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Category: Reading

Posts in which we talk about reading habits and preferences

therenegadewife Today at Risky Regencies, we are delighted to have Caroline Warfield as our guest! Caroline has a book giveaway for you and a fascinating glimpse of a Canadian setting used in her new release, The Renegade Wife. Her new post-Regency series follows the children of characters introduced in her first series. To learn more, please read on!

Traveler, would-be adventurer, librarian, technology manager—Caroline Warfield has been many things, but above all a romantic. She is now a writer of historical romance, enamored of owls, books, history, and beautiful gardens, who sits in an office surrounded by windows and lets her characters lead her to adventures in England and the far flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart.

Children of Empire

Raised with all the privilege of the English aristocracy, forged on the edges of the British Empire, men and woman of the early Victorian age seek their own destiny and make their mark on history. The heroes and heroines of Caroline’s Dangerous Series overcame challenges even after their happy ending. Their children seek their own happiness in distant lands in Children of Empire.

Caroline will give a Kindle copy of the winner’s choice of Dangerous Works or Dangerous Secrets to one randomly selected person who comments.

Book 1 in the new series is The Renegade Wife, which releases on October 12. Betrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip, he finds a widow and two children squatting in his house. He wants them gone, but his heart is not as hard as he likes to pretend. Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.

Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.

Caroline says: “When my Dangerous Series came to an end, and I looked around for my next project, I realized that I had populated my earlier books with young people who would grow up and need to search for their own happiness. A quick look at timelines of English history showed me that I would be moving into a really rich period of social upheaval and empire building. With it came exotic locations, something I particularly value. One wearies of the London drawing room after a while. The result was not just one book, but a whole new series. I named it Children of Empire.

The first books take place during the reign of William IV, the time in between the Georgian and Victorian eras. The Reform Crisis, social upheaval, growing interest in the Canadian timber industry, the expansion of the East India company, and the seeds of the First Opium War all lurk in the background of the first three books.

One major treat in researching The Renegade Wife was learning about the building of Rideau Canal. The story takes place months after the completion of the canal, certainly a wonder when it was built, and now a UNESCO World Heritage Site. My characters travel the Rideau watershed and visit Bytown, now called Ottawa.

2waterpics

The untamed river and the lock 100 feet away.

I took the opportunity to go take a look, and the locks at Ottawa—still functioning after 180 years—astounded me. So did the whole length of locks, dams, and blockhouses, all built to defend the Canadas (as the provinces were known in 1832) from those pesky Americans down south. ”  bytownlocks(1827 Commissariat Building, shown behind me in the photo, is now the Bytown museum.)

Do you enjoy following characters into the post-Regency era and more exotic locations of the British Empire? Have you ever been to Ottawa, or visited the Rideau Canal or the Bytown museum? Post a comment to be entered into the drawing for Caroline’s giveaway!

A brief excerpt from The Renegade Wife:

She pushed away from the door. “If you’re finished, I’ll clear up your dishes.

“Damn it woman, I fend for myself here.” He looked her up and down. He noticed her deep blue eyes, midnight black hair, and dusky skin. “What are you? Gypsy? Is that where you learned how to diddle a man out of his belongings?”

She drew her back up straight and squared her shoulders. The gesture pulled her dress tight across obviously ample breasts.

There’s a practiced enticement. She’s in for a surprise if she thinks that trick will work on me.

Chin high, she met his eyes without flinching. “My grandmother is Ojibwa, my father was French, and my husband was a Scot. You can despise whichever one of those your English heart chooses, or all of them, but I am not a thief.”

She grabbed her skirt and took a step toward the door. “Do fend for yourself. We’ll leave as soon as we can.”

“I’ll decide when you’re a thief,” he snarled, bringing her to a halt. “It’s my house.”

For (pre-order) purchase on Amazon.      https://www.amazon.com/Renegade-Wife-Children-Empire-Book-ebook/dp/B01LY7IRT6/

Also check out Caroline online:

Website and Blog   http://www.carolinewarfield.com/

Facebook   https://www.facebook.com/carolinewarfield7

Twitter      @CaroWarfield

There’s also a Pinterest Board for The Renegade Wife!    http://bit.ly/2aHWOr6

Please leave a comment, to be entered in the giveaway.

Thanks for visiting with us today, Caroline!

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indexRevisiting an old story intent on revising it can be a scary journey full of rocks and potholes. I’m deep in the throes of revising my old Signet Regency, The Magnificent Marquess, and I have to tell you, the process isn’t pretty! It’s not just the mess of annotated pages scattered over my dining room table and all the handwritten notes that are keyed to them, but also my precarious state of mind.

What do you think about “new and improved” versions of older books? Have you ever picked up a new version of an old favorite and read it to see if you liked it better? And did you? If you write, have you gone back to previously published work and significantly changed it? I’m not talking about just a minor tweak or correction here or there. Were you pleased with the result? Please let me know in the comments!writers-block21

While I am firmly convinced this original book can be greatly improved, I am also terrified I may make it worse rather than better.

There seem to be two schools of thought about reissuing backlist books. One is that old books are like old friends and should just be sent back out again in the same lovable form they originally presented to the world. The other is that reissuing them offers an opportunity to improve them –to fix mistakes, enliven the writing, or even indulge in the deeper surgeries (or expansions) required to improve plot, character, or motivations. What’s your experience with this, as a reader, or a writer, or both?

writing_as_professionalMost of my old Signets packed a lot of plot into a relatively short book format –the length was a requirement of the publisher’s line. I believe that by expanding The Magnificent Marquess, I can tell the story more effectively. Too much had to be left out of the original version. But one of many dangers then becomes losing the pacing, not to mention the challenge of keeping the writing tight. All the same problems of writing any original version!

I just keep reminding myself that even though these characters and their story are old friends of mine, for readers who never read the first version, this revised one will be brand new. I’ll let you know when it’s ready!! happy reading 2 peeps

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Two_women_are_arguing_in_the_street_watched_by_a_crowd._Etch_Wellcome_V0040755How better to start 2016 at Risky Regencies than with a cat fight? Not a real one, of course, but a literary one pitting Jane Austen against Charlotte Brontë.

I just read Why Charlotte Brontë Hated Jane Austen by Susan Ostrov Weisser (Daily Beast, 10/19/2013) and, intrigued, looked around and found The Austen vs Brontë Smackdown on the blog Austen Pride (5/16/2009). I also found a long discussion of Austen vs the Brontës on Goodreads, which I skimmed, but did not read.

Apparently Charlotte Brontë had never read Jane Austen until a critic suggested she do so after she’d written Jane Eyre. She studied Pride and Prejudice and, among other things had this to say:

She ruffles her reader by nothing vehement, disturbs him with nothing profound. The passions are perfectly unknown to her: she rejects even a speaking acquaintance with that stormy sisterhood…

Austen Pride makes the point that Austen, who had passed away a year after Charlotte Brontë was born, could not rebut this accusation. In Northanger Abbey, Austen did, however, parody the emotional excesses of gothic tales, of which the Brontës’ books could be included.

Of course, those of us who love Austen would also argue that there is plenty of passion in Austen’s work, although it is brimming beneath the surface. How could you not think so of Persuasion?

Austen Pride concluded that the two authors were writing from different perspectives. Austen was writing about her keen observations of the world in which she lived; Charlotte and her sisters, on the other hand, wrote what was in their imagination.

Me, I was never a huge fan of Jane Eyre. I loved the beginning when she was in the orphanage, but I never believed in the romance between Jane and Rochester. And the coincidences of falling in a ditch and being found by her long-lost cousin didn’t work for me. I also hated how Rochester treated Jane. And don’t get me started on Wuthering Heights. Heathcliff and Cathy have to die to be together? And who would want Heathcliff anyway? I preferred Edgar to Heathcliff.

I think I hold my fictional heroes to very high standards, ones that the Rochester and Heathcliff don’t quite meet. I understand the forces driving the Brontë heroes, but I much prefer heroes I can admire and even fall in love with. Heroes like Austen creates.

I also love all the finely drawn characters in Austen’s books. Their actions and feelings are much more believable to me and that gives me the sense that I’m in a real place, among real people.

But that is me, thinking on the surface of the stories, which is mostly how I read books.

What about you? Do you prefer Austen or the Brontës? Or do you like both for different reasons?

beauty&beast-vintageCan we talk about #tropes? Romance fiction is full of them, and some are specific to Regency romance. Do you have favorite tropes that always draw you to a story? Or some that guarantee you won’t pick up a book? I got a poor Amazon review for my book An Unlikely Hero mostly because it was a “house party” story and the reader was sick of those. I do wonder why she bought it!

Elena talked about a few she dislikes back in January here when she was judging Rita books –and oh, boy, that task is coming up again all too soon! But the reason tropes are on my mind today is because in my “other” little Regency author group, the Bluestocking League, we are working on a website where we intend to include what may amount to a small encyclopedia of Regency romance tropes –a list, with descriptions of each and perhaps a few words about their appeal– and we have been compiling the list to start with. Not as easy as you might think, despite the existing lists already out there!

Want a peek at our list-in-progress? Have any you think we should add? Here it is in no particular order:

Loveable Rogue/Rogues in love

Agents of the Crown secret-agent-man

Childhood Friend Romance

Protectors

Dukes

Scandal

Beauty & the Beast

Ugly Duckling/Makeoveri_love_being_estranged_mug-re330ccf88ac348ad8b2b7575bfeb37a8_x7jsm_8byvr_324

Estranged Lovers reunited

Friends to Lovers

Marriage of Convenience

Compromised

Governesses Governess

(other) Boss/Employee

Rakes

Mistaken Identity

(kidnapping) –almost always mistaken identity?

Rags to Riches

Wounded Hero/Caretaker Heroine

House Party Chatsworth-House

Masquerades (including Secret/Hidden Identity)

Road Trip/Runaways

Amnesia

Wagers/bets

my-guardian-angel-85701 Ghosts/guardian angels/magic locket–i.e. Something paranormal outside of self influencing the romance.

Soldier

Thief/highwayman/con artist  (are there any gypsy Regencies–and if so, would they fit here or as own trope?)

Hidden treasure

Murder(s)

Spies (not just Agents of the Crown–could be a soldier, a French spy, etc.)

Wills (tricky provisions and/or inheritances that play a major role in the plot)

Marrying out of one’s class (not sure how to say that more simply)

Demi-monde/light skirts

Spinsters

Widows/Widowers

InventorsMusicians 1817

Artists/Musicians/Writers

Heroes who have a profession

Naval/Sea faring

Smuggling

Politics/Parliament

Handicapped (could be hero or heroine or secondary character whose handicap is an issue)

Social Issues (including slavery, abuse of children, etc.)

Farming/Raising Horses/Animals?

Waterloo (since this seems of particular interest to some readers)

Christmas (and perhaps other  holidays)

India/Other foreign travel?

Children (stories where a child or children play a significant role in bringing the hero and heroine together)

Lots of books include more than one, and some overlap. Which books that you’ve read (or written), leap to mind when you look at these tropes?

We could talk about which favorite tropes appear in which favorite authors’ books. Or we could get into a discussion about where some of these tropes originated (besides the history of the period itself) –Austen? Heyer? Some of the early Regency writers like Cartland?

Sadly, I’ll have to leave that to you in the comments –I am really short on time this week! But I would love to hear what you all have to say about some of these tropes, or even about the list itself!

Charity to the BlindI have a “wish list’ of charities I’d like to support if I ever won the lottery. Do you? What kinds of causes do you like to support? I’m gearing up to host a fund-raising event (on Facebook) for a friend who is on the national kidney transplant waiting list (more about that later), and it made me think about subscriptions and charitable associations and fund-raising events the way they worked in the Regency. The concept of computers, the Internet, and a place called Facebook where people from all over the country –the world– could gather “virtually” for a pretend party would really blow the mind of someone from our favorite era!

Naturally, as soon as I started to delve into this topic, I realized how huge it was. So many different threads, so much information. Where even to start the conversation? So I thought about our stories, the ones we love to read and write. How often have you read (or written) characters who were engaged in supporting or championing some charitable cause? Have you come across, or written, characters who are attending events for charity as part of their London season? Or attending meetings of a philanthropical association? I certainly have read books where this is the case, but I don’t feel as though I see it often.

I think in very general terms modern society has shifted away from the kind of “giving” mindset that prevailed in Regency times, and that philanthropy is not as fundamental to our daily lives as it was then. We have higher expectations of what our tax dollars should accomplish through the government, we have “lost the religious underpinnings of society”, as one scholar put it, that helped make charity a priority, and we have a society now where a majority of women work at jobs outside the home, which robs them of the time to be actively involved in charitable works. Does that make it harder for us to imagine a world where this was not the case? Charity-Covereth-A-Multitude-Of-Sins,-Published-By-Hannah-Humphrey-In-1781

I’m talking in broad generalities, of course. But in the Regency, supporting charitable causes was much more personal, more “hands-on”, if you will. The mail was too expensive to be used to send out appeals, and of course there weren’t any telemarketers badgering people to give. (Hmm, think of that!) But there were a variety of other ways one’s generosity would be solicited.

Your local church (or I assume, the synagogues as well) would present you with causes and solicit your support. I’ve been reading Woodforde’s Diary of a Country Parson and was impressed, as he was, by the generosity of even his poor parishioners who dutifully would contribute pence whenever he put forward a need during the Sunday sermon. You might be accosted on the streets by beggars, although by the Regency there were more institutions in place to help or relocate them. And of course, your friends might beg you to support whatever cause had caught their attention, through a subscription or attendance at an event. (Getting back onto more familiar ground!)

RolwandsonSelectVestryBesides these types of what is called “casual charity”, there was organized giving. This includes giving of alms, paying the poor rate tax (set up by the Elizabethan Poor Law of 1601, administered by the parishes and based on land and buildings, it funded the workhouses –“indoor charity”—and “outdoor charity” such as the dole, clothing, and food, among other things), or supporting any number of philanthropic organizations and associations. Bequest charities administered by parishes and guilds had a long history, but “associational charity” began to grow in the middle of the 18th century after it became illegal to establish charitable trusts through a will at death.

Foundling_HospitalThe famous Foundling Hospital was the first of these new kinds of socially active charitable foundations. The Marine Society (which placed poor adolescent boys into careers at sea), and The Magdalen Hospital for Penitent Prostitutes soon followed, and then many more, focused on particular social problems, and dependent on public support. Annual subscriptions, publicity campaigns through pamphleteering, and charity events including concerts and balls were all employed. Some societies levied a weekly fee on members to support their work. Medical charity took on a new approach, too, with the establishment of charity hospitals, dispensaries, and asylums. As we see so often, these changes were the beginning of a more modern way of thinking and doing, well established by the Regency period. There’s a great article here.

I tackled this topic because on October 30 I am hosting a “virtual” Halloween Party on Facebook, and any of you who are reading this (and are Facebook members) are invited! It’s going to run 4pm-midnight (Eastern) so you can drop in at any time. It is a fund-raising event, so I am asking people to donate $15 –or whatever amount they wish – to my friend’s fund at the Help Hope Live Foundation. (Her name is Joyce Bourque). If you would like to come to the party, you can send me a “friend” request (Gail Eastwood-Author) or drop me an email, or I think you can just find the event page I will be setting up and ask to be invited in. (I think we’re calling it “Virtual Halloween Party for Joyce Bourque’s Kidney Fund” and I hope to have it set up this weekend!) I am also going to set up a dedicated email address where non-FB folks can leave Joyce a message of support or Halloween wishes. As you may –or may not—know, people who are on transplant waiting lists are required to do fund-raising while they wait, every year. These folks have to show that they can cover their part of the cost to save their lives, or be dropped from the list. Foundations like Help Hope Live are designed to hold and manage the funds until they are needed. Here’s a link to the foundation: https://helphopelive.org and here’s a link to Joyce’s page there, if you’d like to “meet” her! If you like, you can pretend her page is a handbill that I passed to you when I stopped in for tea! J

Meanwhile, let’s chat about whether charity giving belongs in Regency romances or not. What do you think? Please comment below.