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Category: Reading

Posts in which we talk about reading habits and preferences


I posted this press release on my own blog a few days ago, and thought it was newsworthy enough to post here, too (and there are questions for you to answer at the end):

SPEND A SHARPE, ACTION-PACKED SUMMER WITH BBC AMERICA

-Romantic war saga stars Sean Bean

Every Saturday night this summer, BBC AMERICA takes viewers on a sweeping two-hour journey to a new land, a new battle, and a new set of potential love interests with the epic romantic war saga Sharpe. Created by novelist Bernard Cornwell and starring Sean Bean (North Country), Sharpe chronicles the victories and loves of the legendary fictional Napoleonic war hero, Richard Sharpe. BBC AMERICA is showing the complete fifteen-episode series from the first episode, Sharpe’s Rifles, through to the U.S. premiere BBC AMERICA co-production, Sharpe’s Challenge, shot in India. Sharpe’s Rifles premieres Saturday, May 27, 9:00 p.m. ET/10:00 p.m. PT.

Sharpe’s Rifles begins in 1809 when Sharpe is a scrappy Sergeant. After bravely saving the life of a distinguished Captain, he is quickly promoted to Lieutenant and charged with a company of men slated for a rescue mission in Portugal. Throughout June, BBC AMERICA features channel premieres Sharpe’s Eagle, Sharpe’s Company, Sharpe’s Enemy and Sharpe’s Honor. In July and August, BBC AMERICA features channel premieres, Sharpe’s Gold, Sharpe’s Battle and Sharpe’s Sword and the brand-new, never before seen U.S. premieres Sharpe’s Regiment, Sharpe’s Siege, Sharpe’s Mission, Sharpe’s Revenge, Sharpe’s Waterloo and Sharpe’s Justice.

September brings the U.S. premiere of BBC AMERICA co-production, Sharpe’s Challenge, shot entirely in India. The fate of an empire rests in one man’s hands in Sharpe’s Challenge. Two years after the battle of Waterloo, dispatches from India warn that a local Maharaja is threatening British interests. Wellington sends Sharpe to investigate on what turns out to be his most dangerous mission to date.

For up-to-the-minute information on BBC AMERICA, forthcoming U.S. premieres, art work and news from the channel, log on to www.press.bbcamerica.com.

Seeing this made me think of many, many questions. I love reading the Sharpe series (and have never seen the series, so I am way excited), not so much for its time period (Regency), but for the amazing way Bernard Cornwell has with a battle scene, and his ability to throw in some surprising twists even through the course of what appears to be a normal action-packed novel. His writing is so fluid, and so compelling, I learn history without even noticing it. I’ve read his books set in the Middle Ages also, and he has a Civil War series I’ve gotten a few books of, but haven’t read yet.

So–have you read Cornwell? Do you like his writing? If you’ve read the Sharpe series, is Sean Bean a good Sharpe? What other series (historical or otherwise) would you like to see made into movies? Do you find that once a book has been translated to film that it limits the way you imagine the characters? What’s the best book to film adaptation have you seen? And the worst?

Thanks for answering–

Megan
www.meganframpton.com

Please note our sidebar now contains all sorts of great links: Riskies’ author websites and blogs, interviews, other writers’ and readers’ blogs, review sites and delicious Regency sites in which one can lose oneself and not wish to be found again.

Thanks to everyone who has given us links from their blogs and websites. We are delighted to finally return the favor!

Elena

P.S. Kathleen Bolton and Therese Walsh at Writer Unboxed have posted the article they co-wrote with Elena on “Lessons from the Lord of the Rings”. Read it for lots of geeky analysis of what writers can learn from the choices made in adapting the trilogy for film, along with only a teensy bit of gushing over Sean, Viggo, Orlando, etc…

P.P.S. The image above is of part of a Georgian emerald paste parure at www.georgianjewelry.com. In case you have $8550 just lying around…

Posted in Reading, Research, Writing | Tagged | 3 Replies

As some of you may know, I have the fantastic job of being the Community Manager for the Heroes and Heartbreakers website, and part of my fantastic job is to find things that are relevant to romance novels.

So one of today’s finds is that rereading, or rewatching, favorite pieces is not an obsessive act (despite how many times some of us might have viewed certain of our favorite actors performing certain favorite acts).
Rather, it’s an opportunity for our minds to re-analyze what we’ve seen or read to find new layers of meaning in it. Which totally justifies all the times you’ve watched whatever version of Pride and Prejudice most floats your boat.
So if you reread favorite books, or watch favorite films, what have you discovered most recently in your last re-whatever?
Posted in Reading | Tagged | 4 Replies


Last week, I attended the New England Chapter of the Romance Writers of America Conference.

But this post is not about what I learned about craft, Regency undergarments, writing sex scenes, themes and images, and what it sounds like when a room full of women hears there’s chocolate about to be served.

This is about not reading. During one of the workshops, the presenter mentioned Harper Lee’s To Kill A Mockingbird and said everyone should have read it, and if you hadn’t, shame on you.

I’ve never read it. How could this have happened? I’m totally embarrassed. I don’t know exactly how I missed it; I was an English major in college, before that took a lot of high school English classes, both my parents were avid readers. And somehow, I missed it.

It’s not like I haven’t read a lot of classics; besides the ubiquitous Jane, I’ve read all of Dickens, Fitzgerald, Wharton, and various books by Nabokov, Faulkner, Steinbeck, Woolf and Hammett (for fun, check out the top 100 list, but don’t get in a tizz about the inclusions and ommissions; it’s not worth it). I’ve read indiscrimately, but have never opened Ms. Lee’s classic, and only, work.

So–have you read TKAM? Do you agree it is a classic? What classics have you missed out on? Do you plan to read them in the future? What makes a classic, anyway? And do you think I should feel as ashamed as I do?

Thanks–

Megan
www.meganframpton.com

Posted in Reading | Tagged , | 18 Replies


What are your favorite opening lines? What makes the opening sentence of a book compel you to read on, and do you think those all-important first words should shout or whisper? Here are some of mine:

David Copperfield by Charles Dickens
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anyone else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe), on a Friday at twelve o’clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.

Jane Eyre by Charlotte Bronte (and I’ve raved before on this very blog about the wonderful stark simplicity of this sentence, but I have to throw it in again. Truly, less is more!)
There was no possibility of taking a walk that day.

Rebecca by Daphne du Maurier (look! She’s writing in iambic pentameters!)
Last night I dreamed I went to Manderley again.

Fast Women by Jennifer Crusie
The man behind the cluttered desk looked like the devil, and Nell Dysart considered that was par for her course since she’d been going to hell for a year and a half anyway.

Emma by Jane Austen–a masterly portrait of a heroine cruising for a bruising, but I can’t figure out how or why!
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

Finally, to clear the literary palate, the opening line of Paul Clifford by Edward George Bulwer-Lytton (an example of more being less):
It was a dark and stormy night; the rain fell in torrents–except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

(and a reminder, by the way that the official deadline for the Bulwer-Lytton Fiction Contest is April 15, only two days away!)

You are hereby invited to share your favorites!

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