Category: History

The Sage of Waterloo

Updated on July 20, 2015 by Mary Blayney

How many books have been written about Waterloo? Leona Francombe, the author of THE SAGE OF WATERLOO estimates over two hundred with her book one more entry into the field. And a very unique entry it is.

The Sage of Waterloo is a rabbit named William. With an anthropomorphic bent which I usually dislike the author gives a unique view (wow that’s stating the obvious) of a battle that is as well known as DDay.

Waterloo is not a subject that I have studied extensively (hello Diane Gaston!) But I think even the well-educated student of the war will find this book fascinating and beautifully written. William hooked me on page 6 “If you just stumble across Hougoument the scene is quite unremarkable….Until you see the three chestnut trees. Two are dead, the third not far behind them. They look like freaks…and then you realize they’re over three hundred years old, and the only remaining witnesses to the fighting and you understand. Place your hand on one – even a dead one, and you will feel a pulse.”

William’s home is the farm that was the scene of the earliest fighting at Waterloo, a battle that claimed close to fifty thousand dead and wounded (counting both sides together) and ended a war that was as all involving as the World Wars that came over 100 years later.

William’s story manages to cover some of the more familiar aspects of Waterloo including the Duchess of Richmond’s Ball, but what fascinated me the most is his recounting of what happened at the once elegant and serene chateau/farm of Hougoument the day before the Waterloo.

“Go there yourself and you will feel it: the knowing wind…and a strange sort of peace that is not peaceful at all. Sometimes, …it’s as if a worn curtain is shifting and through a tear in the fabric you can see something unimaginable for such a sleep backwater.”
Who can resist reading on after that? The New York Times reviewer, Laline Paull, says that “will hinge on whether its premise instinctively charms or alienates.”

Obviously I was charmed.

What is your favorite recounting of the Battle of Waterloo and why has the battle never been made into a movie?

Posted in History, Places, Research, Risky Regencies | 6 Replies

Location Map of Georgian and Regency London

Updated on July 14, 2015 by Isobel Carr

Someone on Twitter was saying she has trouble keeping track of all the locations that get tossed around in Regency Romances. This is entirely understandable as we fanatics tend to treat Mayfair and the City of London (c. 1800-1830) as though they were our hometown. There are some GREAT map resources out there. Even if you don’t want to invest in a hardback copy of the R egency London A-Z, you can go to Motco and look at John Fairburn’s wonderfully detailed 1802 map (snippet provided) or the even more detailed Horword map (1799) which shows individual houses. I once printed out all of Mayfair and had it pinned up like wallpaper so I could plot my books.

1280px-1806_Mogg_Pocket_or_Case_Map_of_London,_England_-_Geographicus_-_London-mogg-1806

Edward Mogg’s 1806 case map of London. (This file was provided to Wikimedia Commons by Geographicus Rare Antique Maps).

I started out making a small map with a few places on it based on the Fairburn map, but then it occurred to me I could use Google Maps to make a “perioid” map that was zoomable and scalable and that I could even put links into! And once I got started, it became a bit of a monster project. I now has well over 200 locations and I will continue to add new locations and details as I have time and find new resources.

CLICK HERE FOR LINK TO GEORGIAN/REGENCY MAP

Currently I’ve input info from a few Georgian blogs, The Georgian Index, The Survey of London, and several books about historic homes. I plan to add info from The Epicure’s Almanack (an 1815 book about hotels, restaurants, chophouses, and pubs) and a couple of period guide books that I have either print or Google Book copies of.

If anyone has further suggestions for specific locations or sources, please let me know!

There’s also this amazing overlay of John Rocque’s 1746 map of London you can check out. Unfortunately, they don’t have a KML export I can find so I can overly it onto my Google Map, but I’ve emailed to see if they will provide one or alternatively add my map as an option to theirs. *fingers crossed*

Posted in History, Isobel Carr, Places, Regency, Research, Risky Regencies | 10 Replies

The East Indian Connection (Diversions in Research)

Updated on July 3, 2015 by Gail Eastwood

Are you familiar with this lovely item from the V&A Museum in London? I was not, until I recently received a postcard of this from a friend visiting London, who wrote “Look This Up Online” after his brief message. All of you who do research know what happened after that! Alice down the rabbit hole…. Ah, but there is so much more to what happened than that.

“Tippoo’s Tiger” is actually very famous and has been an object of curiosity ever since it was first displayed publicly in London in 1808. It is a nearly life-sized wooden sculpture, an automaton (the victim’s arm moves, and the tiger growls while the man cries out), a playable miniature organ with 18 pipes, and not least, a political statement by an Indian ruler whose hatred for the British is very clear.

Tippoo was the sultan of Mysore, a power-and-territory-hungry thorn in the side of the East India Company and the cause of several wars. Tippoo’s Tiger was seized from Tippoo’s palace along with a great deal of treasure after the fall of Seringapatam ended both the 4th Anglo-Mysore War and Tippoo’s life in May, 1799. A few years after the Tiger was sent to England, it was put on display in the reading-room of the East India Company Museum and Library at East India House in Leadenhall Street. Did you know that the East India Company had a museum? In this picture, you can see Tippoo’s Tiger in the shadows at the left.

The timing of my friend’s postcard was one of those Twilight Zone-ish coincidences that feel like messages. Synchronicities that happen during research never cease to thrill me. They feel like little gifts from the universe confirming that I’m doing what I’m supposed to be doing. When his card arrived, I had just –I mean, literally days before –stumbled across some other East Indian-connected anecdotes in a most unlikely place, while I was researching something entirely unrelated. But I had jumped on them, because they tied in with a project I had moved to the “back burner” –revisions I’ve mapped out for the reissue of my 1998 Signet, The Magnificent Marquess, with a hero who spent most of his life in India. I had been reading Sarah Markham’s book, A Testimony of Her Times, Based on Penelope Hind’s Diaries and Correspondence 1787-1838. That’s research for the Christmas novella I am working on. But blessed Penelope repeated two tales of British subjects who survived tiger attacks in India. And then came the postcard! Message received –I’m back at work now on the TMM revisions. And my characters are definitely going to visit the museum, now that I have no length restraint on the story!

Tippoo’s tiger figure may have been based on the same incident that inspired this Staffordshire pottery figurine (c. 1814) showing the 1792 death of British subject Hugh Munro in India (now in the British Army Museum).

The fact that stories about encounters with Indian tigers circulated all the way out into the country where a parson’s wife like Penelope Hind received them is a good reflection of how fascinated people were becoming with things East Indian during her lifetime. That fascination was multi-faceted; it included a kind of horror mixed with admiration, and for many, but not all, a growing sense of justification for the East India Company’s expanding domination. The tiger became not just Tippoo’s personal emblem, but a symbol of resistant India itself –a symbol used for the medals issued to the men who fought at Seringapatam, and in political cartoons, and much more as the century advanced. I tried to give a sense of the variety of attitudes about India that existed during the Regency period in my novel.

The life and times of Tippoo (also spelled Tipu) inspired written accounts that I have not even begun to look into –most of this East Indian connection is just background for my story’s hero, at any rate. But besides the first published account about the final Mysore war, published in 1800 by James Salmon, Tippoo and his exploits figured prominently in art, literature and drama far into the 19th century. According to an article on the V&A’s website, “the Storming of Seringapatam unleashed a flood of prints and broadsheets. It inspired one of the largest paintings in the world, exhibited in London as a panorama. It was featured as a vast spectacular at Astley’s Amphitheatre, and cut down to size for the juvenile drama. As late as 1868 it set the scene for Wilkie Collins’s novel The Moonstone.” I am also now aware that G. A. Henty wrote a fictional account, The Tiger of Mysore, and then there’s Bernard Cornwell’s offering in the Sharpe series, Sharpe’s Tiger (which I have not read yet, but now I want to!). Have you read any of these?

An end-note on Tippoo’s Tiger: Tippoo’s Tiger was on display at the East India Company until 1858, after which it was stored, then displayed in the new government India Office, and then in the India Museum. It became part of the Victoria and Albert Museum’s collection in 1880. The musical and noise-making aspects of Tippoo’s Tiger suffered over the years from public exposure and use, and gradually fell into disrepair. Eventually the crank-handle that powered the bellows inside the tiger disappeared. Not everyone was disappointed in this, however, as was noted in The Athenaeum magazine in 1869: “These shrieks and growls were the constant plague of the student busy at work in the Library of the old India House, when the Leadenhall Street public, unremittingly, it appears, were bent on keeping up the performances of this barbarous machine. Luckily, a kind fate has deprived him of his handle, and stopped up, we are happy to think, some of his internal organs… and we do sincerely hope he will remain so, to be seen and admired, if necessary, but to be heard no more”.

I’ve only scratched the surface here. For more information about Tippoo, his tiger obsession and his mechanical tiger, check this article offered by the V&A, or google the topic to find lots more!

Did you already know about Tippoo’s Tiger? Do you like stories that have an East Indian connection? Do you get distracted by fascinating historical diversions when you are doing research? Or how about those research synchronicities? Have you had those happen to you? What happened and how did you feel?

Posted in History, Reading, Research, Writing | Tagged East India, East India Company, Gail Eastwood, Tippoo's Tiger | 2 Replies

Lisa Chaplin and The Tide Watchers

Updated on June 24, 2015 by diane

Today our guest is my good friend, Lisa Chaplin. Lisa and I “met” on an Australian/American writers group that came about because of our interest in Romance writing. Some of us have gone on to other ventures, including Lisa, but we’re still in touch by email several times a week.

Lisa’s first Historical Fiction, The Tide Watchers, will be released June 30, just a few days from now. The Tide Watchers has already earned some rave reviews:

A Starred Review from Library Journal –
In this brilliantly complex novel, Australian author Chaplin…tightens the suspense at every moment while exploring sympathetically the motivations of republicans and aristocrats alike and highlighting the allure and danger of families, secrets, and false identities. Highly recommended for anyone who likes a “ripping good yarn.”

Four and a Half Stars from RT Book Reviews
…incredibly strong and moving tale….A fast-moving pace and a wonderful melding of accurate historical events with honorable, passionate characters make this book impossible to put down.

New Books in Historical Fiction
…a fast-paced story that will keep you riveted in your seat as the pages turn.

You can listen to an interview with Lisa here.

To celebrate Lisa’s Historical Fiction debut, I’m giving away a copy of The Tide Watchers to one lucky commenter here.

Tell us about The Tide Watchers.
Here’s my one-minute blurb: In early Napoleonic France, Lisbeth’s husband abandons her without her papers, without her child. She’s determined to be reunited with her baby and return home. The English baronet’s daughter makes a desperate deal with mysterious British spy, Tidewatcher: she will move in with brilliant American inventor Robert Fulton as his housekeeper, learn how to use his submarine, and charm him into giving it to her. Then she must teach Tidewatcher in turn so they can infiltrate a blockaded French sea-town, find Napoleon’s secret invasion fleet, and somehow disable it just before its launch.

You have written fabulous books for Intimate Moments and Harlequin Romance as Melissa James. How is it you came to write a book of Historical Fiction like The Tide Watchers?
Funnily enough, in a way The Tide Watchers is a natural extension of my old Intimate Moments Nighthawks series. When the line closed, I wasn’t invited to write for the new Romantic Suspense line. I was lucky enough to be asked to write for Harlequin Romance, which I happily did for 6 years. But I never stopped loving espionage novels, and my favorite reading was always historical. I’d read a biography called The Terror Before Trafalgar, which awakened a hunger to write a historical espionage book. Eight years later, The Tide Watchers finally sold, and to my perfect publisher.

The Tide Watchers has already been making a big splash. What’s been the most exciting part of this experience so far?
The whole thing has been an amazing ride for me! William Morrow is a fabulous publisher to write for, and my editor and agent have made it almost like a dream. Getting the power of choice over my cover, my back cover copy, and the like has been wonderful. But the sales rep from Barnes & Noble, a Napoleonic history buff, loved the book – and recent reviews I’ve received from American Library Journal and Romantic Times, it’s all really blown me away. I received the former at the NY office of HarperCollins, and I had to blink back tears of joy. To know others that love history and know history really like my book…I can’t describe it.

What is risky about The Tide Watchers?
The whole book throws the characters far outside their comfort zone. Most of them are seasoned spies, and in a position to save Britain in this time of terror, but ultimately each major character pays a terrible cost. Brilliant, unconventional Lisbeth risks life, reputation and family to save Britain, and to save her child, but she cannot reconcile her sacrifice with what she loses after. Duncan risks the family he always craved to stop Napoleon’s invasion, and loses everything. And his half-brothers risk life and career to save their brother – and the cost to them comes in book two!

Tell us about one piece of research for the book that surprised you or that you did not know before.
The one that surprised me the most, I suppose (there are two), was that brilliant American inventor Robert Fulton was not only in France at the exact time I needed him to be, but was working on early submarine and torpedo technology – and, biggest of all, he seems to have disappeared from the record in the exact months that the book takes place! He turned up again a few months after, which again made it perfect for my second book. The other (sorry, I love both) was the intervention of Lord Camelford at this time, the man called “The Mad Baron”. His attempt to kill Napoleon, and its repercussions for both France and Britain, led to the most bizarre discoveries! But that’s for book two J

You just attended the 200th Anniversary Battle of Waterloo Reenactment. Did you see our fellow Risky, Susanna Fraser there???
Haha…sorry, but I did meet, purely by chance, a Napoleonic military expert walking off the station at Braine l’Alleud! We walked to the battlefield together, and spent the day with him. He pointed out which uniforms were from what battalion, country and where those men fought on the field that day, where they were in earlier battles, etc. He also told me about the role some women played, as victuallers, nurses etc. He gave me his email address and said he’s available for any military question. He’s one of several knowledgeable people I’ve met on this trip that are willing to share their knowledge, so I feel very fortunate.

What’s next for you?
I’m currently on a research trip for the next book in the series (current title Blind Winter). When a past mission gone horribly wrong catches up with Alec Stewart, he puts his brothers and cousin in danger of their lives, as well as his ex-lover and her family. With bounty hunters chasing them all, a fledgling nation fighting for its independence, and Lisbeth’s baby’s father after his son, the vicious power games being played by leaders and spymasters alike change their world forever, including “The Mad Baron”, Lord Camelford. You won’t believe what happens to him! As they say, real life is stranger than fiction…

Thanks, Lisa!

Remember, everyone, comment here for a chance to win a copy of Lisa’s The Tide Watchers. Tell us what you like about Historical Fiction. How is it different than Historical Romance, in your opinion? Or just say hi to Lisa or ask her a question.

Posted in Guest, History, Interviews | Tagged Lisa Chaplin, Napoleon, The Tide Watchers | 23 Replies

Playing in the Past

Updated on June 5, 2015 by Gail Eastwood

Historical fiction addicts –er, fans –like us love being swept back in time to the period of whatever story we are reading (or writing). At this blog, we focus on the English Regency primarily, but not exclusively. Sandy’s writing a series set in Roman times. Amanda’s been creating Elizabethan mysteries for a while now. Clearly, we all love history. Immersing ourselves in stories set in the past offers us a very satisfying way to “play in the past”, living it through the characters on the page. But have you ever felt that you wanted more of a direct experience than you could get by imagining yourself in a story? Have you ever tried participating in “living history” activities?

Confession time: I am a renegade medievalist. Yes, my historical stories are all set in the Regency, a period I love. But in my rare spare time, I sometimes play in a recreated “living history” medieval world as a member of the Society for Creative Anachronism (SCA). I also occasionally do Regency, 18^th century, or even Victorian.

The concept of “living history” as a hobby has had tremendous traction over the past forty-plus years. Back in 1966 when the SCA began as the result of a medieval-themed party in Berkeley, CA, there were nowhere near as many different groups recreating as many different time periods as there are today. If you Google “living history groups US” you get 332 million results!! (better specify time period and location!) Wikipedia offers a “historical reenactment groups” list with over 300 entries, still far from complete. Among those, the SCA, an international educational organization that covers “early medieval to early Renaissance” periods, is one of the largest, now in ten countries, but still not as widespread as Nova Roma (covering ancient Rome), found in 15 countries.

SCA fighters on the battlefield at “The Pennsic War”, an annual event in held in Pennsylvania.

“Living History” has also become widely adopted as a teaching method in museums and at historical recreation sites, but that’s a little bit different. I can tell you it’s a great way to do research for stories, through the people you meet and the opportunities to learn. Do you want to know how it feels to wear a corset? Or how to load a flintlock rifle? How period food tastes? Or how heavy a “two-handed” sword might be? But be warned, doing it can be consuming and highly addictive because it’s such fun!

Gail (center) & friends in 18th century garb -in 1981!

“Living History” enthusiasts differ from re-enactors, although there is plenty of overlap. Most re-enactor groups are military, recreating specific units and/or specific events, especially battles. There’s going to be a reenactment of the Duchess of Richmond’s ball on the night before Waterloo, as part of the anniversary of that famous battle 10 days from now. (Wouldn’t you just LOVE to be there?) Despite differences, all these groups attempt at varying levels to capture the details of life and “portray the look and actions of” people from a particular time period –the clothes, the food, the day-to-day activities, the pastimes, the arts, crafts, science –in the effort to bring the time to life.

I can’t speak for other groups, but in the SCA the key to all of one’s participation is the creation of a persona, a character who is your medieval alter-ego, anchored in a specific time, place and culture within the range the SCA covers. Creating a persona gives you the entry point for the research and practice of whatever you are interested in doing. My persona (English, of course), Asenath Chamberly of Morrismount, slides around in time a bit, because my interests in costuming and dance expanded well beyond what would have fit her lifetime. But other SCAdians (and other groups) may follow a much stricter approach.

This interest in “recreating” the past as recreation isn’t just a modern idea. Queen Victoria was fond of giving costume balls themed to specific times in history, and the first Queen Elizabeth enjoyed tournaments that were intended to recreate the jousting feats of an earlier age. Here is a link to a brief video of an “Assembly” I recently attended, held in a 1789 ballroom where George Washington may have danced. (I bet the floor was a lot more even back then!) I am standing in the back watching the dancers, as we were very hot and tired by then!

If you are interested in groups concentrating on the Regency, there are many to choose from, depending on where you are located. Some western U.S. ones include: Bay Area English Regency Society, the Oregon Regency Society, the Arizona Regency Society, and PEERS (the Period Events and Entertainments Re-Creation Society –not limited to Regency). There’s also the Regency Society of America, FOER (Friends of the English Regency), the Elegant Arts Society, and many more.

Do you “play in the past” beyond the pleasures of reading? If you were going to, what time periods would you most be interested in recreating?

Posted in Frivolity, History, Regency, Risky Regencies | Tagged Gail Eastwood, Historical Recreation, Living History, research, SCA, Society for Creative Anachronism | 14 Replies