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Posts in which we talk about reading habits and preferences

TheProposal400x600Today the Riskies welcome guest Margaret Evans Porter! Margaret and I have been friends since early days in my career, and I was a huge fan of her work even before that. The Proposal is one of my absolute favorites among her books, so I am very excited that a new edition will be released tomorrow!! Margaret is offering a print copy of The Proposal to a randomly chosen winner among those who comment by the end of this week, so please share your thoughts with us below after visiting here. And read on to find out about a new project she has coming out next month, as well!

mepatberkeley

Margaret Evans Porter

Margaret is the author of 11 novels and 2 novellas published in hardcover, paperback, digital editions, and in translation. She earned the Best New Regency Author award from Romantic Times Magazine with her first book, and later novels received multiple award nominations. She has also published nonfiction, poetry, and her photography, and is a trained actress who has worked on stage and in film and television. All this and she is also a historian and an avid gardener! But I should let HER tell you.

What’s the premise of The Proposal?

A: In 1797, Sophie Pinnock, a botanical artist and the widow of a famous landscape designer, is employed by the Earl of Bevington to alter the ground of his newly inherited castle in Gloucestershire. She would much prefer to restore the gardens to their original state than replace them. After many years living in Portugal, her employer has returned to England to claim his title.

Where did the idea for this particular story come from?

mepgarden

Margaret’s garden

A: It was the dead of winter in New England, the world was buried under snow–much like this winter! My coping mechanism was to design new rose beds that would feature historic period roses from Medieval times to the Regency and Victorian eras. I had recently spent time at a Gloucestershire castle. I ended up with a 2-book contract as well as an expanded garden!

Where did you turn for research?

A: I had already amassed a collection of historic gardening guides and price lists from the 17th, 18th and 19th centuties. My mother is a rose gardener, so I was raised with historic roses and books about them. On trips to England I visited intact gardens from earlier times.

What aspects of the research itself most intrigued you?

A: There was a raging debate about landscape design at that very time, when Humphrey Repton was altering many formal gardens to conform with his more “natural” style–popular with some people, and criticised by others. I was able to rely on primary sources, like the Red Books that Repton created for his clients (Sophie provides her clients with Blue Books!) And I’m always happy when I can wander through English gardens, so that was particularly appealing to me.

Do you have a favorite scene in this book?

A: I managed to include a scene in which Sophie debates Humphrey Repton himself, because–quite conveniently–he had clients in the neighborhood.

What would you say is “risky” about this book?

A: It seems “risky” to us nowadays, the concept of a female businesswoman in the late 18th century or Regency. But there is so much precedent! Many a widow, through financial necessity or entrepreneurial desire, took on responsibility for her late husband’s businesses. I think it’s a disservice to these women to bury the record of their achievements, and in some cases their innovations–Mrs. Eleanor Coade, who developed Coade stone, Hester Bateman the Silversmith, Rolinda Sharples the artist, Mrs. Sarah Baker the theatre proprietress who developed the theatres of southeast England. These are the notable names, but how many more must there have been that we do not know?

Another aspect of “risk” concerns opium addiction, and to a lesser extent, attitudes and suspicions about sexual orientation. Both of which have an effect upon the secondary mystery plot.

How long have you been writing?

A: I’ve been writing stories since I could hold a crayon in my fist. I became a publisher-editor-author at age 9 or 10 when I founded a class newspaper. My family is packed with writers, so it wasn’t an unusual path for me to follow. My mother, who taught me to read quite young, says she always knew I would be a writer.

What aspects of your own personality show up in your stories?

Rose from Margaret's Garden

Rose from Margaret’s Garden

I’m everywhere. I create gardens and grow roses–so does Sophie in The Proposal. I performed on stage for many years, and studied dance–I’ve written novels featuring an actress, a dancer, and an opera singer. Like Oriana in Improper Advances, I play the mandolin. I mine the places in Britain or Ireland where I’ve studied, lived and/or travelled and use them as settings for my stories. My dogs turn up in books as members of my characters’ households.

Do you find that your training in theater is helpful to you as a writer?

A: It’s immensely helpful, in a variety of ways. Performing period plays immersed me in the idiom of past times, I was speaking dialogue uttered by the people who lived in the eras about which I write. From a very young age I was required to do intensive character biographies, creating backstories for the people I was portraying–this often required in-depth research into social customs, education, upbringing, styles of speech, popular books and music. And of course I was wearing costumes–corsets, petticoats, full skirts, strange shoes–and carrying fans and having my hair dressed and so on. Those experiences were extremely valuable, as you might imagine!

Which book, if any, was the most difficult for you to write, and why?

I would say my new historical biographical novel, A Pledge of Better Times, for several reasons. It is entirely fact-based, all the characters were real people of the late Stuart court–monarchs and aristocrats. PledgeCover400x600Historical events provided the structure, the research was intense and took place over many years between other commitments. (For example, my productivity suffered a little during my 2 terms in the state legislature. But some sections of the novel were written surreptitiously during boring floor debates!) I don’t remember that any of my Regencies or historicals were difficult to write, although I did have to manage a very quick turnaround on an option book proposal while visiting friends in England. Almost every character in that book, Improper Advances, except the hero and heroine, were historical persons, so my fictional story needed to tie in with historical reality.

You now have a second website (www.margaretporter.com) for your mainstream historical novels, featuring real people from history. Your April release, A Pledge of Better Times, is the first of these. Tell us a little bit about this new direction in your writing?

A: In my youth I read many YA biographical historical novels, and my ambition to write mainstream historical novels dates from that time. It took a long time for the right story to find me–that of Lady Diana de Vere, and of Charles Beauclerk, 1st Duke of St. Albans (bastard son of King Charles II and actress Nell Gwyn). It was sparked by some genealogical research, and caught fire after I became acquainted with a direct descendant of theirs. I spent years carrying out the research all round London–at Kensington Palace and Hampton Court and the Tower–as well as in Holland at The Hague and Paleis Het Loo. And Versailles. This book also features the development of formal gardens!

A Pledge of Better Times, will be available in print and as an ebook in April. It has just been named one of the “Books to Read in 2015” by the Book Drunkard blog–very exciting.

Where can readers go to get in touch or learn more about your books?

Website: www.margaretevansporter.com
http://www.facebook.com/AuthorMargaretEvansPorter
@MargaretAuthor on Twitter.

Risky readers, don’t forget to post a comment if you’d like a chance to win a print copy of The Proposal! Margaret Evans Porter, thanks so much for visiting with us today!

The Proposal:

When a lonely young widow and a mysterious earl clash over a neglected castle garden, suspicion and secrets threaten a blossoming love.
“Part romance, part mystery, a highly entertaining read.” –M.K. Tod, author of Lies Told in Silence
“Very sensual…lush in detail. Her characters have as much depth as the settings, and the gardens provide a wonderful backdrop for a tender love story.” –Affaire de Coeur
“Decidedly different…totally believable and deeply heartfelt.” –Rendezvous

Print on Amazon:

http://www.amazon.com/Proposal-Margaret-Evans-Porter/dp/0990742091

Kindle on Amazon:

http://www.amazon.com/dp/B00UKI0UAC

With some pride I can claim I’m ahead of the curve here. Next year, 2016, is the 300th anniversary of the birth of the famous landscaper and designer Lancelot “Capability” Brown, who transformed the grounds of English stately home. Today, however, is the anniversary of his death in 1783. You can visit capabilitybrown.org for lots of information and plans for next year.

An anonymous obituary of Capability Brown reads: Such, however, was the effect of his genius that when he was the happiest man, he will be least remembered; so closely did he copy nature that his works will be mistaken.

And that’s pretty much true. We have come to associate his hallmark “Serpentine” style–gentle undulations of land, curving rivers and drives, circular clumps of mature trees–as what we expect to see when visiting an English historic house. Brown never saw his completed work, trusting to nature and time to finish the job.

He is thought to have worked on over 170 gardens in his 35-year career. He began his career as undergardener and then head gardener at Stowe, one of his most famous creations:

stowe_grecian_vale_originalHere’s his plan for Bowood House, with the Grecian temple on the right (east) point and how it looks today:

bowood_plan_originalBowood-House-Foto-WikipediaBlenheim Palace:

blenheim_palace_originalPetworth House:

petworth_house_garden_originalAnd talking of Capability Brown (his nickname came about from assuring his clients that their estates held great capabilities), let us not forget Terry Pratchett’s fictional Bergholt Stuttley “Bloody Stupid” Johnson from Discworld:

His efforts in landscape design are especially noteworthy, and the Ankh-Morpork palace gardens are considered to be his greatest accomplishment. It is here that we find such creations as the hoho, which is a fifty foot deep ha-ha, the gargantuan beehive currently used as a pigeon coop in the absence of ten foot long bees, a structure referred to only as the “Johnson Exploding Pagoda”, iron patio furniture that melted and crazy paving that committed suicide, and the chiming sundial that also tends to explode around noon. In the palace grounds is also a maze so small that people get lost looking for it. Another notable feature is the ornamental trout lake, built long, but, sadly, only one inch wide. It currently houses one trout that is quite content provided it doesn’t want to turn around. “Perfect for the dieting fish”. At one point there was also an ornate fountain which, upon being turned on, did nothing but groan ominously for several minutes before firing a small stone cherub a thousand feet into the air. Read more

I’m wondering if there are any books with landscape designer heroes or heroines. Enlighten me! Or tell me which historic homes you’ve visited, or would like to visit, in England.

This year I received NINE books to judge in RWA’s RITA contest. It appears, from online discussions, that people who are open to judging a broad range of categories can get swamped, as I have. Unless there are changes in how they do things, I may have to opt out of more categories next year, because this is going to be a challenge!

Anyway, judging the RITAs is always a mixed pleasure. Usually I find some new authors to follow, but almost always, I also run into books that use some tired old tropes I don’t see in my favorite authors’ books. Here are a few I’m braced to expect:

Tired Trope #1 – The Feisty Redhead

Red hair is gorgeous, and I understand why authors might use it in a symbolic sense, to connote passion (although I’d also argue that blondes and brunettes can be just as passionate). I do wonder about the idea that redheads are naturally short-tempered.

When I googled around, I found some historical background for this idea of the “fiery redhead” and also some articles suggesting that the gene that produces red hair may also cause an increased sensitivity to pain. So perhaps a redhead might react more strongly if one accidentally stepped on her toes? It still seems like a stretch to assume that redheads have a short fuse about everything. It’s not borne out by the ones I know. They aren’t wimps but also aren’t at all the sort to jump to erroneous conclusions or blow up at trifles.

The stories that really rub me the wrong way are the ones featuring a redheaded heroine who blows her top easily and a hero who somehow thinks this is cute. Taken to this extreme, it’s infantilizing women’s anger. I prefer to read about a heroine who can be angry with real reason and a hero who, even if he disagrees with her, will take her seriously.

Tired Trope #2 – The Rich, Handsome, Alpha Chauvinist

Sadly, in most of the batches of RITA books I’ve judged, there’s at least one book with a hero who crosses the line from alpha to abusive. He shows a consistent lack of respect for the heroine, disregards her ideas, needs and desires, and may judge her sexuality using a double standard.

In a historical romance, I can imagine a hero whose upbringing and experiences may not have prepared him for a heroine with untraditional abilities or strong passions. I still want him to be intelligent enough to recognize, accept and eventually be delighted by what he learns about her true nature.

However, I actually see as many or more chauvinistic heroes in contemporary romance. Seriously, have we not gotten past the modern hero who’s surprised when a heroine proves to be intelligent and competent? Or one who slut-shames her for having as strong a libido as his?

Even if there’s some good grovel at the end, I can’t believe in a happy ending for these couples. I see the heroine ending up in what amounts to a luxurious cage and the “hero” eventually replacing her with either a younger wife or a mistress, depending on the setting.

I want to read about a hero who loves the heroine in all her complexity. One who does not see her as a static, desirable object but a living woman, who will change and acquire new wisdom and power as she goes through various phases of her life. Because he loves her, he’ll be excited to be her companion for that journey.

What do you think? Are there other tropes you’d like to see retired?

Elena
www.elenagreene.com

It’s that time of year again, when everyone makes their Best-Of lists, and who am I to buck a trend? So here are some of my favorite discoveries from the many hours I spent reading, listening to podcasts, or watching TV this year. Note that they’re not necessarily from 2014–I’m always behind on my TBR or belatedly jumping on a TV bandwagon–but they’re all still available for download and waiting to become your 2015 discovery!

My 5 Favorite Romance Reads

  • The Stolen Luck (Shawna Reppert, 2013) – m/m fantasy romance with excellent character development and world-building.
  • Stolen Luck

  • The Lucky Charm (Beth Bolden, 2014) – a fun sports romance that won my fangirl heart by getting the baseball right.
  • Sweet Disorder (Rose Lerner, 2014) – wherein my awesome critique partner Rose writes the freshest, most different historical romance I’ve read in ages.
  • Eleanor and Park (Rainbow Rowell, 2014) – I don’t think I can say anything about this amazing YA that hasn’t already been said. Go read it.
  • The Sharing Spoon (Kathleen Eagle, 2013) – IMHO nobody writes Native American romance better. If you’ve never read Eagle before, this holiday anthology is a great place to start.
  • 5 Favorite Fiction Reads from Other Genres

  • Hild (Nicola Griffith, 2013) – Usually books that everyone and their book club is reading don’t work for me, but this was a huge exception.
  • Hild

  • Boxers & Saints (Gene Luen Yang, 2013) – If my 10-year-old daughter weren’t so into graphic novels, I doubt I would’ve ever started reading them myself…and I never would’ve discovered this poignant, lyrical look at both sides of the Boxer Rebellion.
  • Code Name Verity (Elizabeth Wein, 2012) – Another book that’s already received wide praise. So, yeah, I loved it too.
  • Sparrow Hill Road (Seanan McGuire, 2014) – At the time I read it I didn’t expect this fantasy ghost story to make my best-of list–it didn’t feel big enough, somehow–but it’s stayed with me better than most of what I read this year.
  • Rilla of Ingleside (LM Montgomery, 1921) – A re-read that felt like the perfect way to mark the centennial of WWI.
  • 5 Favorite Nonfiction Reads

  • Marathon: The Battle that Changed Western Civilization (Richard Billows, 2011) – Since I’m completely fascinated by the Greco-Persian Wars AND inclined to think that Athens and the Battles of Marathon and Salamis should get some of the attention usually reserved for Sparta and Thermopylae, this book was my catnip.
  • An Empire on the Edge: How Britain Came to Fight America (Nick Bunker, 2014) – The three years leading up the the outbreak of the American Revolution, told mostly from the British perspective. If you’re interested in the era, I recommend this look from another angle.
  • Empire on the Edge

  • Time Warped (Claudia Hammond, 2013) – A compelling, well-written popular science book on how the human brain conceptualizes time.
  • Thank You For Your Service (David Finkel, 2013) – A tough but important read about the lives and struggles of soldiers trying to reintegrate into American society after deployment to Iraq.
  • Hyperbole and a Half (Allie Brosh, 2013) – An illustrated memoir that manages to both be hilarious and contain the most visceral and informative description of depression I’ve ever read.
  • 5 Podcasts I love
    Before this year I barely listened to podcasts. Now I depend upon them to keep my brain occupied while doing housework and when there’s nothing good on NPR during my commute.

  • The DBSA Podcast – Intelligent, insightful, and often hilarious discussion of the romance genre from Sarah of Smart Bitches, Trashy Books and Jane of Dear Author.
  • Pop Culture Happy Hour – Pop culture analysis, NPR-style.
  • Revolutions – History’s great revolutions. So far Mike Duncan has covered the English Civil War and the American Revolution, and he’s in the midst of the French Revolution. Witty and informative.
  • The History of Rome – A delightfully long podcast series covering Rome from Romulus & Remus to Romulus Augustulus, also by Mike Duncan.
  • Inquiring Minds – Science and what it means for you.
  • 5 TV Shows I Don’t Miss

  • Sleepy Hollow has stumbled a bit in its sophomore season (in my opinion, but I’m by no means alone in it). It’s still all kinds of crazy fun, and Tom Mison is easy on the eyes…
  • Ichabod

  • Miss Fraser and I are enjoying the Twelfth Doctor and looking forward to the Doctor Who Christmas special.
  • And she and I will mourn together after we watch the series finale of The Legend of Korra tonight.
  • One show I do NOT watch with my daughter is Game of Thrones
  • And last but far from least, I never miss a new episode of Chopped.
  • What about you? What are the favorite things you’ve read, watched, and heard in 2014?

    I am recycling a post from  a few years ago when Thanksgiving and the birthday of George Eliot, born November 22, 1819, coincided.

    Let us give thanks for George Eliot. Highly literate and educated despite being born into the sort of provincial society she depicts in her novels, she left England at the age of thirty after the death of her parents and traveled in Europe, returning to become a writer for the Westminster Review. Her life was unconventional (she lived out of wedlock with a married man, George Henry Lewes, for years–as she grew in fame and fortune Victorian society accepted the liaison. After Lewes’ death she married a man twenty years her junior; go, girl. And she earned a living as a writer, “coming out” as George Eliot, a name she adopted early in her career.). Interestingly Eliot’s books rarely turn up on lists of “my favorite romance novels” in the company of Pride and Prejudice and Jane Eyre.

    Why? Here’s a reason, in her own words:

    Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic – the gradual conquest or irremediable loss of that complete union which makes the advancing years as a climax, and age the harvest of sweet memories in common.

    Consider Middlemarch, possibly her greatest work, where the emphasis is on the community itself and the burgeoning romances are only part of the big picture. She subverts the marriage of true minds–Lydgate and Dorothea, two peas in a pod of innocence and idealism–and instead pairs them with partners who, in Lydgate’s case, are far their inferior. rsewellAnd Dorothea and Rufus Sewell, oops, Will Ladislaw–well, I can only conclude that he’s great in the sack and has the right sort of politics, certainly nothing to turn up one’s nose at, yet I digress–I’m left feeling that she sacrifices herself to romance. And I certainly think Mary Garth could have done better than Fred Vincy. Of course Eliot was smart enough to know that if she paired up Lydgate and Dorothea, there would be no book; that the troubling and imperfect relationships and their uncertain outcomes makes the book a brilliant masterpiece.

    Now I love Daniel Deronda for similar reasons–the relationships aren’t what you think they’re going to be–and there’s no overt happy ending but a huge amount of interwoven complexity. She took the risk of trying to write about a truly good hero–Daniel, making a journey of discovery into his origins, forging his own destiny–and even she couldn’t quite do it. Daniel is really only interesting when he’s suffering, upon rare occasions, some sort of negative feelings–when he acknowledges his own snobbishness in becoming associated with a family of Jewish shopkeepers (oh, the vulgarity! How embarrassingly materialistic they are!). So Daniel is the turkey at the Thanksgiving dinner, handsome to look at, but a bit bland and occasionally dry. The rest of the book–the gravy and yams and cranberries and the rest of the delicious accompaniments, the fabulous secondary characters and their love interests and concerns–is Eliot’s unconventional triumph.

    Have a great Thanksgiving, everyone.

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