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Category: Regency

A charming village, a struggling hero, a woman who risks heartbreak for a second time….

Some stories write themselves. Some stories fight you.  I posted about this back in April (here) as I struggled with reworking LORD OF HER HEART. Optimistically, I hoped then the book would be out in June. Ha. Even after I revised it, it still needed so much editing! Yikes, I began to think it would never make it out into the world. But as of today –it’s out!!

LORD OF HER HEART is the start of my new “Tales of Little Macclow” series. “Book Two” in the series is already out—my Christmastide holiday story, LORD OF MISRULE, inspired readers to ask for a series set in the fictional village where there may (or may not) be a bit of magic. The story actually takes place eight months after the action in the new book, so if you haven’t read LOM yet, I would say you’ll enjoy it even more if you read the new one first!  The stories stand alone, but there is a continuing chronology that is going to link the series together.

Here is the blurb for LORD OF HER HEART:

An unexpected return. A new risk for old friends.

As Little Macclow prepares to celebrate May Day, Tom Hepston’s arrival stirs expectations and speculation. Tom left the village fourteen years ago. Now he is back, but he hasn’t come willingly and he has no plans to stay. While he’s proud of the naval career he has left behind, he believes the physical and mental wounds that ended it have made him a madman no woman could—or should—love. Can he leave again before everyone sees the broken man he has become?

Sally Royden’s young heart broke when Tom left the first time. After years of hoping for his return, she now leads a full life caring for her sister and serving as the village seamstress. Tom’s experiences have changed him. Can Sally dare hope for renewed friendship? Or more? Or will her heart be broken twice—by the same man?

Little Macclow—tucked away and maybe touched by magic…. Village tales of love’s triumphs.

I’ve done “wounded heroes” before and bad memories are necessarily a part of them. (If you love this trope, I hope you’ll love Tom Hepston!) But I’ve never attempted one struggling with true PTSD before, which is so much more and can be so complex. I took an entire course on PTSD and did a lot of additional research in order to attempt writing Tom’s character. I had to learn some of the ways it is treated now—so I could figure out ways Tom might recover in a time period when the disorder didn’t even have a name, never mind any sort of therapy. Part of the proceeds from sales of LORD OF HER HEART will be donated to the Wounded Warriors Project and other non-profit organizations that support those struggling with the challenges of PTSD.

Do you like the wounded warrior trope? How about second-chances, and friends-to-lovers? One thing that makes this book different is that the main characters are not aristocracy. They’re not even gentry. Are you willing to read about characters who aren’t wealthy, and never will be? Tom & Sally are at the opposite end from those millionaire dukes who are so popular. I hope you’ll see that their HEA future is just as solid as those earned by those wealthy, high-ranked kinds of characters. And I hope you’ll want to visit Little Macclow again for more books in the series!

The book is available for Kindle and in print through Amazon and in other ebook formats through Smashwords.

I’ve been running an Artist’s Way group (doing the program based on the book by Julia Cameron).  We’re currently on Week 3, and one of the week’s tasks is to list five people you wish you could meet that are dead.

It made me think about which five people from the Regency era I would enjoy meeting. Here’s my list. Maybe you’ll share yours in the comments?

Mary Wollstonecraft (1759-1797), the author of A Vindication of the Rights of Woman. I think we could have some great conversations about feminism then and now.

Jane Austen (1775-1817), an obvious choice but for a good reason! I would be afraid of being too fan-girly and making a fool of myself, since she didn’t seem like one who suffered fools. But if I could keep it together, maybe we could have a good conversation about the craft of writing. Perhaps she might be interested in learning about the enduring popularity of her stories, many times and how many ways her books have been turned into movies and mini-series, and all the spin-offs.

Mary Anning (1799-1847), who found an ichthyosaur fossil at age 12 and continued to collect, sell and study fossils throughout her life, making significant contributions to paleontology. When I was a child, I wanted to be a paleontologist, so a fossil-hunting expedition with Mary Anning would satisfy two of my passions.

Harriet Leveson-Gower, Countess Granville (1785-1862), daughter of the 5th Duke of Devonshire and the famous Duchess, Georgiana. I have read her letters in Hary-O: The Letters of Lady Harriet Cavendish 1796-1809, and she seems like someone I’d really enjoy talking to. She seems to have been quite grounded despite the drama of her parents’ unhappy marriage and various intrigues. Despite marrying her maternal aunt’s lover, she had a happy marriage and loved her children dearly. I also enjoyed her observations on society, including from the time that her husband served as British Ambassador to France.

William Wordsworth (1770-1850), one of the famous Lake poets. I spent a long weekend in the Lake District, and would love to ramble around there again with the famous poet as a guide.

What Regency era people would you like to hang out with?

Elena

While everyone is baking sourdough bread for the apocalypse, I thought I’d share something else historical you could bake if all that kneading and proofing isn’t your thing. Out of all the period recipes I’ve tried, the one everyone likes the most, and the one I make pretty regularly, is Rout Cakes.

When I did my original research for these, I found plenty of period references to them (dating from 1807 onward), but no recipes before 1824. Even the recipe in Tea With Jane Austen is from 1840. The recipes I did find bear very little resemblance to one another, especially as there are “drop” versions and versions that sound more like a thin cake batter (which call for icing), some call for currants, some don’t. It seems to be no different from modern recipes, e.g. some chocolate chip recipes call for nuts, some don’t (mine calls for a packet of pistachio pudding mix, but I bet most of yours don’t). Seeing as there’s no one way to make them, I don’t feel an ounce of guild about taking a small bit of creative license here and there.

A New System of Domestic Cookery (1824):

The Cook and Housewife’s Manual (1827):

This 1827 recipe for Kent Drop-Cakes looks remarkable similar to the 1824 one for Rout Drop-Cakes:

So, once again I was left to tinker. I liked the idea of sweet wine (I went with sherry) and brandy. And I think currants are starting to grow on me . . .  I couldn’t find orange blossom water on short notice, so I used a bit of zest. The dough came out at the constancy of Nestle Tollhouse cookie dough, and when baked, the finished product was similar to a modern currant scone (or at least it’s similar to the ones they sell at Peet’s Coffee and Tea here in the Bay Area).

  • 1 cup butter (softened)
  • ¾ cup sugar
  • 2 egg yolks
  • 2 tsp vanilla
  • 2 tsp sherry
  • 2 tsp brandy
  • Zest of one orange
  • OR 2 tsp orange blossom water (if you can find it)
  • OR 2 tsp orange liqueur (Cointreau, Gran Marnier, etc.)
  • 3 ¾ cups flour
  • ½ cup currants

Preheat oven to 350º

Cream butter and sugar. Add egg yolks and beat. Add vanilla, sherry, brandy and zest or orange water/liqueur and mix. Add in flour 1 cup at a time. Add currants with last ¾ cup of flour.

Dough will be cookie-like. Make rounded balls the size of walnuts and bake on a parchment paper or Silpat 20-25 min (until golden). They puff up a bit, but don’t spread so you can put them relatively close together.

My friends’ reactions:

My sister ate the ones I left her and texted “Cookies. Yum!”. Amie thought they were “Medieval, but tasty”. Issa loved them (he’s easy to please). Kristie and I thought they were perfect with a glass of sherry, and would be wonderful with tea. We all agreed that they’d be exceptional with a little orange icing/glaze (orange juice mixed with powdered sugar). Liza’s daughter (who’s just starting to eat real food) ate two (ok, she ate one and crumbled one on the floor for the dogs, who begged for more). Children and pets clearly approve.

I came late to loving the Regency, not until I started writing in 1995. I’d read Pride and Prejudice and Sense and Sensibility in some English class along the way, but it wasn’t until my writing pals Helen and Julie introduced me to Georgette Heyer and Regency Romance (the Signets and Zebras) that I began to really fall in love with the Regency.

One event clinched it.

Helen, Julie, and I went to see the 1995 Amanda Root/Ciaran Hinds movie Persuasion, which had been a BBC TV production in the UK but released in theaters in the US. It was this movie adaptation of a Jane Austen book I’d never read that made the Regency come alive for me.

From the country house of the Elliots to the chic rooms in Bath to the simple seaside abode of the Harviles, the Regency world the move depicted seemed so real to me. Maybe it was because the whole movie was filmed on location, but, even so, the details were not prettied up for film. The livery of the Elliot footmen looked a bit shabby, as it would have for a baronet whose fortunes were dwindling. Skirts and boots got muddy during country walks, as they would have in a time without paved walkways. The dancing was boisterous but not polished and practices, as professional dancers would have performed. The hero and heroine were attractive but not “beautiful people.”

The Regency people in the story also acted in ways I believed were true to the period. The emphasis on status, on honor and obligation seemed genuine to me. There were bored privileged young women, proud impoverished ones, scheming social climbers. There were also “normal” people, like the Musgroves and the Crofts. And Ann and Wentworth, of course.

Jane Austen may have been exploring the role of persuasion throughout the story, but she also crafted a lovely, satisfying romance, with familiar Romance themes. Persuasion is both a reunion story (Ann and Captain Wentworth were once betrothed) and a Cinderella story (Ann, the put-upon sister finds great love in the end). The conflict was poignant – Ann regretted breaking her betrothal to Wentworth; Wentworth remained bitter that she threw him off in order to seek better prospects.

There’s a lovely villain in Ann’s cousin, William Elliot, who becomes intent on courting her, and more complications ensue when Wentworth considers himself obligated to marry the injured Louisa Musgrove. The steps Ann and Wentworth each make to find their way back to each other are subtle, but very satisfying and very typical of romance novels of today.

After seeing the movie, I had a picture in my mind that was my Regency. I read Persuasion and Pride and Prejudice and all of Jane Austen’s books, even Lady Susan. Persuasion is one of the few books I’ve read more than twice. I’ve watched the movie more times than that. The social attitudes from Jane Austen’s books seeped into my brain, as did the language, the rhythm of the conversation.

So you might say Jane Austen helped create my Regency world! And now I’ve decided to write my own Persuasion story. It is just the germ of an idea right now, but, if all goes well, it should be for sale late this year or early next year.

It will be my homage to Jane Austen and her wonderful book, Persuasion.


(I adapted this blog from an earlier one written in 2012)

“One knows so well the popular idea of health. The English country gentleman galloping after a fox — the unspeakable in full pursuit of the uneatable.”
Oscar Wilde (1854-1900), A Woman of No Importance, act 1.

Fox_Hunting_-_Henry_Alken

I first wrote about fox hunting in 2014, but the air has finally turned brisk here in Virginia and autumn leaves are finally turning. November would have been the start of the fox hunting season in Regency England. Pursuing the “uneatable” was a popular sport among Regency gentlemen and the fox hunting season would have lasted until right before spring planting. Fox hunting has a long history in Britain, dating back to the 16th century. It became especially popular after the decrease in the deer population made hunting deer more difficult.

Hunting foxes was once considered a form of vermin control. Foxes were notorious for attacking small livestock, but by Regency times, the main purpose of the hunt was the sheer sport of it. Hounds were bred specifically for fox hunting. Gentlemen kept up to 12 hunters, horses bred for the hunt, so they could hunt six days in a row, using two horses per hunt. During the Napoleonic Wars, the Duke of Wellington kept eight horses and hunted frequently while on the Peninsula.

220px-Daniel_Gardner_Sir_William

Hunting was the sport of wealthy gentlemen partly because those gentlemen had the wide expanse of land that the hunting required. Others could only hope to be invited to the hunt. Unauthorized hunting anywhere was considered poaching and could incur severe penalties.

Regency times were times of house parties during which gentlemen rode to the hounds and only a very few ladies did. Ladies were encouraged to ride out with the hunters or to watch the hunt from carriages.

Fox hunting was outlawed in Great Britain in 2005 but still exists in other countries including Australia and the USA.

I love the idea of galloping over the countryside on horseback, but to chase a fox and have it torn to bits, not at all. We have a fox that lives in the woods behind us of whom I am rather fond. I understand the appeal hunting game animals, although I couldn’t do it. Could you? Do you hunt? Have you ever been fox hunting?