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Category: Rant

This year I received NINE books to judge in RWA’s RITA contest. It appears, from online discussions, that people who are open to judging a broad range of categories can get swamped, as I have. Unless there are changes in how they do things, I may have to opt out of more categories next year, because this is going to be a challenge!

Anyway, judging the RITAs is always a mixed pleasure. Usually I find some new authors to follow, but almost always, I also run into books that use some tired old tropes I don’t see in my favorite authors’ books. Here are a few I’m braced to expect:

Tired Trope #1 – The Feisty Redhead

Red hair is gorgeous, and I understand why authors might use it in a symbolic sense, to connote passion (although I’d also argue that blondes and brunettes can be just as passionate). I do wonder about the idea that redheads are naturally short-tempered.

When I googled around, I found some historical background for this idea of the “fiery redhead” and also some articles suggesting that the gene that produces red hair may also cause an increased sensitivity to pain. So perhaps a redhead might react more strongly if one accidentally stepped on her toes? It still seems like a stretch to assume that redheads have a short fuse about everything. It’s not borne out by the ones I know. They aren’t wimps but also aren’t at all the sort to jump to erroneous conclusions or blow up at trifles.

The stories that really rub me the wrong way are the ones featuring a redheaded heroine who blows her top easily and a hero who somehow thinks this is cute. Taken to this extreme, it’s infantilizing women’s anger. I prefer to read about a heroine who can be angry with real reason and a hero who, even if he disagrees with her, will take her seriously.

Tired Trope #2 – The Rich, Handsome, Alpha Chauvinist

Sadly, in most of the batches of RITA books I’ve judged, there’s at least one book with a hero who crosses the line from alpha to abusive. He shows a consistent lack of respect for the heroine, disregards her ideas, needs and desires, and may judge her sexuality using a double standard.

In a historical romance, I can imagine a hero whose upbringing and experiences may not have prepared him for a heroine with untraditional abilities or strong passions. I still want him to be intelligent enough to recognize, accept and eventually be delighted by what he learns about her true nature.

However, I actually see as many or more chauvinistic heroes in contemporary romance. Seriously, have we not gotten past the modern hero who’s surprised when a heroine proves to be intelligent and competent? Or one who slut-shames her for having as strong a libido as his?

Even if there’s some good grovel at the end, I can’t believe in a happy ending for these couples. I see the heroine ending up in what amounts to a luxurious cage and the “hero” eventually replacing her with either a younger wife or a mistress, depending on the setting.

I want to read about a hero who loves the heroine in all her complexity. One who does not see her as a static, desirable object but a living woman, who will change and acquire new wisdom and power as she goes through various phases of her life. Because he loves her, he’ll be excited to be her companion for that journey.

What do you think? Are there other tropes you’d like to see retired?

Elena
www.elenagreene.com

2014_Black_Friday_SnowHere’s the view off my back deck. So pretty!

I have nothing very Regency for you today, except the thought that while Christmas is mentioned in many (all?) of Jane Austen’s novels, I can’t recall any mention of buying presents. Not having written a Christmas Regency, I haven’t done any intense research into the subject, but most of what I’ve read seems to revolve around food and parlor games.

unplugIf I had my way, that’s how it would still be. This whole idea of a mad rush of shopping from Black Friday to Christmas gives me the hives. I’m a firm believer in the concept of Unplug the Christmas Machine, a program for reclaiming the warmth and meaning of Christmas or any other holiday.

I’m not that excited about buying presents, maybe because I’m ambivalent about receiving them. I don’t want New Stuff when I have Old Stuff that works. I do like to get more books, music and the occasional bit of jewelry, but most people don’t know my taste well enough to choose what I’d really like. I’d rather just treat myself occasionally. So I worry about whether I’m choosing the right thing for others. That’s why in my family we use lists. But I’m fine with the idea that we could give gifts to the children and as adults, just enjoy the other parts of the holiday season.

I’m not seriously opposed to Black Friday. If any of you went out early or are out there now, I hope you were/are warm and safe and having a good time. But it is not my thing. I sometimes enjoy shopping, I’m enough of an introvert to prefer to do it when the stores aren’t too busy. In response to those ads encouraging me to “win” Black Friday, sorry, I don’t want to play.

As for shopping on Thanksgiving Day itself, I won’t do it. I believe store employees should have the day off to be with their families, if that is what they want.

But perhaps for some people, the prospect of spending a whole day with family is the very reason they’re eager to get out and shop. I get that. Some families are nothing like the ones shown in holiday advertising. Sometimes you need to get away. Personally I’m inclined to look for better solutions: ways to cope with family such as meditation or taking a walk, adapting traditions that don’t work well, finding other people to be with or spending the time volunteering.

Which makes me think a lot about holiday advertising. Commercials show those perfect-seeming families and at the same time, urge everyone to show their love—or distract themselves from the lack thereof—by spending more time in stores or online.

Is it messed up? What do you think?

Elena

(Only) historical note: The Rookeries were the notorious, filthy, crime-ridden slums of London, cleared by the Victorians, whose notorious, filthy, crime-ridden slums were cleared by the Blitz and mid-late 20th century city planners.

rookeryKeep a careful eye on your billfold. You will be assaulted by various crooks and villains intent on getting your money.

  • Hundreds of brilliant reviews? Certainly, follow me into this dark alley.
  • Make the amazon/NYT/USAToday lists? Absolutely, just let me look after your cash for a moment, be right back.
  • Copyedit your book? I’m fully-qualified, but what does it have to do with Chicago?

But here is some real advice I have received from experts who shall remain nameless (and who’ve sold much better than I have)**:

  • Write a series with at least three books every year. What they’re about doesn’t really matter, but for heaven’s sake, don’t try to be original or complicated or funny.
  • So long as one or more of the words duke, Navy Seal, alpha male spring to mind, you’re fine.
  • You don’t need to have your book copy edited or line edited or have a professionally-designed cover. You have spellcheck and photoshop, you’re ready to go.

I take the view that readers deserve better. Have we really been brainwashed to that extent by the big however-many-are-left NY publishers that that’s all we’re worth? It seems that there are writers (notoriously EL James) who have somehow tapped into the zeitgeist and who sell and sell and sell. It has nothing to do with the quality of the writing or the storytelling (or notoriously, the editing or lack thereof).

[**Yes, my sales suck. But I’m also very disappointed as a reader too, and I don’t think I’m the only one.]

I’m ending this rant with a word from the great Ursula K. LeGuin, who was honored recently at the National Book Awards.  (You can read a whole transcript of her speech here):

Right now, I think we need writers who know the difference between the production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not quite the same thing as responsible book publishing or authorship.

Thoughts?

Aren’t we lucky that books are so available to us? Today we have so many choices. Hardback books, paperback books, ebooks. We can buy books online, in mega-bookstores, small independent bookstores, stores like Target and Walmart, even grocery stores. And we can borrow books from libraries.

http://hibiscus-sinensis.com/regency/stores.htmThe invention of the printing press paved the way for making books available to more than the rare few, but even three hundred years later, during the Regency, only the wealthy could afford to buy books. A book in three volumes could cost almost one hundred dollars in today’s dollars. Books were much more affordable when lent from the circulating libraries that abounded in every English city and village.

Some were as large and well-stocked as Hookham’s on Bond Street. Others, in villages, might consist of a couple shelves of books in a dry goods shop. Subscriptions could cost a guinea a year to borrow as many books as one wished at the more expensive libraries to a few pence per book at the smaller ones.

One thing was certain at the circulating libraries of all sizes. Novels were by far the most popular books borrowed.

It is true today, as well. The most popular category of books borrowed in libraries are novels.

Today libraries are struggling to meet the needs of our changing world, especially the changing world of publishing and the effects of the economic crisis. Budgets are being cut at the same time that new technologies are becoming more and more important.

a4le_badgeOne of the struggles involves the borrowing of ebooks. Instead of ebooks making books more accessible through libraries, the cost of ebooks, sometimes 150-500% above printed books, has made it more difficult for libraries to afford the numbers of books they might have stocked on bookshelves. In response The American Library Association has announced the launch of “Authors for Library Ebooks,” an initiative that asks authors to stand with libraries in their quest for equitable access to e-books. Kicking off the campaign are bestselling authors Cory Doctorow, Ursula K. Le Guin and Jodi Picoult. Authors can sign on to this initiative here.

The ALA has been talking to major publishers, distributors, authors and agents about solutions for library ebook lending, a solution that can be fair to everyone. I think it is so important that libraries survive to offer books to those who cannot afford them and that will include ebooks more and more as epublishing grows.

What do you think?

And….Our Elena Greene is interviewed at History Hoydens today. Let’s show her some Risky Regencies support!! (and hear more about Flying With A Rogue!)

This just in! Number One London is planning a Wellington Tour! Check it out!

Time to let the inner curmudgeon out for some exercise.

So first of all we had Young Adult. Okay.

Inner curmudgeon: Couldn’t they read Wuthering Heights?

Then New Adult. Okay. I think.

Inner curmudgeon: Couldn’t they just get over themselves already and read Pride & Prejudice?

What’s next? Disaffected Late 20s? Early 30s seeking for affirmation? 40s going through marital angst (oh wait, we already have that–it’s Women’s Fiction).

Because this begs the curmudgeonly questions, What About the Grownups? What the heck are we supposed to read? Who’s writing for us? And why does the industry–and oh yes, writers, too–insist on niching us all into oblivion?

Which brings me to the subject of the week from a few weeks ago, Dear Author’s post We Should Let the Historical Genre Die and Diane’s elegant rebuttal here. It seems like historicals are filling a major niche in that editors (and some of us but so obviously not me) can have all the hot dukes they need to get through the day. But for those of us who like a bit of historical accuracy what a terrific opportunity to show young people taking on life experiences and responsibilities and all that stuff. You were either a child or an adult then, despite what your hormones thought. (Although I should add that fiction as an excuse to teach a moral lesson is just a wee bit out of date by a couple of centuries. The comment “Yes, but what does your heroine learn?” makes me growl.)

(And I should also add that we can get into squicky territory with medieval heroines in their early teens marrying aristos old enough to be their father/grandfather, but let’s not go there.)

But back to our regularly scheduled program and I think I’ve used up the parantheses quota for the day anyway. So while I’d like to say that historicals will provide some grownup reading experiences, it may not happen. I guess we’d all rather read about hot young things bumping boots, although I’m rather fond of characters who know what they’re doing after years of practice.

Thoughts, anyone?

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