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Category: Regency

elena_worcester_artLast weekend, I enjoyed a visit to the Worcester Museum of Art. It’s not a huge museum like another favorite, the Museum of Fine Arts in Boston, but it has interesting collections, laid out and presented in a way that encourages conversation. My daughters and I had a lot of interesting discussions while going through the galleries at the leisurely pace we all enjoy.

This museum has an interesting collection of arms and armor, where this sword caught my eye. Labeled “Smallsword, about 1790”, it’s attributed to Josiah Wedgewood or possibly Matthew Boulton. I love jasperware and own a few modern pieces, and I’m always amazed to find it decorating unexpected items. In the MFA in Boston, there’s a pianoforte with jasperware medallions. Here, a sword.

 

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Another treasure is this painting of “Mr. and Mrs. James Dunlop” by Sir Thomas Lawrence, who’s credited with painting portraits of some of our fictitious Regency characters as well as the real ones. The painting is dated 1825, which surprises me a little. Her dress seems earlier. Perhaps any costume experts here could weigh in? In any case, it’s a lovely image, something like I imagine our happy couples might look like.
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I also love “The Banks of the Loire”, by Joseph Mallord Turner, exhibited in 1829. It has such a romantic feel!
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I always feel inspired after visiting art museums. Has anyone else visited this one? What did you think? Do you have any favorite lesser-known gems like this one?

Elena

elena_greene_sampler_cover_areP.S. I now have a free sampler of my work, if you’d like to try before you buy. It’s available on Amazon, Barnes & Noble, iBooks, Kobo, and All Romance Ebooks.

conker Did you know that in Britain, the second Sunday in October is “National Conkers Day”?? Yes, yesterday you should have pulled out your best hardened-up horse chestnut on a string and challenged some other conker player to a match. What, you didn’t know? Well, I confess I didn’t either until I ran across this factoid while doing research for my current revisions.

So, this time it started because my heroine needed to climb a tree. Not just any tree, but a big old one, tall with spreading branches that would be stout enough for the job –not to mention that earlier in the story a cheetah needed to perch on one of said stout branches of the same tree.  horse-chestnut-tree-4  (I do know that cheetahs don’t climb trees. You’ll need to read the story –The Magnificent Marquess wasn’t originally and in the new version still won’t be your standard Regency romance.)

I thought a horse chestnut ought to do the trick, and they are common in Great Britain in modern times, but –I was pretty sure they aren’t native to Britain. So first thing to check: when were they introduced? Second thing to check: how big can they grow?

I’ve learned that in doing research, assumptions are the biggest stumbling-block (and often the hardest thing to recognize!). That’s where the conkers come back in. I found the info I needed (trees introduced from Persia/Turkey/the Balkans in the 16th century, can grow to 100 feet high). I thought about having children in the story engage in playing conkers since the tree was there.

 

Have you ever played conkers? I haven’t –but my husband says he did in his youth. I was aware of it as a thing people (mostly boys) used to do, and I assumed that conkers was a game well-venerated through the ages, human nature being what it is. And actually, it is. Just not with horse chestnuts.

2014-world-conkers-cred-jez-shimell

2014 World Conkers, photo courtesy Jez Shimell

It seems, at least according to the sources I saw, that in earlier times conkers was played with snail shells, cobnuts, even stones, but conkers with horse chestnuts (they claim) is 20th century. I also saw the date 1848 given in several sources as the year of the first recorded conkers game, on the Isle of Wight. Victorian, and not with horse chestnuts, apparently. Now the World Conker Championships are held in Northamptonshire on the second Sunday in October every year.

1200px-stringing_conkersIt would take some more digging to verify if the sources I saw were actually correct. I did not take the time to look further. Too many rabbit holes out there, and time is always short. Who could prove they were the first person ever to put a horse chestnut on a string? I am not convinced that it was not being done during the Regency, or earlier, but it was also not important for my story. The point is the surprise. So often things I assume are old enough to be Regency turn out not to be. This is just one example.

I love doing research, and I do a lot of it. I like to think my stories “could have happened” even though I made them up. But the hardest part of doing story research isn’t finding the information –it’s figuring out what bits you need to check!

Of course, in the end, the story is what matters most. And all of us story-tellers hope that when the reader is engaged deeply enough, any glitches we missed won’t matter. What research pitfalls have you encountered, as a writer or a reader? If I had tripped over this one, would you have known, or cared?

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Bound by a Scandalous SecretGenna, the heroine of my upcoming book (Nov 22), Bound By A Scandalous Secret, is an aspiring artist who wishes to make her living with her art, but she has grown up in the country and has never actually met another artist, let alone another woman artist. I wanted her to meet a real woman artist of the time period.

My research led me to Amelia Long (1762-1837). Amelia, nee Hume, was the daughter of an amateur artist and she studied under watercolorist Thomas Girtin, a friend and rival of Turner, and also of Henry Edridge, a painter of landscapes, miniatures, and portraits. She painted landscapes which were exhibited at the Royal Academy.

After a trip abroad to Italy, Amelia married Charles Long, a politician and art connoisseur who was a friend of William Pitt and an art advisor to the Prince Regent, who later became George IV.

dover_castle_illustration_by_amelia_longAmelia and her husband Charles purchased Bromley Hill where Amelia redesigned the gardens, which were much admired.

In 1826 Charles became Baron Farnborough.

In Bound By A Scandalous Secret, I wanted Genna to tour Carlton House, the extravagant house of the Prince Regent. In my first version, I just made up a guy, but when I discovered Charles advised the Regent, he was perfect for being her tour guide.

I just love when those sorts of synchronism happen!

Do you have a favorite woman artist?

 

 

Posted in History, Regency | Tagged | 6 Replies

indexRevisiting an old story intent on revising it can be a scary journey full of rocks and potholes. I’m deep in the throes of revising my old Signet Regency, The Magnificent Marquess, and I have to tell you, the process isn’t pretty! It’s not just the mess of annotated pages scattered over my dining room table and all the handwritten notes that are keyed to them, but also my precarious state of mind.

What do you think about “new and improved” versions of older books? Have you ever picked up a new version of an old favorite and read it to see if you liked it better? And did you? If you write, have you gone back to previously published work and significantly changed it? I’m not talking about just a minor tweak or correction here or there. Were you pleased with the result? Please let me know in the comments!writers-block21

While I am firmly convinced this original book can be greatly improved, I am also terrified I may make it worse rather than better.

There seem to be two schools of thought about reissuing backlist books. One is that old books are like old friends and should just be sent back out again in the same lovable form they originally presented to the world. The other is that reissuing them offers an opportunity to improve them –to fix mistakes, enliven the writing, or even indulge in the deeper surgeries (or expansions) required to improve plot, character, or motivations. What’s your experience with this, as a reader, or a writer, or both?

writing_as_professionalMost of my old Signets packed a lot of plot into a relatively short book format –the length was a requirement of the publisher’s line. I believe that by expanding The Magnificent Marquess, I can tell the story more effectively. Too much had to be left out of the original version. But one of many dangers then becomes losing the pacing, not to mention the challenge of keeping the writing tight. All the same problems of writing any original version!

I just keep reminding myself that even though these characters and their story are old friends of mine, for readers who never read the first version, this revised one will be brand new. I’ll let you know when it’s ready!! happy reading 2 peeps

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Hello all! I’m sorry that I haven’t been around much of this year. Life has been more than ordinarily challenging–maybe I’ll share some of the story someday.

What I can tell right now is that once again I’m working on a comeback. I’ve some experience at this already, having made two creative recoveries in the past, and this time I am more strongly motivated than ever. Perhaps over the next few years, I’ll even surprise myself. I hope so!

One of the first steps I’ve taken was heading out to this year’s RWA conference in San Diego. I know about a month has passed, but you may still enjoy some pics from the Beau Monde (Regency special interest chapter) soiree. Here are some of the members, including me, posing in our Regency garb.
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And here I am with Cara King, author of My Lady Gamester and past Risky, along with Sir Reginald Scott, the rakish cousin of author Regina Scott.
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Some of us helped out with a video used as part of the RITA and Golden Heart ceremony. Here’s the video from Youtube. Check us out at about 15:15.

Since RWA, I have been starting work on several projects. More on that soon! And it’s nice to be back. 🙂
Elena