(January marks another entry in the Castonbury Park series…Bronwyn Scott’s Unbefitting a Lady! Bronwyn is visiting us this last weekend of the year to talk a little about the research behind the story of the horse-mad Lady Phaedra. Comment for the chance to win a copy!!)
As the Duke of Rothermere’s youngest daughter, Phaedra Montague is expected to be the dutiful darling of elegant society. Too bad, then, that this feisty Lady has swapped her dance cards and silk gowns for racing tips and breeches!
With the arrival of gorgeous groom Bram Basingstoke, Phaedra can’t help but be distracted. He’s as wild and untamed as the stallion he’s training. But Phaedra is supposed to act properly at all times. Even if this dark-haired devil in a billowing white shirt is tempting her to a very improper roll in the hay…
1817, a great year to be a horse!
Giles Worsley writes, “The stable was a setting to showcase the horse, a physical expression of the horse’s importance.” The stables were a world of its own within the estate. The concept of a stable included so much more than just a barn. It included outdoor training ovals (a left over innovation from the mid 1700s), a carriage house or carriage bays, outdoor paddocks, the stable block and the riding house (indoor riding arena, often complete with a viewing gallery). With that in mind, it made sense to set so much of Bram and Phaedra’s story, ‘Unbefitting a Lady,’ in the Castonbury stables. 1817 is an exciting year to be in the stables because many English horse enthusiasts are in the middle of a stable revolution. It’s a great time to be a horse! People are studying and learning how to harness architecture to make stables healthier places. 1790-1830 is a time of great stable modernization. There are lots of renovations being done regarding ventilation and health. Let me share two of those innovations with you; the iron hayrack and the loose box.
The iron hayracks hanging from the walls of the stalls: According to Giles Worsley in his book, “The British Stable,” hayracks were originally nothing more than wooden managers that ran the length of the aisles. These took up a great deal of space. Once iron became more accessible, iron hayracks could be fashioned and mounted in the stalls, freeing up space on the floors and they were more likely to withstand horses chewing on them, unlike the wood mangers. Iron hayracks were definitely starting to be in use in the more serious stables by 1817 and Kedleston, the estate we modeled Castonbury after did indeed use iron hayracks.
Moving towards the loose box : The loose box is the style of stall we’re most familiar with now in our barns. But before this, horses had a three sided stall with the aisle end open and they had to face the wall. Loose box stalls were used only for isolating horses who were ill. But the racing industry around the 1790s began to see the benefits a loose box stall would afford a horse in general. There are some early architectural designs in 1803 and 1810 that start to show the proliferation of loose box stalls for stables at Normanton and Tottenham Parks. By 1816, just a year before Phaedra’s story, the Ashridge stables in Hertfordshire were designed to incorporate a large number of loose boxes and by 1829, the loose box had become the norm. This is a transition that took about thirty years to catch on. Grooms felt leaving the horse loose in a stall caused too many problems.
Other improvements that took place between 1790 and 1830 include ventilation and lighting but we’ll save that for another time.
Today we’re welcoming Harlequin Historical author Joanna Fulford, to talk about Book 7 (of 8!) in the Castonbury Park series! Comment for a chance to win a copy…
Redemption of a Fallen Woman is the seventh book in the Castonbury Park series and is due for release in February. Hoping to save his family from ruin, my hero, ex-soldier Harry Montague, reluctantly returns to Spain to seek vital information about the death of his brother, Jamie. On arrival in Madrid, Harry meets fiery Spanish beauty, Elena Ruiz. Elena is a fallen woman whose chequered past is about to result in her being incarcerated in a convent. Among her transgressions are the two years she spent with a guerrilla group, fighting the French.
The ideas for this story arose from the years when I lived in Madrid. It was the base for subsequent explorations of Iberia, including the wonderful cities of Seville and Cádiz which feature in the book. My travels often took me up-country as well. One weekend, quite by accident, I discovered Patones, a small hillside village in the foothills of the Sierra de Guadarrama. I suspect that most people find Patones by accident. Even by modern standards it’s pretty remote, but at the time of the Peninsular Campaign (1808-1814) it was truly isolated. In spite of their best efforts, Napoleon’s forces never did find the place so it was spared the ravages inflicted on other villages and towns. It must have been an ideal base for guerrilla fighters during that conflict. Years later the memory of that trip gave me the idea for my heroine’s backstory.
The word guerrilla means little war. Although it was an old established method of fighting, the term was first coined in Spain during the Napoleonic Invasion. The guerrillas used hit-and-run tactics in their insurgency against the occupying French. A French sniper called Mignolet wrote home: “We are surrounded by 40,000 Spanish brigands whom we must fight every day – and the situation gets no better, but worse…”
Mignolet’s pessimistic assessment reflects the part played by the local topography. Spain is one of the most mountainous countries in Europe. At its centre are high plains crossed by mountain ranges and rivers. It’s a wild and spectacular landscape, but it’s also ideal terrain for guerrilla warfare. There were numerous bands involved, each with its own agenda. My guerrilla leader, Juan Montera, is fictional, as is the brigand, El Lobo, but they are representative of the different groups in action at the time.
Being undisciplined irregulars, the guerillas were of little use in open battle against cavalry. Where they really came into their own was in providing accurate military intelligence. Wellington had good cause to be grateful for this. After Talavera, for example, he marched off with a force of 18,000 men to attack what he believed to be a detachment of 10,000 French troops. The ‘detachment’ turned out to be three army corps numbering well over 50,000 men. But for a timely warning from the local guerrillas it is likely that Wellington and his force would have been annihilated. Fortunately, he was able to retreat in time.
Spain has been accurately described as a beautiful blood-soaked land. It has shaped my hero and heroine in different ways, and created the deep emotional conflicts that they must resolve. It was fun to go with them on that journey. I hope you’ll enjoy it too.
So I am taking a little break between working on the WIP and looking at pics of Michelle Obama’s clothes to wish Lord Byron a happy birthday! He was born on this day in 1788, which would make him–225. I doubt very much he would like the idea of being quite so old and no doubt very decrepit by now….
Here is one of my favorite of his poems, Stanzas for Music (I think I just really love those opening lines). What are some of your own favorites??
There be none of Beauty’s daughters
Happy Tuesday, everyone! What are you doing this week?? I got my latest Harlequin Regency romance turned in (yay!!) and am getting caught up on a few things before diving into the next Elizabethan mystery. Things like grocery shopping and running the vacuum cleaner, which always fall by the wayside when a deadline looms. Among my projects–a fun round-robin story my local RWA chapter is doing with a St. Patrick’s Day theme! Stay tuned for more info on that….
I am also announcing a winner! The winner of a copy of A Stranger at Castonbury is…Emily! Congrats! Email me your info at amccabe7551 AT yahoo.com….
In between taking a few naps and watching some DVDs that have piled up while I was working on the book (including all of season one of Girls, I have also been dreaming of spring. Like many places, winter has been dismal here, with more gray skies and snow and freezing rain than usual. (I also just read The Lady and Her Monsters, about Mary Shelley and the writing of Frankenstein, which included some depressing details of 1816’s Year Without a Summer. It hasn’t been that bad here, but still…). So I’ve been perusing garden catalogs and spring fashion websites (already bought some shorts at J Crew!).
If I was in the Regency this is the outfit I would be wanting to wear now (from my Regency Pinterest page!):
And we could go out for a nice drive on a sunny afternoon:
What are you looking forward to this spring???