgence, for this post I’d like to go back to the topic of cover art, picking up from Elena’s post of Sept 14. Elena shared her dilemma over “branding” her sexy short story Lady Em’s Indiscretion through her cover art. My own dilemma, as I prepared the first e-book reissue that I am doing myself, The Lady from Spain, was whether or not to go with a cover style similar to what the new Signet reissues have, or try something different.

The Signet reissue e-books have taken a very different approach to their cover design, and I have yet to see anyone discussing it or reacting to it, and I’m dying to know what people think! Three of my books are being done this way.

As you can see below, I opted for “different” for the ones I am doing myself–all part of the grand experiment. For LFS, I wanted something that would suggest the suspense of the story and still atleast hint at the Regency time period. The story takes place mostly in London… The reissue of The Captain’s Dilemma, my French prisoner-of-war story pubbed in 1995, is not ready yet, but I will be working on converting it next!

 

Here are the old versions of those covers. You can see more on my website or on my author pages at Amazon.

What “branding” messages do you get from the new ones? Like them? Dislike them? Do you want to see the characters, and if so, do you want to see both hero and heroine? What would you do instead?
If you’re interested in covers and/or how the designs have changed over time, here’s a link to a great website devoted to covers done by artist Allan Kass, who painted many Signet and other covers over a long career. It’s fun to look for your favorite authors in the archives, and sometimes recognize a favorite book!
Finally, I’m offering a free copy of The Lady from Spainto one lucky commenter, whose name will be drawn and announced by next Friday. So, please, join the conversation! And if you’d like to be part of the drawing, please be sure to include your preference for Kindle or Nook (the only formats available currently) or if you’re willing to wait for one of the other formats which will be available soon. Oh, and your email address!
Thanks so much for letting me visit with you today!