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Category: Reading

Posts in which we talk about reading habits and preferences


On Tuesday, Cara blogged about laugh-out-loud Regencies. As an author who tries, in her own modest way, to get people to laugh, it made me think about where my humor comes from. Some of it is unique to me: a father who loves language so much he’s got a wall full of word books (and, by the way, owned a copy of the 1811 Dictionary of the Vulgar Tongue long before I knew what a cully was), an abiding love for the Marx Brothers, stoked by frequent afternoon visits to the Harvard Square Theatre, not to mention devouring Scooby-Doo at an early age. Oh, those meddling kids!

But probably the most formative source was P.G. Wodehouse. Like most everything else I read when I was young, I found his books in the room we called the library, but was really the place we threw all the books in the house (Bookcases were optional). I started with a Jeeves book, I’m fairly certain, and was immediately entranced with Wodehouse’s dextrous way with language. Simply put, the man is incredibly dry, terribly witty, and flat-out hysterical.

I grabbed a recent stoop sale find, A Wodehouse Bestiary, and opened it randomly to find this little gem:

“You’re what I call a rabbit.”
“A rabbit!”
“There is no stigma attached to being a rabbit,” said Sir Joseph, pacifically. “Every man with a grain of sense is one. It simply means that you prefer a normal, wholesome life to gadding about like a — like a nonrabbit. You’re going out of your class, my boy. You’re trying to change your zoological species, and it can’t be done. Half the divorces today are due to the fact that rabbits won’t believe they’re rabbits till it’s too late. It is the peculiar nature of the rabbit–”
“I think we had better join the ladies, Uncle Joseph,” said Roland, frostily. “Aunt Emily will be wondering what has become of us.”

Dry as a bone. I love it.

I’ve read every Wodehouse I could lay my hands on. And since he published ninety-six books, I’m fairly certain there are some I have missed–a treat I’ll save for my golden years. His Jeeves & Wooster books were turned into a miniseries, but even actors such as Hugh Laurie and Stephen Fry in the titular roles aren’t able to translate Wodehouse’s delicate touch from the page to the screen.

Hugh Laurie, who portrayed Jeeves in the British miniseries, writes about Wodehouse (full text by following this link):

To be able to write about P. G. Wodehouse is the sort of honour that comes rarely in any man’s life, let alone mine. This is rarity of a rare order. Halley’s comet seems like a blasted nuisance in comparison.
If you’d knocked on my head 20 years ago and told me that a time would come when I, Hugh Laurie – scraper-through of O-levels, mover of lips (own) while reading, loafer, scrounger, pettifogger and general berk of this parish – would be able to carve my initials in the broad bark of the Master’s oak, I’m pretty certain that I would have said “garn”, or something like it.

(As a sidenote, both Laurie and his partner, Stephen Fry, who played Wooster, are also published authors in addition to being actors. Stephen Fry talks about Wodehouse here).

Humor is so hard to convey. Too much, and you’re doing slapstick; too little, and all you get is a wan smile. P.G. Wodehouse achieved the perfect (dry) balance in most of his writing.

Have you read Wodehouse? If not, there are plenty of short story collections that’ll give you a taste of his style. If so, do you like him? What other humor authors, outside of romance, do you like? What’s your favorite kind of written humor?

Me, I’m dicing back into “Something Squishy” from A Wodehouse Bestiary.

Megan

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It is a fact universally acknowledged that when discussing the works of Jane Austen, the topic of who is her successor comes around. Who do you think has filled her unfillable shoes? I propose Stella Gibbons, author of Cold Comfort Farm, a classic that has this quote from Mansfield Park in its frontispiece: Let other pens dwell on guilt and misery.

It’s the story of Flora Poste, a young woman who likes to have order and sense in her world. When she is orphaned, she goes to live with her distant relatives, the Starkadders of Cold Comfort Farm. There, Flora, whose mission in life is to collect material for a book she will write three decades later in the style of Jane Austen, finds the Starkadders in dire need of not only sense and sensibility but persuasion too. She sets to work reforming her relatives, channeling their peculiar energies into rewarding occupations. Even though Gibbons is satirizing the earthy, elemental novels of Mary Webb, wildly popular in the 1920s and 1930s, it doesn’t matter if you haven’t read them–the book is still as funny as a rubber crutch. Particularly purple passages are marked with asterisks like a travel guide.

There’s Amos, the preacher who leads the Quivering Brethren; Seth, who goes a-mollocking when the sukebind hangs heavy in the hedgerows, but whose real passion is the movies; Mad Aunt Ada Doom who saw something nasty in the woodshed when she was little; Elphine, who likes to flit around the countryside wearing artsy clothes and reciting poetry; and a rich cast of non-Starkadders like Mr. Mybug, the sex-obsessed intellectual who’s writing a book proving Branwell Bronte wrote all of his sisters’ novels.

The BBC made a film of Cold Comfort Farm (1996) directed by John Schlesinger with a wonderful cast, including the lovely and talented Rufus Sewell as Seth, Kate Beckinsale as Flora Poste, and Ian McKellen as Amos.

Any other contenders for the title of the 21st (or 20th) century Jane Austen?



Which are your favorite laugh-out-loud Regencies?

Here are ten of mine, listed in approximate chronological order of publication:

— PRIDE AND PREJUDICE, by Jane Austen
— NORTHANGER ABBEY, by Jane Austen
— THE CONVENIENT MARRIAGE, by Georgette Heyer
— FRIDAY’S CHILD, by Georgette Heyer
— IMPRUDENT LADY, by Joan Smith
— SWEET AND TWENTY, by Joan Smith
— THE PLAYFUL LADY PENELOPE, by Kasey Michaels
— AN EARLY ENGAGEMENT, by Barbara Metzger
— MINOR INDISCRETIONS, by Barbara Metzger
— THE IDEAL BRIDE, by Nonnie St. George


Which funny Regencies do you like? Which do you think are the funniest?

Which funny Regencies do you think succeed the best as novels (or romances)???

By the way, here are four very different covers for Georgette Heyer’s FRIDAY’S CHILD! (Aren’t covers weird???)

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — in stores now!

And (drumroll)…here they are:

1. A.S. Byatt, The Virgin in the Garden. An earlier book and not so well known as Possession.
2. Ah, so near and yet so far…Daniel Deronda by George Eliot.
3. Well done, Elena, who was almost there, and who will be allowed to sharpen pencils today–Villette, by Charlotte Bronte. That one was my favorite, too. Wow.
4. And the romance excerpt, from Beast by Judith Ivory.

Janet

I recently wrote an article on the romance genre for The Editorial Eye, a newsletter for people fascinated by the minutae of words, English usage, and grammar. My point was that just because romances are popular, prolific, and have silly covers, it doesn’t necessarily follow that they have no literary merit. Part of the article was this quiz. Can you identify the romance excerpt? And, for extra credit, can you identify any of the writers or books? Answers will be posted in a day or so.

1. She began to go out along the rocks, very fast, holding her arms wide to balance herself, half-running, half-striding. He went after her. Another tall wave bowed, jarred, cracked and whispered at her feet. She turned to him a face he had never seen, blindly smiling, wild, white and wet.
2. Since she was not winning strikingly, the next best thing was to lose strikingly. She controlled her muscles, and showed no trembling of mouth or hands. Each time her stake was swept off she doubled it. Many were now watching her, but the sole observation she was conscious of was [hero’s], who, though she never looked towards him, she was sure had not moved away.
3. He deemed me born under his star; he seemed to have spread over me its beam like a banner. Once—unknown and unloved, I held him harsh and strange; the low stature, the wiry make, the angles, the darkness, the manner, displeased me.
4. Black pearls popped and flew everywhere. They bounced well; they bounced high. They rolled magnificently across the deck in every direction, as well as off the deck and down onto the next—a quick, nacreous spill swallowed up into the wet night, the roll and clatter smothered almost instantly by the hiss of the ocean.