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Category: Interviews

Interviews with authors and industry professionals

This week I have Susan Broadwater visiting here. After some time off-line, she’s back on line with The Regency Library. It’s a research service for anyone who needs information about the Regency. She also runs the email list Regency Library. I was a longtime subscriber and now that she’d back, well, I’m back, too. I asked her if she’d be interested in doing an interview here because she’s been researching the period for so long, I thought Risky Readers would enjoy hearing from her.

I’m offering one commenter a year’s subscription to The Regency Library email list.

About Susan

Susan Broadwater lives in Charlottesville, Virginia. In 1996 she opened Moonstone Research and Publications and began providing private research services and Regency and Research Libraries, e-mail based subscription services. Susan is a graduate of Asbury University and holds a masters degree in Theology from Emory University. Currently she is focusing most of her time on Regency and Research Libraries.

The Questions

1. Why the Regency? What got you interested in the period?
I always loved Regency romance novels. I devoured everything I could find by Mary Jo Putney, Jo Beverley, Stella Cameron and others. Then I got involved in the online services. This was in the mid-90s when online was basically three or four services and there was no widespread access to the actual internet. By the late 90s this changed and I became involved with Carmel Thomaston’s Painted Rock Writers Colony to provide research materials. At that time there was very little to be found online regarding the Regency period so I began to accumulate materials in order to provide them to writers who needed them. After Carmel’s death I basically took the regency part of the materials I had collected and began Regency Library. For other time periods and materials Research Library was created.

2. Where do you find your materials? Did you just have a big pile of stuff at your house?

I live in Charlottesville, Virginia and worked for the University of Virginia for 16 years. They have one of the best libraries in the country and what they don’t have they can get it for you. I used a lot of their materials at first. Then I discovered right across the street from the library in a little alley an antiquarian book store, which had a good selection of 18th and early 19th century materials. I began buying as I could afford the books. Later there was E-bay and I even met (through a now defunct list) a university professor who was giving his collection away. He knew what I did and sent me about 400 books which included Gentleman’s Magazines, European Magazines and half a year (1814) London Times among other goodies. I’m still going through this stuff. Eventually I had to distribute the collection over three rooms of the house and turned one bedroom into an office and another into a library.

Sometimes you come across things in very unusual places.  When I was dropping off my taxes to be done the receptionist was still at lunch so instead of waiting in my car I went to a pawn shop that is located next to the tax preparer’s to look for CD’s and DVDs. Instead of that I found an 1812 Ackermann’s Repository—with all its plates—price $50.00. I asked the pawnbroker  how he had come to have this in his shop and he said that he paid 15.00 for it and usually didn’t take such things but felt sorry for the person pawning it. I bought it and asked him why he hadn’t researched it online to see what it was worth. He said he had tried but could not find a full volume on E-bay. I distributed some of the plates from this last week to the Regency Library. Of all places to obtain Ackermann’s this was the one I never would have thought of in a million years.

I got another year of Ackermann’s in the meantime. I left a number for the pawn broker and he called me up and told me he had another set — cost more this time but wasn’t too bad and well worth it.

3. What’s the most surprising/unusual thing you’ve come across? Anything that made you laugh?
I am currently getting an exhibit together for the regency library website that involves Ladies Court Costume and court etiquette. I came across a description of one worn to the Queen’s birthday that was decorated with fossils! Had to read it twice because I couldn’t believe it. There is also a picture of the Princess of Wales in a court dress that was published in La Belle Assemblee in 1807. Just looking at that dress and her in it makes me laugh every time.

4. One thing I’ve noticed is when you spend a significant amount of time research a certain subject, one day you realize that your knowledge has become a resource in itself — you know that x and y happened, but you’re able to make connections between all the various sources. I imagine you as this treasure trove of knowledge retained from your work. Can you talk a bit about your view of the Regency period and how it’s changed (or not) over time?

I recently helped with Noel Ivor Hume’s biography of Belzoni as a literary researcher. This is when I realized that there was a connection between the actual facts of the history of that time and that literature could provide extra facts and clues to help illuminate the history and in this case it actually brought a clearer picture of Belzoni’s wife Sarah through Lady Morgan’s writings (both fiction and non-fiction) and even through the fashions of the day. There was actually a fashion plate in a Lady’s Monthly Museum showing the Belzoni fabric that was fashionable. Sometimes you go on one quest and end up somewhere you really didn’t expect to go and learning about someone that had basically been pretty much overshadowed by her husband.

I’ve learned a lot since I started with Regency Library not only about the facts of the history of that time but also a lot about the human side of the people who lived at that time. My view of it is that it’s not too different than our own when it comes to the human nature and foibles.

5. Do you read fiction? What kind?
I read historical romance—just about any time period but love Regencies and Westerns. I also read classics like the Bronte’s. I like mysteries also. My favorites are Ann Perry’s Monk series. If a book is good or sounds good from the back cover I’ll try it out. We do have a used book store here and that’s the only place I can find the old gothics so I buy some Victoria Holt and Phyllis Whitney when they have them—which is rarer and rarer now.

6. If you won a bazillion dollars, I know you’d buy me a fancy house, but what’s the second thing you’d buy?

A full, complete set of Ackermann’s Repository. Saw one at ABE for a mere 27,000! Was in great condition though.

7. Favorite Regency outfit?

Susan's Favorite Outfit

Susan’s Favorite Outfit

I like that hat.

8. You have an email-based group called Regency Library. Can you tell us a little bit about about what it is?

The Regency Library distributes both primary and secondary research documents weekly to subscribers. The documents range from late 18th century to 1830 and come from a wide variety of resources. I try to select documents that shed light on the manners and customs, basically the everyday life of the people who lived during this time period. I try to include fashion plates from one of the periodicals La Belle Assemblee, Ackermann’s, Ladies Monthly Museum and Lady’s Magazine. When I go looking for something to include in the week’s distribution I try to find something that is interesting, informative and sometimes funny. I lately came upon a book (found it through a review in one of the above mentioned periodicals) that was published in 1821 and was used for evening entertainments at home. It got a particularly bad review because the forfeit for losing some (actually more than one) of the games included too much kissing! I had to have a copy of this book and found one through ABE Books and bought it. It will be serialized this year on the list. Subscribers receive approximately 30 or 40 documents a month and we do serialize entire books/periodicals so it’s a good way for people to have searchable copies of materials without having to pay the price for owning the entire book.

9. What do you have planned for the Regency Library over the next few months?

I’m going to serialize that game book. We’ll also continue with one of my favorite research projects which are travel accounts of foreigners to England during the time period. I’m also delving into accounts of English travelers to the US during the time period because they tend to compare manners and customs in England with American manners. I want to begin making a list of what I intend to distribute during the month and send it to all subscribers with some alternative documents listed, and if they want to opt out of some of the regular things, they can substitute from the alternatives or put in an individual request. I want to tailor the list as much as humanly possible to the subscriber’s needs. I announced this to the list and the only exception would be if a request is really off the wall and I couldn’t fill the request. I’ll try to look for what is requested but if I can’t find it then it would not be done. In all the years of doing this there have been only two instances where I could not find an answer for a question either because the records had been destroyed or were in private hands in England.  I’m also going to distribute tips for doing research—like reading the reviews in some periodicals to find some real gems. Last but not least, I want to begin distributing a puzzle game weekly—crosswords, riddles, etc. that center around the Regency time period.

The Contest – Rules and Such

Void where prohibited. Must be 18 to enter. No purchase necessary. Winner will be chosen at random. Multiple comments do not increase your odds of winning. Odds of winning depend on the number of entrants and your ability to follow the rules.

To enter, leave a comment to this post by midnight Pacific March 29, 2013.

Interview with Sandy Schwab — With Book Giveaway!

The Riskies are thrilled to interview Sandy Schwab at the blog today. She helped fill in for Ammanda while she was out, so I’m sure you recall her wonderful posts here. Sandy and I are friends, and you-all know my friends are awesome. After some time away from writing while she was finishing up her PhD, she’s now back with some wonderful new books for us to read. She’ll be giving away a copy of The Bride Prize to one lucky commenter so be sure to check the rules and enter!

Q: Tell us about yourself, Sandy! In 3rd person, please.

Sandy Schwab

Sandy Schwab

Sandra Schwab started writing her first novel when she was seven years old. Thirty-odd years later, telling stories is still her greatest passion, even though by now she has exchanged her pink fountain pen of old for a black computer keyboard. Since the release of her debut novel in 2005, she has enchanted readers worldwide with her unusual historical romances.

She lives in Frankfurt am Main / Germany with a sketchbook, a sewing machine, and an ever-expanding library.

THE BRIDE PRIZE: ALLAN’S MISCELLANY 1839

Cover of The Bride Prize by Sandy Schwab

Cover of The Bride Prize by Sandy Schwab

It’s 1839, and Lord Eglinton’s tournament in Scotland is the most anticipated event of the year: he and some of his noble friends will don medieval armor and joust like knights of old.

Does this mean a revival of true chivalry? Miss Florence Marsh thinks it might.

Or is the tournament mere tomfoolery and the greatest folly of the century? Mr. Robert Beaton thinks it is.

But when Flo and Robbie meet at Eglinton Park, they’ll soon learn that a dash of romance can make the greatest differences look rather small and that true love might find you in the most unlikely place.

Read an Excerpt

Click here to read an excerpt

The Interview

1. Tell us more about your book.

THE BRIDE PRIZE is the start of a new series set in early Victorian England. In recent years much of my academic research focused on Victorian periodicals, and I thought it would be fun to use this research for my creative work as well. So the heroes in the new series are all artists and writers working for ALLAN’S MISCELLANY, a (fictional) magazine.

In the first story ALLAN is is only a few months old, and the staff consists of a grand total of two people: William MacNeil, editor and writer, and Robert Beaton, writer and chief — well, only — artist. Robbie knows that they need a big break if the magazine is to survive, and so he drags Mac to what must have been one of the strangest (and quirkiest!!!) events of the period: the Eglinton Tournament of 1839.


2. You probably get this question all the time but I’m going to ask it anyway. English is not your first language and you are German and living in Germany. What made you decide to write in English?

I’ve written stories since — well, since forever, and I’ve always wanted to become a published author. When I was 19, I started to seriously pursue publication, and for years and years and years, I tried to find a publisher. Many submissions and many rejections later, I finally realized that I didn’t write the kind of books that a German publisher would buy from a German author.

But I wasn’t quite prepared yet to give up on my dream, so I decided to try switching languages, and English was the only other language I could speak sufficiently well to make this work. This was 14 years ago, and it was the best decision of my life!

3. How is the above an advantage or disadvantage, or is it completely neutral?

Writing in English is a big advantage: it gave me access to this wonderful community of fellow authors. Over the years, I’ve met so many great people and have made so many friends I would have never met if I had continued to write in German. Moreover, I can now reach readers all around the world, and my stories travel to far away places I will never see myself.

Last but not least, love scenes are so much better in English than in German!

4. Why Romance?

When I switched languages, I also switched genres (I had been writing fantasy fiction). At the time, I loved the Outlander series by Diana Gabaldon, and I was dreaming of going to Scotland on a student exchange program (didn’t work out; I went to Galway, Ireland instead). So I started to write this lovely contemporary romance about a young German student (who looked uncannily like myself…) who goes to Scotland (the Highlands, of course!!!) as a teaching assistant and meets this tall, gorgeous (but rather annoying!) vet called Rory MacDonald. There’s much drama, several misunderstandings, a lot of rain, a small owl who can’t fly, and a teddy bear called Hermann Bear. And kilts. Because, SCOTLAND!

I had a lot of fun writing this, yet I also realised that writing contemporary romance presented challenges to my English that I probably wouldn’t be able to fully overcome. Given my love for history, it was only natural that I eventually turned to historicals.

What I love about romance as a genre is its inherent optimism. I’ve always loved historical novels, but I was turned off straight historical fiction by the high number of main characters dying in horrid ways, by exploding wax babies, and ghastly sex scenes (I hit rock bottom with a historical novel that included goat sex scenes — there was more than one goat and more than one such scene — waaaaaargh!!!!! *runs away and hides*).

[Carolyn: Boggles]

When I discovered historical romance, it was a revelation: neither hero nor heroine die at the end of the novel; the sex scenes are fun; there are no exploding wax babies; and most importantly: NO GOAT SEX SCENES!!!! And there’s a happy ending! What’s not to love?

5. Dragons. Who’s your favorite? Pictures if you have one.

Dragon!

Dragon!

I adore the work of Richard Doyle, who worked for the satirical magazine PUNCH in the 1840s, and I love the dragons and dragonslayers that appear in several of his initial letters.

As to literary dragons, I think I might have to go with an old childhood favorite: Fuchur, the luck-dragon from Michael Ende’s NEVERENDING STORY (the book is a million times better than the films, btw!)

6. I love your artwork. Love it. What’s up with all the talent? Links? Pictures? Do you ever take requests?

Awww. Thank you! 🙂 I started to sketch again in early 2012, and took my sketchbook (instead of my camera) on several trips I made that year. The trips to Berlin and to Potsdam in particular were a revelation: So many people would just stop and talk to me while I was sketching.

Potsdam Collage

Potsdam Collage

And it’s not just people: when I visited the Berlin Zoo last year, I was doing a quick drawing of a small armadillo, when I suddenly became aware that somebody was watching me. I looked up and found those two small monkeys staring at me in utter amazement. That was the sweetest thing.

Sandy's Sketch of the Berlin Zoo

Sandy’s Sketch of the Berlin Zoo

 

[Carolyn: gets all teary] That is so CUTE!!!

A selection of my drawings can be found on Flickr: https://www.flickr.com/photos/scribblingsandy/

[Carolyn: You should visit her flicker stream. So pretty!!!!!]

As to requests: Nobody has ever made any. 🙂

[Carolyn: Expect to hear from me]

7. If you were forced to reveal who you think is the most handsome man on the planet, who would you name?

Richard Armitage. It’s not just that he is good-looking, but he also appears to be a rather wonderful man. And that voice!!!! *swoons*

8. Favorite shoes?

I’ve got these really cute, red El Naturalista shoes that look fantastic together with jeans.

9. When you come to the US, do you get as confused as Americans about Celsius and Fahrenheit? Is 20 C cold or hot? I literally have no idea.

It’s horrible, isn’t it? I just tend to guess when I’m in the US. (20 C is 68 F, so it’s just warm enough to ditch the cardigan.)

10. What’s next for you?

In the course of the next three months I will release three more novellas in the ALLAN’S MISCELLANY series. I’m having so much fun with this series, with exploring the fate of my fictional magazine, with diving into real period magazines in order to find bits of real news to include in my stories (= excellent excuse for getting more period periodicals!)

Next up is FALLING FOR A SCOUNDREL, in which hard, cynical Jack Fletcher travels to the north of England in order to report on the murder of a gamekeeper. Sophy, the heroine, is the polar opposite of him: she has led a very sheltered, privileged life. She only realizes how very limited this life has been when she meets Jack and he makes her question everything she has ever known.

Where to buy the book!

Plain edition:
Kindle US | Kindle UK | Kobo
B&N will follow soon

Enhanced edition:
Kindle US | Kindle UK
Kobo and B&N will follow soon

Where to find Sandy

Website: www.sandraschwab.com
Facebook: SandraSchwab.Author
Twitter: @scribblingSandy

Giveaway!

Rules: Must be 18 to enter. Void where prohibited. No purchase necessary. Winner chosen at random from among qualifying entries. The Riskies, relatives of the Riskies, Sandy and her relatives are not eligible to enter.

To enter, answer one, two,  or all of the following questions, and/or compliment Sandy in the comments no later than 11:59:59 PM on Friday, May 16th, 2014 according to the time at this blog– which is in the EASTERN time zone.

1. What was your reaction to the goat sex book revelation?

2. If you had a dragon, what color would it be?

Go.

Interview and Giveaway With Jo Bourne

Welcome to the Risky Regencies, Jo Bourne! I am so excited to have you here to visit. Please, do come down from the pedestal I keep you on…

About Jo Bourne

Author photo of Joanna Bourne. She has short curly hair and glasses.

Joanna Bourne

Joanna lives in the foothills of the Blue Ridge with her family, a medium-sized mutt and a faux Himalayan cat. She writes Historical Romances set in England and France during the Napoleonic Wars.

She’s fascinated by that time and place – such passionate conviction and burning idealism … and really sexy clothes.

 

Where to Find Jo

Website: http://www.joannabourne.com/
Blog: http://jobourne.blogspot.com/
Facebook: https://www.facebook.com/joanna.bourne.5
Twitter: https://twitter.com/jobourne

About Rogue Spy

Cover of Rogue Spy by Joanna Bourne

Cover of Rogue Spy by Joanna Bourne

Ten years ago he was a boy, given the name Thomas Paxton and sent by Revolutionary France to infiltrate the British Intelligence Service. Now his sense of honor brings him back to London, alone and unarmed, to confess. But instead of facing the gallows, he’s given one last impossible assignment to prove his loyalty.

Lovely, lying, former French spy Camille Leyland is dragged from her safe rural obscurity by threats and blackmail. Dusting off her spy skills, she sets out to track down a ruthless French fanatic and rescue the innocent victim he’s holding—only to find an old colleague already on the case. Pax.

Old friendship turns to new love, and as Pax and Camille’s dark secrets loom up from the past, Pax is left with a choice—go rogue from the Service or lose Camille forever. . .

Read an excerpt: http://www.joannabourne.com/

Our Risky Interview

Q: At the Riskies, we love research stories. Can you tell us about some of the research you did for this book?

The problem with talking about research in a book that’s hitting the shelf now, is that I wrote it and did the research for it a year or more ago. I have trouble remembering the research I did last Tuesday, (hint: it was about small rivers in Kent,) let alone what I was looking at in April a year ago.

I do remember Rogue Spy was stuffed with foreign language — Latin and Italian mostly — but with odd bits of this and that tucked in various places. I spent the whole writing year up to my keister in lists of Latin phrases, trying to find something Classical that would work in my dialog.

The Italian about drove me crazy. (Note to fellow writers — Google Translate is NOT sufficient.) I am soooo glad I was using Tuscan, the mother of modern Italian, rather than some other two-century-old Italian dialect.

Can I give a shout out to my publisher, Berkley? They gave me a copyeditor who apparently spoke all these languages (or knew how to do really good language research.) Anything I got right, the copyeditor did it.

Q: Have you ever come across a historical fact where you just went “Huh. Who’d a thunk it?”

One factoid that struck me recently . . .

In the Work in Progress I send my protagonists riding through deserted stretches of countryside, headed from London to the southeast coast of England. The Dover to Folkestone area.

Did you know the big road running down to Dover and Folkestone is a Roman road?

Okay. Okay. Everybody else in the world probably knows this.  Maybe I even knew this.  But I’d never thought about it.

The A2, Dover to London Road, is Watling Street, a Celtic trackway that was there when the Romans invaded and started paving everything. This is probably the road Chaucer’s Pilgrims travelled.

That was all not-so-useful factoid because I didn’t use the A2. My action was better suited to the A20.

I spend a lot of my time looking at period maps.

Q: Have you ever wanted to write in another historical period?

If I couldn’t write Regency/Napoleonic War books — let’s say the market dried up or became saturated or whatever — I’d probably scuttle over to Urban Fantasy.  It would be such a relief not doing half an hour’s research to find out when the bridge in Farningham, Kent was built. (It’s Medieval.)

If I were going to write in another historical period . . . Classical Rome. What delightful, ruthless, aristocrats. What politics. What clash of ideals.

Did I mention the really cool Roman clothing?

Q: Read any good books lately?

Oh yes.  Yes. Let me list a few Historical Romances that just came out or are about to:

  • Grace Burrowes, What a Lady Needs for Christmas.
  • Donna Thorland, Mistress Firebrand. (Okay. That’s not actually out yet.)
  • Mary Jo Putney, Not Quite a Wife.
  • Jeannie Lin, Gunpowder Alchemy. (Umm … that’s another one not quite on the shelves.)
  • Shana Galen, Love and let Spy.

Q: Volcanoes. For or against?

One has to applaud the showmanship. The edge-of-the-chair anticipation. The brilliant reds and oranges. The ionized lightning that flashes from the ominous plumes of black rising to the sky.

On the other hand, there’s the possibility one of them may bring civilization, as we know it, to an end. Or destroy all life on earth.

Not good.

So I’m fence-sitting on this topic.

Q: Favorite historical weapon?

Black, well-honed, carefully balanced throwing knives.  They are not so much weapons as works of art.  But you knew I was going to say that.

Q: What’s next for you?

I’m working fitfully and with varying levels of success on the Séverine story. We will see how that comes out. Eventually.

Giveaway

We’re giving away three copies of Rogue Spy! Digital or print, winner’s choice.

Rules: Void where prohibited. No purchase necessary. Must be 18 to enter. For a digital copy, you need to be able to accept a gift card from a US-based vendor.

Winner chosen at random from among the commenters at the blog. Comment before midnight Eastern, Friday, October 31, 2014. Alternate winners will be chosen for winners who do not reply to my notification after 10 days.

To enter, comment with your guess as to Jo’s favorite color. (Being right or wrong on this has no bearing on your chances of winning, so feel free to be creative.) Like, “Jo Bourne’s favorite color is the soft blue of the sky at dusk.”

A book I’ve been waiting for is out! Naturally I bought it immediately. The author, Luke Williams, and I got in contact, and he graciously agreed to be interviewed here at the Riskies. I’m giving away a copy of his book to one commenter, rules below.

The book is Richmond Unchained, the Biography of The World’s First Black Sporting Superstar. Richmond was a boxer from the Regency era whose name would be encountered by any author doing research into boxing of the era. This is one of the most interesting, engaging biographies I’ve read in some time and I highly recommended it to anyone and everyone.

I’m not kidding you here, I stayed up late three nights running because I had to find out what happened. This is a well-written, meticulously documented, and completely engaging story of a man who deserves to be better known. With its wealth of historical and social detail, this book should be on every historical author’s shelf.

You can increase your chances of winning because over at my blog I have a guest post by Williams which is also fascinating reading and I’m giving away a copy there, too.

Richmond Unchained takes an unflinching look at the history of American slavery and Britain’s own in the slave trade and slavery. It places the racism of the time squarely in the middle of a compelling story of a man who lived with the consequences. It’s not possible to read this book and see that not enough has changed.

Richmond’s life is compelling and riveting. As you’ll see in the interview, it took Williams 12 years to complete the book, and his care and attention to detail and chronology shows.  From slavery to a position of honor at the coronation of George IV — Richmond is a man who lived an extraordinary life.

About Luke G. Williams

Author Luke Wiliams holding a drink by a pool and wearing a hat totally chilling out

Luke G. Williams, chilling

Luke G. Williams has been a journalist and writer for 16 years. He has worked as a full-time staff writer for uefa.com, sportal.com and euro2000.com, while his freelance work has been published in various outlets including The Guardian, Sunday Express, Snooker Scene, The Independent and 007 Magazine. He has appeared on numerous TV and radio channels, including ITV London, and BBC Radio Five Live. His first book, Masters of the Baize (co-authored with Paul Gadsby) was published in 2005, and was named Book of the Week by The Sunday Times newspaper. He edited the boxing writing anthology Boxiana: Volume 1 (2014) and is the author of Richmond Unchained: The Biography of the World’s First Black Sporting Superstar (2015). Luke lives in London and is the assistant headteacher of a successful secondary school.

About Richmond Unchained

Cover of Richmond unchained. A VERY VERY fit black man with no shirt and yellow beeches in a boxing post. Yeah. He's hot.

Cover of Richmond Unchained

Today Bill Richmond is largely unknown to the wider public, but he was one of the most significant sportsmen in history and one of the most prominent celebrities of Georgian times. Born into slavery in Staten Island, Richmond won his freedom as a young boy and carved a new life for himself in England as a cabinet maker and then a renowned prizefighter and trainer. His amazing life encompassed encounters and relationships with some of the most prominent men of the age, including Earl Percy, William Hazlitt, Lord Byron, the Prince Regent and Lord Camelford. His fame was such that he fulfilled an official role at the coronation celebrations of King George IV in 1821. The story of Bill Richmond is an incredible tale of personal advancement, as well as the story of a life informed and influenced by a series of turbulent historical events, including the American War of Independence, the fight for black emancipation and Britain’s long-running conflict with Napoleon Bonaparte.

(You see??? You see!!! If you write Regency Romance, you need this book. If you love the history, you should read this book.)

Get Richmond Unchained

Amazon UK | Amazon US | Amberley Books (UK) | B&N | Kobo | Google Play | iBooks

What They’re Saying

Over many years of dogged research, Luke Williams has assembled a wonderful array of new sources to flesh out the fascinating life of a man famed in his own era, but who is only recently being rediscovered by historians. Williams challenges the fanciful Wikipedia myths, and instead reveals the truth to be far more compelling. Richmond was a complex man living in complex times, and has long deserved a biography. It’s heartening, then, that the life of Britain’s first Black sports star is carefully examined by a writer with an obvious passion for his subject.
Greg Jenner, historical consultant CBBC’s Horrible Histories, author A Million Years in a Day: A Curious History of Everyday Life

Richmond Unchained is an accomplished and absorbing study of life and sport in Georgian Britain … A fascinating, and deeply researched, account of one man’s trials and triumphs as he breaches the prizefighting citadel that was Georgian London … A compelling blend of sporting and socio-cultural history, chronicling Richmond’s remarkable journey and eventual recognition as one of prizefighting’s foremost ambassadors … An enthralling odyssey, recounting Richmond’s stellar achievements fought for against the intriguing backdrop of the Georgian prizefighting world … An engrossing biography, and cultural evaluation, that accurately captures the essence of the conflicting qualities of Georgian London’s prizefighting scene.
David Snowdon, author Writing the Prizefight, Winner 2014 Lord Aberdare Prize

This modern biography of Bill Richmond, Britain’s first black boxing superstar, is in my opinion quite simply the most well written, thoroughly researched and historically accurate work of its kind ever produced. Not only does the author touch upon and explore many of the known and lesser known mysteries and themes of Richmond’s life, he also manages to successfully explain the often complicated background history of his times, and does so in a highly readable and fascinating way. If you are interested in sport, or in British social history, or in reading about an icon and trailblazer for black athletes of today, then this book should be top of your current reading list. I think this book is also going to be an inspiration for many people for a long time into the future, and all credit to the author for bringing this boxing legend out of his current state of relative obscurity and putting him back in his rightful place as the founding father of black boxing, not just in Britain, but also the world.
Alex Joanides, boxing historian, Romevillemedia.co.uk, editor Memoirs of the Life of Daniel Mendoza (2011 edition)

The Interview!

First, thank you so much, Luke, for agreeing to be interviewed! I loved your book and I’m really excited to have you here!

Q: In your book, you mentioned that your father gave you a copy of the book Black Ajax. Was that an out-of-the-blue gift or did your father have some specific reason to believe you’d enjoy that book?
A: I was incredibly lucky growing up to have a mother and father who really encouraged me to read and develop a love of books. My dad was obsessed with books, in fact I can’t remember a single birthday or Christmas gift from him that wasn’t a book! His other obsessions were betting on horse races (not large amounts I hasten to add), Buddhism and pretty much all sports. An eclectic set of interests! Boxing was one of the many sports we watched together and I developed a real interest in the sport’s rich history, particularly its importance socially and culturally. My dad knew this and when he saw a copy of Black Ajax in a bookshop in central London he guessed I would enjoy it and, boy, was he right! It’s a wonderful novel.

Q: I’ve read a lot of books about historical periods or events that are pretty thin on crucial information like dates. Your book almost always uses specific dates with month, day and year (or for you folks over the pond, day, month, year) and you note when documentation is unclear as to date. Naturally that involves some painstaking documentation and note taking. Did you have a system? How did you keep all the chronologies straight?

A: I’m so glad you picked up on this and asked about it. I realised when researching the book that a lot of information already out there about Bill Richmond was either wrong, exaggerated or had been misinterpreted. Mainly this is because boxing historians who have written about him have solely relied on Boxiana by Pierce Egan, and books such as Miles’ Pugilistica and Fleischer’s Black Dynamite which simply aren’t written with any historical rigour whatsoever or reference to any primary sources. One of my principal aims with Richmond Unchained was to assemble the most complete factual account of Bill’s life that I could so that the real facts were on record somewhere. That meant returning to birth records, marriage records, tax records etc and original newspaper reports, rather than later recycled accounts. This depth of research explains why the book took about 12 years to complete from conception to publication! I used a pretty straightforward system – I filed all my paper research by month and year in chronologically ordered folders and, once my research graduated online as the Internet took off, I did the same thing with scans of material I assembled. It was a huge undertaking, but I couldn’t even start writing the book until this volume of research had been completed.

Q: When I was looking around the web I came across your author photo. After careful examination, on the left side of the picture by your shoulder, there is clearly an aquatic creature in attack mode. Is that a Great White or the Loch Ness Monster? Which would you rather face in a duel? In a battle to the death between the shark and Nessie, who wins and why?

A: LOL! You know what? I can resolve the mystery for you of this sea creature. That mysterious shadow is actually a result of my incredibly poor photo-shopping skills. This photo was taken by the pool of a hotel in Los Angeles and originally the shadow was a female swimmer who had a rather pained expression on her face so I tried to remove her! As for Nessie versus a shark, I see Nessie as an elusive Bill Richmond type, whereas the shark would just plough forward relentlessly like Jack Holmes or Tom Shelton. Nessie / Richmond would use superior stealth and movement to tire the shark out and win with ease.

Q: Set aside for the moment the need to draw conclusions only from documented facts. Given everything you’ve read, what do you believe happened in the first Cribbs vs. Molineaux fight. How much of what happened do you think Richmond probably anticipated or was prepared for?

A: That’s the $64,000 question, isn’t it? In a nutshell, I believe that Molineaux was cheated, although I don’t think we can ever prove this beyond doubt. I think there was a ‘long count’ of some sort at some stage as well as a ring invasion, which helped tip the balance in Cribb’s favour. I think that in the back of his mind, and based on his experiences in the ring and growing up in England, Richmond knew that such shenanigans were possible. However optimistically, and perhaps naively, I think he believed these obstacles could be overcome. I know one thing for sure – if time travel is ever invented the first place I am going is Copthall Common on 18 December 1810 because I am desperate to know what actually happened!

Q: My guess is you might be a fan of boxing in general. If Richmond were transported from the past to now, what you do think he’d make of the current state of boxing? Which fighters might he admire? My impression from reading your book was that Richmond was something of a technical innovator in the sport. Do you agree?

A: Yes, I’m still a fan of boxing. I’ll admit that I’ve had my moments where I have fallen out of love with the sport, but I always seem to return to it. I don’t think Bill would be particularly impressed with the state of boxing today. I think he would admire Floyd Mayweather on a technical level, but not on a personal level, as he is pretty far removed from the concept of the gentleman pugilist epitomised by Bill Richmond! Bernard Hopkins would also win Bill’s admiration for the way that, like Bill, he has led an abstemious and disciplined existence, allowing him to box well beyond an age which conventional wisdom holds is advisable. I do believe that Richmond was something of a pugilistic innovator as well as one of the earliest and most effective trainers and fight promoters. Bill probably didn’t originate the concept of ‘boxing on the retreat’, but certainly it was an art that he perfected and succeeded in winning praise for, putting paid to accusations that such a style was ‘unmanly’.

Q: I was intrigued by the photo of you and Earl George Percy unveiling the long overdue tribute to Bill Richmond. Has the connection between the Percy family and Richmond been family lore for them (if you know) or was it something they learned of later? If there were to be a more substantial memorial of Richmond, what form would you like to see that take?

A: It was incredibly gracious and generous of George to unveil the tribute. I managed to meet him through a mutual friend who has a great interest in Georgian boxing. George told me that he only found out about the connection between his family and Bill a couple of years ago, so I think it was a piece of family folklore that had become somewhat lost in the mists of time. Once he found out, he was intrigued and looked through the archives at his family residence Alnwick for more information, but there is very little there. When my friend informed George about my book he was very excited and intrigued and kindly agreed to act as guest of honour at our event. I’m really pleased with the memorial and the kindness displayed by Shepherd Neame brewery in arranging it after I suggested the idea to them. If another memorial was to appear to Bill I would love it to be a statue on a plinth in Trafalgar Square – close to where his Horse and Dolphin pub once stood. (Hey, I can dream, right?)

Q: I would love to see a movie or BBC production about Richmond. Idris Elba could play Richmond. Who would you cast in such a production?

A: This is one my dream scenarios as I think that Bill’s life story is crying out for a multi-part BBC or HBO mini-series! I’m a huge admirer of Idris Elba, ever since I first saw him in The Wire (incidentally the best TV series ever made IMO), however he doesn’t quite fit my mental image of Bill, largely because of his build, which is larger and more imposing than Bill’s. If Idris was a little younger then I think he’d be a great Tom Molineaux. I’d cast Chiwetel Ejiofor as Bill – I think he is one of the best actors working today. His build is right for Bill, and he would be equally comfortable with the urbane and erudite side of Bill’s personality, as well as the physical challenges. He is such a versatile performer, who possesses such depth of dramatic power. Funnily enough, I went to high school with Chiwetel and had the pleasure of acting with him in a several productions. If we needed a younger actor as Bill, perhaps to play him in his late teens or twenties, then Michael B. Jordan, based on the charming mixture of vulnerability and strength he displayed in the brilliant Friday Night Lights, would be a good choice, if he could master the English accent which I’m sure Bill possessed.

Q: What’s next for you?

A: Fatherhood! My wife is expecting our first child any week now, which is incredibly thrilling. In terms of my writing and research, I want to continue to spread the word about Bill Richmond. I’ve lived with his story for so long and have such admiration for him that I want as many people as possible to know about his life. I would love it if my book resulted in more information about Bill emerging, particularly in terms of tracing any descendants. If that’s the case then I would love to produce a revised edition of Richmond Unchained in the future. I’d also like to have an expanded edition published which includes all the references and sources which couldn’t fit in with the page restrictions I was working with.

(I’ve made a start posting these on my blog at billrichmond.blogspot.co.uk). I have a couple of other ideas for books I’d like to write, which would also connect with Georgian boxing, however the process of research is so painstaking that I think any further book is a long way off. Above all, I’m looking forward to spending time with my wonderful wife and baby, and continuing in my role as assistant head-teacher of a fantastic school in south London where I have now worked for 11 years.

The Giveaway

I’m giving a copy of the book to one commenter. It’s out in digital format now, print forthcoming. So I can send you your choice. If you’re in the US, it should be pretty easy. If you’re outside the US, it’s a little trickier, but we’ll work it out. I might not be able to get you a digital copy.

Rules: Must be 18 to enter. Void where prohibited. No purchase necessary. Prize will be awarded to an alternate winner if the winner does not respond to notifications from me.

To enter, leave a comment to this blog post. If you have questions for Luke, ask away! It would be awesome if you comment about the post, but telling me what color breeches you think Richmond should be wearing is fine. (It’s yellow on the book cover.) Leave your comment by 11:59:59 PM Eastern Time Thursday September 10, 2015.
GO.

TWaLH_1600Today I’m very excited to welcome debut author Ingrid Hahn to the Riskies with her book To Win a Lady’s Heart. Welcome, Ingrid and congratulations!

England, 1811. When John Merrick, the Earl of Corbeau, is caught in a locked storeroom with Lady Grace, he has but one choice—marry her.

He cannot bear to tarnish any woman’s reputation, least of all Lady Grace’s.
Lady Grace Landon will do anything to help her mother and sisters, crushed and impoverished by her father’s disgrace. But throwing herself into the arms of her dearest friend’s older brother to trap him in marriage? Never.

Corbeau needs to prove that he loves her, despite her father’s misdeeds. After years of being an object of scorn, not even falling in love with Corbeau alters Lady Grace’s determination to not bring her disrepute upon another. However, if they don’t realize that the greatest honor is love given freely without regard to society’s censure, they stand to lose far more than they ever imagined.

What was the original impulse/inspiration for this book?

An idea had been floating around my mind for some time—a woman going into a storeroom single and coming out again engaged. I started studying tropes and was drawn back to the idea of a forced engagement. But I didn’t know what came next! Not being a plotter was something I used to struggle with, but I decided to embrace it. I decided to start writing to see what happened. So I did. And what happened was much more fun than anything I could have plotted.

Was there any special research you needed to do?

There’s a careful balance with research, isn’t there? “Here is my research, let me show you it” vs not enough period detail to evoke era.

I’m always researching clothing. First, I can’t remember what men’s pants/trousers/breeches were doing in any given year. I look it up, I find something I hope is reliable, I use it, I forget. Regency was a flux time for the lower half of men’s fashions. Sometimes I just pick something and hope it’s not too egregious an error (although I know enough not to use pants, in case you were worried). Yes, obviously we want pants/trousers/breeches OFF our heroes, but sometimes he does have to be around his mother, and she would like them to be ON, thank you very much. Second, I like the names for regency colors. I was pleased to work Pomona into this particular story because green is my favorite color. Browsing at the fashion plates imagining my characters wearing this or that is very fun for me, which is weird, because I’m not really a clothes person.

I also did some research on Regency Christmases. Eventually, though, the Christmas theme took more of a backseat to the rest of the story, so I have a very few light touches here and there, but I pulled back from going into too much detail about the food and other customs.

At the very last minute, I realized I needed to do some research on Regency stables, but between my baby and needing to do a quick turn around after the copy edits, I had to cut part of a line rather than risk another flub.

What’s difficult is sometimes not knowing what you need to research. “Nope,” ended up in this book, which wasn’t used until much later than 1811, but it wasn’t caught until the galley stage (copy editor didn’t catch it, she might not have known either). This is why it’s important to have multiple read your book before delivering to your editor, and at least some of those readers should have some knowledge of your historical time period. Sometimes you just have to accept an error, hope readers will forgive you, and do better next time.

What do you love about the Regency?

I absolutely love the Georgian era. It was a lively time, a lot was being discovered, there were wars here and wars there that add a lot of personal drama and heartbreak in a quickly changing world. The class system was still very much in place (think of Anne Elliot’s objection to Mrs. Clay marrying her father, Sir Walter—and Anne didn’t even very much like her father), so there is a lot to play with between different classes that can help drive up the conflict in a romance novel.

For the regency in particular, I love the fashions—especially earlier, with the gauzy white fabrics, and I love the Grecian hairstyles—and I love the classically inspired interior design. Plus, it doesn’t terrify me. Anything before about 1750 seems dark and incomprehensibly frightening. Everyone seems to have been mad, violent, drunk, filthy, and diseased. The Tudor and Elizabethan eras terrify me. Anything earlier—absolutely not. Nope. No way, no how. I’m a pampered modern woman too used to good dentistry and modern medicine. I like those eras, but I will leave them for other writers to write about so I can keep my cleaned-up fantasy version. Having to do the research myself would put me off them entirely.

What do you hate about the Regency?

Lack of rights for women, lack of equality among people, the idea of having to use a chamber pot (or worse), slavery and conquest in America, war, revolution in France, colonialism in other parts of the world, smallpox, tuberculosis, barbaric childbirth practices (no, please, wash your hands!)…lack modern of dentistry.

Who’s your casting dream team for the movie version?

o-jennifer-connelly-labyrinth-facebookOh! Well. Even though physically she’s not as I imagine my heroine, Grace, I would want a young Jennifer Connolly. Nobody can do unassumingly powerful and secretly vulnerable like Jennifer Connolly. She’s probably a little too beautiful to be Grace, not the Grace isn’t beautiful, but we could let that point slide.

Silhouette_of_man_facing_left_no_4For my hero I’d want a complete unknown. Someone highly trained on the stage who can do incredible acting with minute expression changes and through his eyes. I’d want the glossy magazines to all be crying in outrage: ‘They cast WHO to play John Merrick?’ and ‘Our list of who we would have cast.’ And then for him to become a huge, iconic star always best known for his breakout role in the movie made from my book.

ltroyFor the Landon Sisters’ mother, Lady Bennington, there is no question. She’s one part Mrs. Bennet, one part —Deanna Troi’s mother in Star Trek: The Next Generation. So she’d definitely have to be played by the (very beautiful) late Majel Barrett.

What do you like to read?

Everything! Well, not true. Without question, I adore historical romance. But romance is where genre fiction begins and ends for me. I’m not a huge fan of crime, thriller, or mystery. I’m too daunted by the doorstops of fantasy to even try (plus I’m a very slow reader). I dabble in historical fiction, capital-L Literature, a few classics. I’m all about voice. Voice to me is huge. HUGE. Jane Austen, in my book, no pun intended, has the very best voice in English literature—not that I’ve read all of English literature, of course. For period voice, I love Patrick O’Brian, although he wrote much later. I like his characters, too. When I (finally) read All the Pretty Horses by Cormac McCarthy, I practically got drunk on the beauty of the language. I followed it up with The Road and was blown away all over again. The story made me cry on the plane, but the language was heaven. I like sharp imagery, reinvented clichés, and having tired, old, everyday things made new and fresh—which makes me the perfect Terry Pratchett fan. Doesn’t hurt that he’s written some of the best characters I’ve ever read, either.

Thought I’m crazy about voice, I’m not really into poetry. I like Mary Oliver, Keats, and Shakespeare, but I find most poetry jarring, inelegant, and trying much, much too hard to be inaccessible. I dabble in poetry in fits and starts, and I have found a few modern poets I like, like Traci Brimhall, and, to some extent, Charles Wright.

What’s next for you?

I am thrilled beyond expression to be working with Entangled again—especially my lovely editor, Erin Molta. My current set of books follow a family, mostly sisters, through the time they fall in love while they’re still grappling with the outfall from their infamous late father’s scandalous downfall. I’m contracted for two more and I have the option of doing the final two if the first three sell well. I’ve had nothing but a wonderful experience with Entangled. I hope my books sell very, very well because I could see myself working with Entangled for quite some time. I’ve had nothing but a 100% positive experience.

Author Photo in GreenIngrid Hahn is a failed administrative assistant with a B.A. in Art History. Her love of reading has turned her mortgage payment into a book storage fee, which makes her the friend who you never want to ask you for help moving. Though originally from Seattle, she now lives in the metropolitan DC area with her ship-nerd husband, small son, and four opinionated cats.

Find Ingrid online at
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Interestingly, the tagline for To Win A Lady’s Heart is

She has lost everything but her dignity…

So, you know what I’m going to ask, don’t you. Yes.

Tell us about an undignified episode in your life.

You know, getting locked in a storeroom with an aristocrat and having to eat your way out. If you dare. Or ask Ingrid questions about herself and her book. The winner–and you don’t have to make any embarrassing revelations, although I really, really hope you will, there are other ways, see the rafflecopter options–will receive a free download of To Win A Lady’s Heart. The contest runs through midnight EST on Saturday and I’ll announce the winner on Sunday.

a Rafflecopter giveaway