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Category: Reading

Posts in which we talk about reading habits and preferences


Today is the day the Romance Writers of America announce the list of finalists for the Golden Heart and RITA awards. RWA says, “The purpose of the RWA contests–RITA and Golden Heart–is to promote excellence in the romance genre by recognizing outstanding romance books and manuscripts.” These two contests are the big fish in the little pond of romance writing.

Or, as I explain to my non-romance friends, it’s like the Oscars, but for romance books. Finaling in either contest is a huge honor, at least among romance authors. I wonder, however, how important that “Golden Heart Winner!” or “RITA Award Winner!” emblazoned across the top of the book is important to readers (and no, I am not just saying that because I am doubtful of finaling myself). Reviewing the list of past RITA winners is impressive; reviewing the list of past Golden Heart winners is just as fun, especially since some of those authors have since been published.

But does it mean anything? I don’t know, but I am still hoping against hope I get a phone call today from the RWA office in Texas. Barring that, I hope one or more of my fellow Riskies get the call.

So–have you ever been more interested in a book because it’s won an award? If you’re a published author, do you enter these kinds of contests? What do you get out of them? If you’re unpublished, have you found contests to be helpful in forwarding your career?

And–before you answer any of that–wish us luck!

Megan
www.meganframpton.com

Posted in Reading, Writing | Tagged | 4 Replies

I’m always interested in hearing what verbal pet peeves people have. (I’m alliterative today, I see! Please pardon my prankish prose.)

Some people don’t approve of a sentence like “Hopefully it will rain today” — they think that “hopefully” should stop being naughty and start behaving like a regular adverb. I think it’s fine and dandy, and this construction is extremely useful.

Some people don’t like splitting infinitives. I think such reservations are ridiculous, and were introduced into English at a very late date anyway, so don’t even have the weight of tradition behind them.

But just when I start to think I’m a language “liberal”, believing (as I do, for the most part) that language change is normal and healthy, and there is no “right” way to talk (or write), I come face to face with my, er, tastes. Tastes? Perhaps I should be honest and call them prejudices. There are just some words, spellings, phrases, and grammatical errors that drive me bonkers. So I will share some of my pet peeves here, and please share yours too! And if you want, do go ahead and tell me my pet peeves are ridiculous.

WORDS, SPELLINGS, AND PHRASES I UTTERLY LOATHE:

alot
alright
bobbed wire (or bobwire)
congradulations
could care less (for couldn’t care less, unless used sarcastically)
decimate (for exterminate — decimate means killing ten percent)
infer (when imply is meant)
lay (used for lie)
literally (when used as merely an intensifier; e.g. “Paris Hilton is literally American royalty”)
more unique, most unique

WORDS, USAGES, AND PHRASES THAT I KNOW ARE ACCEPTABLE NOW, BUT WHICH I HATE ANYWAY, AND AM WILLING TO JOIN THE ARMY OF RESISTANCE AGAINST:

comprise (in the modern American sense)
livid (meaning either red or angry)

Well, that’s all I can think of at the moment. What are your pet peeves? Do any of my pet peeves strike you as small-minded? Please share!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — out now from Signet!!!!

Posted in Reading, Writing | Tagged | 19 Replies

First, a quick apology for the inherent bias in this question. It’s so unfair, yet I’ve noticed that readers who complained about too much sex in my books always castigated the heroine. “Ladies didn’t do that during the Regency” was a comment was directed at a heroine who dared have sex with her husband.

OK, I won’t debate that one ๐Ÿ™‚ but these readers have a point, skewed as it is. Historically, women paid the highest consequences for sex, biological and social.

I love SEX AND THE CITY. In all the sexual exploration the four main characters go through, they are searching for something, even if they’re not sure what it is. And when they find it, it’s LOVE. BUT I think it’s dodgy to translate their attitudes to women of the early 19th century. Not that they didn’t have sex–and sometimes outside the rules–and sometimes enjoying it! ๐Ÿ™‚ But they were living and loving in a different world, with different stakes.

I admit to having trouble with the Regency heroine who experiments with sex lightly. With the heroine who keeps insisting to herself and everyone else that the hero is a loathesome jerk and the last man on earth she’d ever marry, yet repeatedly has sex with him without ever worrying about social disgrace or pregnancy or destroying her sisters’ chances of making good marriages. Such heroines usually strike me as some combination of needy, confused, selfish or just TSTL.

Yet I love so many sexy Regency era romances.

Things that mitigate the “Lydia Bennet” factor: marriage of convenience, no reputation to lose, supposed infertility (though possibly reversible!), birth control (some forms existed, but it has to make sense that the characters would know about and use it). And emotional commitment.

There’s also this mysterious thing: “heat of the moment”. Sometimes it works for me, sometimes it doesn’t. I’ve written this whole post and I’m still not sure how some authors make me feel that it really is the right moment for the characters to go at it, and why sometimes it just feels too early. Is it just incredibly sensual writing? Or deep enough characterisation that I feel the love even if the characters aren’t fully aware of it?

Maybe part of it is that I want some buildup.

What do you think? When has a heroine gone over from being human and vulnerable to TSTL in matters of sex? What makes “heat of the moment” work, or not? Which authors do you think handle this the best?

Elena
LADY DEARING’S MASQUERADE
www.elenagreene.com

 


Warning–today’s post will be Very Shallow and Not At All Edifying. Mostly because my spring allergies have kicked in, and my medicine has me even fuzzier-headed than usual. But also because of a book I just finished reading.

The book was “Kiss and Tango” by Marina Palmer, a memoir that had not a single thing to do with the Regency, but was a tale of the author quitting her dull advertising job in New York and taking off to dance the tango in Argentina. (Can this be my new career ambition, too???). She also had hot sex with many hunky tango guys, which leads me to this.

Palmer says “…this city [Buenos Aires] contains the most beautiful men per capita (we’re talking both quantity and quality). To that end, I have devised an index that will hopefully enable others to draw their own conclusions.
The Beautiful Men Index Per Square Mile:
Athens 0
Rio 4
New York 8
Paris 15
London 17
Venice 79
Buenos Aires 86”

She then goes into her reasons for these numbers, which makes me really want to go to South America. I then got the idea (this was excellent time wastage, BTW) to scan my romance “keeper” shelf and devise my own hot guy index based on favorite heroes. here goes:
Medieval/Renaissance 16
Regency 26
Victorian 9
Misc. 11
Paranormal 6

I will have to analyze these statistics as soon as the Benadryl wears off.

In the meantime, what are some of your favorite “great hero” books? Or “beautiful men” cities? (I’m especially interested in hearing about THAT…)

As for the Orlando picture–well, it’s Monday, and I just felt like it. ๐Ÿ™‚

“I thought this book would never end…What a silly story about people I could care less about. . . . It gave me a headace and this book was not in the least amusing. I never even smiled once while reading it! What a waste.”

Laurie’s post about judging the RITAs had me thinking about other ways our books are judged, i.e. by readers through the medium of Amazon reviews.

A few years ago, an Amazon glitch revealed the identities of anonymous reviewers (Click here to read what the NY Times article) and confirmed what many people had long suspected: that some reviews were written by authors and/or their friends and relatives, either praising their own books or trashing those of rivals.

About a month ago there was a debate on the credibility of reader reviews at Romancing the Blog. Some argue that only writers are qualified to evaluate whether a novel is “good” or not. Some say no one should criticize unless they could do better themselves. I don’t agree with that last statement. If I go to a fine restaurant and order creme brulee, I expect it to taste good, even though I would be scared to wield a blowtorch in my own kitchen. If I need an appendectomy… well, you get the picture!

OTOH many readers can’t set aside their own personal preferences and peeves when evaluating a book. What if a restaurant critic said something like, “I hate fish, and Chef So-and-so’s salmon special was no exception”? It wouldn’t fly, but I’ve read reviews on Amazon that read that way. The reader just picked the wrong book (and sometimes covers and back blurbs are misleading, adding to the problem).

This is my feeling: that readers usually aren’t qualified to decide if a book was “good” or not. But they can say whether they liked it or not. That’s useful to other readers, but only if they explain why .

I tend to discount any of the following:

  • Raves like “Best book I ever read!” on a debut novel, sans any detail that might prove the reviewer ever read the book, posted by someone who just happens to hail from the author’s home town.
  • Incoherent reviews filled with spelling and grammatical errors (unless they are incoherently praising one of my books, of course!)
  • Anything that is too flaming. Really angry reviews make me wonder if the person has bigger problems then being disappointed with a book.

Personally, I don’t have the time to write negative reviews. I do try to write positive reviews when I’ve enjoyed a book (but I’m waaaaayyyy behind). I don’t make buying decisions based on reviews on Amazon. I also avoid reading reviews of my own books if I’m in a rough patch of writing, as negative reviews can topple wobbly self-confidence.

I do take seriously the reviews, positive or negative, that are intelligently written with some explanation for the rating they gave. If it’s one of my books, I may not take those comments to heart when writing the next book, but they always make me think. That’s not necessarily a bad thing! ๐Ÿ™‚

When do you ever write Amazon reviews? Do you read them? Do they influence your buying decisions?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award nominee
www.elenagreene.com

P.S. That first quote was from an Amazon customer review for my first book. I did find, after searching, that the same reviewer had given 1’s to many Regency authors, including Mary Jo Putney and Mary Balogh.

Posted in Reading, Writing | Tagged | 11 Replies