Back to Top

Category: Regency

 Welcome to the blog debut visitor Sarah Mallory, author of #5 in the Castonbury Park series, “The Illegitimate Montague”!!  Comment for the chance to win a copy…
Castonbury Village
We love to read (and of course to write) about the dukes and duchesses, the great and the good of old England, but for the Castonbury Park series we also took a look “below stairs”, at the people who worked in and around Castonbury Park and many of them would have lived in the village.
The country village of the Regency era was much more self-sufficient than it is today. Local farmers’ wifes produced butter and and eggs, which they would sell at the local market and most households would spin their own yard and knit stockings. A whole community would get together when it was time to kill a pig and everything would be done in one day, cutting up the meat, curing it and making the sausages etc. This was not the consumer society we know, but some things had to be brought in and fashion was beginning to make its mark.
For the Illegitimate Montague my heroine, Amber Hall is a clothier with a warehouse/shop in Castonbury and I have no doubt that she purchased at least some of her cloth from some of the many wholesale drapers in Manchester, which was only about 30 miles away.
There were no dress shops as such in the Regency: those wanting new clothes would buy their cloth from a clothier, or if they lived in London they would have access to more specialised silk warehouses. The clothes would then have to be made, either by the women of the house, or those rich enough would employ a dressmaker or modiste. They would most likely copy one of the fashion plates from the Ladies Magazine, or La Belle Assemblée.
Country families who rarely came to London could appoint the proprietor of a London coaching inn to act as their agent for shopping and other business, and the goods they ordered would be sent back to them on the mail coach – the very first “mail order”! Many provincial shopkeepers would travel by mail coach to London to buy goods from the wholesalers. In the early 1780’s Elizabeth Towsey (who, with her sister Susannah kept a milliners in Chester) travelled to London twice a year to select from the new season’s fashions. When the goods arrived, she put an advertisement in the local paper, inviting customer to come and inspect them. (Susannah later married a druggist, Mr Brown, and their son carried on the millinery business, which became a famous department store, Brown’s, in Chester).
Some families did not have a London agent, but would rely upon the county carriers, whose waggons travelled from the larger towns to appointed London inns – this was slower than the mail coach, but considerably cheaper, too.
Now, all the above would apply to the wealthier families, but for most of the villagers, new clothes were a rare occurrence. I found some fascinating snippets of information about country life in a book written by Anne Hughes, a farmer’s wife who lived at the end of the 18th century (The Diary of a Farmer’s Wife, 1796-1797.)
Anne’s village was in Monmothshire, and probably a little more remote than Castonbury, but although she does a great deal of sewing and she talks of her mother-in-law knitting hose and her maid spinning yarn, the only mention of a new clothes is when her husband has been paid for his harvest and he buys her a new gown. Anne does not mention buying cloth or gowns for herself, although when she goes to market and sells her butter (for 7 pence a pound) she does buy a ribbon for her maid Sarah’s hair.
Clothes were passed down the social strata – the lord and lady of the manor passing on their unwanted garments to the villagers and farmers of the area – and no one is offended by this. When it is her husband John’s birthday, Anne says “…I did give him a pair of blue velvet britches, which my dear lady’s mother did give me in my parsell, and which pleased him mitilie, he liking the good small cloes to his leg covering.”
Anne also passed on some of her older clothes to her maid Sarah. When Anne and her husband are invited to the parsonage to drink tea, Sarah is invited too and doesn’t know what to wear …”so we up to my chamber where I did give her a purple velvitt out of my chest… It fitte her finely, so I did tell her to wear it with her warm cloke and nitted bonnitt.” In fact, it must have looked very good, because Sarah ended up marrying the parson!
When it is announced that Sarah is to be married, there is much talk of sewing sheets and linen for her chest, and Anne’s brother in law sends a package for Sarah, which contains “verrie fine linen for the making of sheets and damask for the tablecloths for her tables. And, as well, a verrie fine piece of white satin with a little blue flower upon it, and some fine lace for trimming.”
The satin was later used to make Sarah’s wedding gown “and it do look very nice, all trimmed with the fine lace and some at the sleeves and throat.”
However, before we think that village life in the Regency was a non-stop sunny idyll, there could be disagreements – Anne most definitely took against one Parson’s wife, a Mrs Ellis. She says that when they were walking to church together “Mistress Ellis…minsed along aside me prating of her new cloathes and that the gown she is waring cost so much, which I doe know is onlie her last yeres turned about and new bowes on for show. This I cappes by saying I will show her my new brockade which Jon bought me last market day….. After we had dined, I did take her to my sleepin chamber to showe off on her my best cloes; at seeing which, she begins to trump up about her new black sylk, which had cost so much and which I do know she did buy off Mary Ann, herself telling me so. Knowing this I could well afford to bring out my black sylk with the white spottes, what John did buy for me and which I had not put on. This did end her bounce so down again. It being two howers since she had fed, to tee drinken.”
And again, when Anne sees a “flighty piece in church” – “April ye 12 – We to church this evening….I did see Sarah Anne Plummer was there, tossing her head about, on which was a new bonnet, that I doubte be paid for: she being a shiftless body. I did also spot Mistress Jones….very high and mighty and aping the great lady, she wearing a verrie queer head covering, like a platter, albeit not so big, with great store of flowers upon it and ribbons adandering therefrom, in which she did look a sight to be sure. She did also wear a bright red gown of a cottony stuff, and not silk as I could see verrie well and she did throw off her cloak to show her finery, but la ’twas but trumperie stuff ….”
I do not know what Anne would have made of my heroine Amber’s warehouse – certainly Amber made sure her stock wasn’t “trumpery stuff” but I can imagine that the ladies of the village would have been vying with each other to look their best and more than one would have ribbons “a-dandering” from their bonnets!
Sarah Mallory
The Illegitimate Montague – #5 in the Castonbury Park Series

a Rafflecopter giveaway

(January marks another entry in the Castonbury Park series…Bronwyn Scott’s Unbefitting a Lady!  Bronwyn is visiting us this last weekend of the year to talk a little about the research behind the story of the horse-mad Lady Phaedra.  Comment for the chance to win a copy!!)

UnbefittingCover

As the Duke of Rothermere’s youngest daughter, Phaedra Montague is expected to be the dutiful darling of elegant society. Too bad, then, that this feisty Lady has swapped her dance cards and silk gowns for racing tips and breeches!

With the arrival of gorgeous groom Bram Basingstoke, Phaedra can’t help but be distracted. He’s as wild and untamed as the stallion he’s training. But Phaedra is supposed to act properly at all times. Even if this dark-haired devil in a billowing white shirt is tempting her to a very improper roll in the hay…

1817, a great year to be a horse!

Giles Worsley writes, “The stable was a setting to showcase the horse, a physical expression of the horse’s importance.” The stables were a world of its own within the estate. The concept of a stable included so much more than just a barn. It included outdoor training ovals (a left over innovation from the mid 1700s), a carriage house or carriage bays, outdoor paddocks, the stable block and the riding house (indoor riding arena, often complete with a viewing gallery). With that in mind, it made sense to set so much of Bram and Phaedra’s story, ‘Unbefitting a Lady,’ in the Castonbury stables. 1817 is an exciting year to be in the stables because many English horse enthusiasts are in the middle of a stable revolution. It’s a great time to be a horse! People are studying and learning how to harness architecture to make stables healthier places. 1790-1830 is a time of great stable modernization. There are lots of renovations being done regarding ventilation and health. Let me share two of those innovations with you; the iron hayrack and the loose box.

The iron hayracks hanging from the walls of the stalls: According to Giles Worsley in his book, “The British Stable,” hayracks were originally nothing more than wooden managers that ran the length of the aisles. These took up a great deal of space. Once iron became more accessible, iron hayracks could be fashioned and mounted in the stalls, freeing up space on the floors and they were more likely to withstand horses chewing on them, unlike the wood mangers. Iron hayracks were definitely starting to be in use in the more serious stables by 1817 and Kedleston, the estate we modeled Castonbury after did indeed use iron hayracks.

Moving towards the loose box : The loose box is the style of stall we’re most familiar with now in our barns. But before this, horses had a three sided stall with the aisle end open and they had to face the wall. Loose box stalls were used only for isolating horses who were ill. But the racing industry around the 1790s began to see the benefits a loose box stall would afford a horse in general. There are some early architectural designs in 1803 and 1810 that start to show the proliferation of loose box stalls for stables at Normanton and Tottenham Parks. By 1816, just a year before Phaedra’s story, the Ashridge stables in Hertfordshire were designed to incorporate a large number of loose boxes and by 1829, the loose box had become the norm. This is a transition that took about thirty years to catch on. Grooms felt leaving the horse loose in a stall caused too many problems.

Other improvements that took place between 1790 and 1830 include ventilation and lighting but we’ll save that for another time.

 

Today we’re welcoming Harlequin Historical author Joanna Fulford, to talk about Book 7 (of 8!) in the Castonbury Park series!  Comment for a chance to win a copy…

Redemption of a Fallen womanRedemption of a Fallen Woman is the seventh book in the Castonbury Park series and is due for release in February. Hoping to save his family from ruin, my hero, ex-soldier Harry Montague, reluctantly returns to Spain to seek vital information about the death of his brother, Jamie. On arrival in Madrid, Harry meets fiery Spanish beauty, Elena Ruiz. Elena is a fallen woman whose chequered past is about to result in her being incarcerated in a convent. Among her transgressions are the two years she spent with a guerrilla group, fighting the French.

The ideas for this story arose from the years when I lived in Madrid. It was the base for subsequent explorations of Iberia, including the wonderful cities of Seville and Cádiz which feature in the book. My travels often took me up-country as well. One weekend, quite by accident, I discovered Patones, a small hillside village in the foothills of the Sierra de Guadarrama. I suspect that most people find Patones by accident. Even by modern standards it’s pretty remote, but at the time of the Peninsular Campaign (1808-1814) it was truly isolated. In spite of their best efforts, Napoleon’s forces never did find the place so it was spared the ravages inflicted on other villages and towns. It must have been an ideal base for guerrilla fighters during that conflict. Years later the memory of that trip gave me the idea for my heroine’s backstory.

The word guerrilla means little war. Although it was an old established method of fighting, the term was first coined in Spain during the Napoleonic Invasion. The guerrillas used hit-and-run tactics in their insurgency against the occupying French. A French sniper called Mignolet wrote home: “We are surrounded by 40,000 Spanish brigands whom we must fight every day – and the situation gets no better, but worse…”

Mignolet’s pessimistic assessment reflects the part played by the local topography. Spain is one of the most mountainous countries in Europe. At its centre are high plains crossed by mountain ranges and rivers. It’s a wild and spectacular landscape, but it’s also ideal terrain for guerrilla warfare. There were numerous bands involved, each with its own agenda. My guerrilla leader, Juan Montera, is fictional, as is the brigand, El Lobo, but they are representative of the different groups in action at the time.

Being undisciplined irregulars, the guerillas were of little use in open battle against cavalry. Where they really came into their own was in providing accurate military intelligence. Wellington had good cause to be grateful for this. After Talavera, for example, he marched off with a force of 18,000 men to attack what he believed to be a detachment of 10,000 French troops. The ‘detachment’ turned out to be three army corps numbering well over 50,000 men. But for a timely warning from the local guerrillas it is likely that Wellington and his force would have been annihilated. Fortunately, he was able to retreat in time.

Spain has been accurately described as a beautiful blood-soaked land. It has shaped my hero and heroine in different ways, and created the deep emotional conflicts that they must resolve. It was fun to go with them on that journey. I hope you’ll enjoy it too.

ByronSo I am taking a little break between working on the WIP and looking at pics of Michelle Obama’s clothes to wish Lord Byron a happy birthday!  He was born on this day in 1788, which would make him–225.  I doubt very much he would like the idea of being quite so old and no doubt very decrepit by now….

Here is one of my favorite of his poems, Stanzas for Music (I think I just really love those opening lines).  What are some of your own favorites??

 

There be none of Beauty’s daughters

 With a magic like thee;
And like music on the waters
       Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean’s pausing,
The waves lie still and gleaming,
And the lull’d winds seem dreaming:
   And the midnight moon is weaving
       Her bright chain o’er the deep;
Whose breast is gently heaving,
       As an infant’s asleep:
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer’s ocean.

 

Happy Tuesday, everyone!  What are you doing this week??  I got my latest Harlequin Regency romance turned in (yay!!) and am getting caught up on a few things before diving into the next Elizabethan mystery.  Things like grocery shopping and running the vacuum cleaner, which always fall by the wayside when a deadline looms.  Among my projects–a fun round-robin story my local RWA chapter is doing with a St. Patrick’s Day theme!  Stay tuned for more info on that….

I am also announcing a winner!  The winner of a copy of A Stranger at Castonbury is…Emily!  Congrats!  Email me your info at amccabe7551 AT yahoo.com….

LadyAndMonstersCoverIn between taking a few naps and watching some DVDs that have piled up while I was working on the book (including all of season one of Girls, I have also been dreaming of spring.  Like many places, winter has been dismal here, with more gray skies and snow and freezing rain than usual.  (I also just read The Lady and Her Monsters, about Mary Shelley and the writing of Frankenstein, which included some depressing details of 1816’s Year Without a Summer.  It hasn’t been that bad here, but still…).  So I’ve been perusing garden catalogs and spring fashion websites (already bought some shorts at J Crew!).

 

 

If I was in the Regency this is the outfit I would be wanting to wear now (from my Regency Pinterest page!):

RegencyYellowDress RegencyParasol RegencyBonnet

And we could go out for a nice drive on a sunny afternoon:

RegencyPhaeton

What are you looking forward to this spring???