Back to Top

Category: Regency


At the Frampton household, we are preparing for my son’s seventh birthday party. Tomorrow, we will welcome six of his friends to our house for some party games, sandwiches, and ice cream cake (my son doesn’t like traditional cakes–they’re just “bread with frosting.”) Tomorrow night, the Spouse and I will be opening a bottle of wine. Related? You tell me.

Birthdays have been celebrated since the 1st century BCE, although the practice waned and was brought back during the sixteenth century (and some cultures still do not celebrate birthdays, but you can read all about that by following the birthday link).

As I was thinking about birthdays, I thought about Regency period books, and realized I hadn’t read about many birthday celebrations (besides the reigning monarch’s, but that’s a special case), although they must have existed. For the research wonks out there (Amanda? Diane? the rest of the Riskies? Anyone else?), what were the common birthday practices? Did people get presents? Was there cake? Pin the tail on the Prinny?

What birthday traditions do you like? If you were a Regency lady, how would you like to celebrate your special day?

Megan
www.meganframpton.com

Posted in Regency | Tagged | 6 Replies

I may have mentioned recently finishing Warner book #3, untitled and awaiting a publication date. This is Blake’s story, one of the hero’s friends in The Marriage Bargain. Right when I was tearing out my hair and gnashing my teeth to finish Blake’s story, my copy edits came for Innocence & Impropriety, the story of Rose from A Reputable Rake. I finished those in a record (for me) two days, then had to jump in to the next Mills & Boon, following a character from Innocence & Impropriety. That done, I decided I ought to plot the next Warner book, too, because I’m going to NYC to see my editor this coming Friday (and to see Phantom of the Opera on Broadway and Beowulf & Grendel in the movie theatre). The next Warner book is Wolfe’s story.

I like to start my books off with something really exciting, a task that gets harder and harder to do, but sometimes turns out to spark ideas for the rest of the plot. I may also have mentioned that story ideas do not exactly flood my brain and keep me awake at night.

For my big bang openings for Harlequin/Mills & Boon I’ve done lovemaking in a gaming hell (hee hee, pardon the pun), a Gretna Green wedding, and an attack in Hyde Park. This time I decided it would be nice to put my hero and heroine in a shipwreck. So I did my usual thing and bought as many books on shipwrecks that I could find and afford.

I bought Shipwrecks of the Revolutionary & Napoleonic Eras by Terence Grocott (1197 Stackpole Books), and Life Before the Mast by Jon E. Lewis, ed.(2001, Castle Books). I already owned A Sea of Words by Dean King (1997, Henry Holt and Co., Inc). And, of course, I tore through whatever I could find on the internet. The shipwreck scene was a lot of fun to write and I hope it comes off sounding real. I also hope my editor approves the story, because now I am dying to write it.

For Warner my big openings have included childbirth, a duel in which the hero is slain, and a tryst with a mysterious French thief (Blake’s story), but I need something very exotic for Wolfe.
I want to begin Wolfe’s story in India, where he will travel to learn about his Indian roots–he’s one quarter Indian and his father is (gasp) in Trade. I’d already collected some books to help: The East India Company by Antony Wild (1999, Harper Collins); Begums, Thugs & White Mughals, the Journals of Fanny Parkes (2002, Eland Publishing); White Mughals: Love & Betrayal in Eighteenth Century India by William Dalrymple (2002, Penquin Books). I found Original Letters from India by Eliza Fay, EM Forster, ed, (1986, Hogarth Press) when I was in Alabama for my High School reunion, and I just bought Raj: The Making and Unmaking of British India by Lawrence James (1997, St. Martins Press). But none of these books were giving me my huge opening.

Scouring the internet about India in the nineteenth century, I came across several first hand accounts of sati (or suttee, as it is sometimes spelled), the practice of a wife throwing herself on the funeral pyre of her deceased husband and burning alive. Now that will make a bang up opening! The heroine being forced into the flames when the hero rides to the rescue, snatching her from the consuming fire. I hope my editor loves the idea, because I really am itching to write that scene!

Now, I don’t want you to think I will actually read all of the books I mentioned above. I must keep up my reputation as the world’s worst read romance author. I do read bits of the books, though, unless one really captures my interest and I read every word. I read enough to tell me if my story idea will work and to give me enough knowledge of the topic to at least take a stab at writing it. Then as I write, I go back to the books and the internet and research whatever I need to at that moment. This may not be the most efficient way to do it, but it has worked for me so far.

I keep all my notes on the computer. I copy information from the internet. I might even summarize something from a book. I don’t make a collage for the story, but I do have a page I always call “Names” where I put down the facts and backstory for the main characters. I find a photo to use for my hero and heroine. Quite by accident, the photo I chose for the hero of this next Mills & Boon was one of Gerard Butler, chosen before I became one of the converted and actually knew who he was. For the heroine, I chose Jennifer Connelly, because she looks vulnerable but has strength underneath. For the Warner book, Wolfe is an actor named Adrian Green and the heroine is a beautiful Indian actress named Bridget Monynahan. But forget these images if you prefer to visualize on your own. The books will not be out until 2007 so you have lots of time to forget.

I don’t know when I’ll get the go ahead for the Mills & Boon but I expect to find out about the Warner book and Wolfe this Friday. If my editor doesn’t like it, at least I’ll still get to feast my eyes on another fictional character that night – Beowulf, played by Gerard Butler!

I’ll let you know how it goes next week.
Cheers,
Diane

Mary-Bacon I’ve been reading Mary Bacon’s World by Ruth Facer, a detailed look at the life of a farmer’s wife in 18th century Hampshire, taken from her personal ledger, which contained much more than financial entries.  It’s a personal journal in which she has recorded many aspects of her life; truly an historians dream of source material.

Like those of many women of her generation, her journal includes things like recipes and the minutiae of farm life, all of which are interesting to anyone writing about the period.  For example, when she and her new husband moved to their home at Aylesfield Farm, she meticulously recorded the expenses for needed repairs, including holdfasts (probably some sort of clamp or staple), brushes, Linseed oil, nayls (and also nails).  In total they spent £43 15s.  Quite a lot to get the farm in order, not mention chips, 5 cord of Grub wood (roots or branches lying on the ground).  This was, probably for heating.  She also includes a furniture inventory which indicates a level of prosperity for the new couple.

farmhouse-yard

A farmer’s wife in her yard with chickens

Her ledger also includes a detailed picture of the life of a farmer’s wife, including  stock, the weather, the care of animals, and cures for people living in or around the farm.

Mary seemed to rely on Culpeper’s Complete Herbal and English Physician for caring for her livestock. For example, to cure a bovine urinary tract infection:

Take a handfull of Hot Dung, half a pint of Rennet half a pint of Brine and a handful of mustard Seed Bruised Simmer it together and Give it to the Cow and let her Stand two hours without meat If one Drink fails Stop one Day & Give her another in the morning.

Sort of makes you glad you’re not her cow.  She has equally interesting cures for human ailment, including piles, constipation, dental problems, and epilepsy.

Mary’s kitchen inventory gives a good picture of how she cooked and her ledger contains recipes, many copied from Hannah Glasse’s First Catch Your Hare, The Art of Cookery Made Plain and Easy, but also some of her own and those from her friends.

From the ledger, we also learn a lot about Mary’s reading material, including Almanacs, chapbooks, and newspapers. Among the things she copied out in her journal was a table of information about the West Indies (including, the length and breadth of each island, it’s principal towns and which country owned it) , in which she was apparently interested.

Her ledger includes her extensive book list.  This includes, as well as Culpeper’s Herbal, many religious books, The Universal Parish Officer (containing the laws in force pertaining to parish business), The Gentleman’s Jocky & approved farrier, and a history of England.

I could go on.  There is an incredible amount of useful material in this book, if you’re interested in the life of an intelligent and fairly prosperous farmer’s wife during the late 18th and early 19th century.  I highly recommend it.

 

Posted in Regency, Research | 4 Replies

I just read this article in the American Chronicle:

“Our Flirtations with Regencies”
, by Sonali T. Sikchi, and I can’t decide whether to be amused or annoyed. No, it’s annoyed.

This thing is full of the most ridiculous broad generalizations about Regency Romances: what could be culled from reading several Barbara Cartlands and assuming the rest are exactly the same.

A few examples:

“…Regencies rarely make even a pretense of incorporating historical events and elements in their stories.”
“The women in the Regency Romance stories are always young girls in their late teens or early twenties.”
“The women gorgeous and unique, sexually innocent and passionate; the men striking and arrogant, sexually experienced and passionate.”
“The stories follow a formula…”

OK, so here are some of my favorite counter-examples, in no particular order:

LOVE’S REWARD, by Jean Ross Ewing (Napoleonic war hero, espionage/intrigue plot)
THE CONTROVERSIAL COUNTESS, by Mary Jo Putney (espionage/intrigue, unconventional heroine)
THE RAKE AND THE REFORMER, by Mary Jo Putney (older heroine who is too tall, with mismatched eyes! alcoholic hero)
THE CAPTAIN’S DILEMMA, by Gail Eastwood (French POW hero)
AN UNLIKELY HERO, by Gail Eastwood (adorable virginal hero)
THE VAMPIRE VISCOUNT, by Karen Harbaugh (paranormal)
KNAVES’ WAGER, by Loretta Chase (unconventional heroine)
SNOWDROPS AND SCANDALBROTH, by Barbara Metzger (another great virginal hero)

In my own September book, LADY DEARING’S MASQUERADE, the plot revolves around London’s Foundling Hospital (gasp–a real historical institution), the heroine is in her thirties and not a virgin, and the hero is sexually inexperienced. (But he catches on fast.)

But the author of this article seems to be implying we’re a bunch of hacks cranking out endless stories according to a prescribed formula. Grrrr….