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Category: Regency

Please join Julian Fellowes, creator, sole writer, and executive producer of the hit television series Downton Abbey and the author of the new novel Belgravia, who is touring the blogosphere with a progressive blog tour from April 14 to June 16, 2016!

(This is carolyn posting for Risky Amanda!)

Image of Julian's Book Cover

Belgravia Blog Tour

 

Similar to a progressive dinner party, where a group of friends each make one course of a meal that moves from house to house with each course, this progressive blog tour features eleven bloggers and authors, each offering a recap and review of one episode from the book.

Visit Luxury Reading to learn more about Episode 5, and read on for our review of Episode 5: The Assignation.

Don’t forget to enter for a chance to win 1 of 3 hardcover copies of Belgravia–details below! 

I was so excited when I was asked if the Riskies would host one of the stops for the blog tour of “Belgravia,” Julian Fellowes’s new serial novel about scandal and romance in 1840s London!  I’ve been suffering some “Downton Abbey” withdrawals since the last episode of that show (sniff!), and this seemed like a good way of recovering.  I wasn’t wrong.  “Belgravia” is so much fun!

It’s much harder than I thought, though, to just review ONE episode, considering all the complicated twists and turns of the relationships in the story, and the way the scandalous past comes to haunt the present.  Episode 6: A Spy in Our Midst was a good episode to draw, though.  So much happened!  As the scene opens, James Trenchard is nervously awaiting word whether he will be accepted into the Athenaeum Club (not really a spoiler: he is), when he is visited by his secret grandson Charles Pope, who says his investment scheme is very close to becoming a reality, thanks to Lady Brockenhurst’s interest (which is already being remarked on and gossiped about in Society).  James fears once the truth is known, his brand new club membership will be revoked (“Anne’s pity for the countess would be their undoing”), but he enjoys his time with Charles anyway, and takes him to lunch at the club, which leads to awkward confrontations with an officious club butler, and a fight with his drippy son Oliver.

In fact, there were many confrontations and near-confrontations here, as well as new layers of forbidden romance (Maria Grey, almost betrothed to John Bellasis, has a new crush on Charles Pope, and John is having an affair with Oliver’s wife Susan, ouch).  There is a real sense in this chapter of matters building to a head, rushing toward a big blow-up that can’t be stopped, and I can’t wait to see what happens next.  (And yes, there IS a spy, a rather unexpected one, but you have to read to the end of the episode to find out who/how/why!)

There is so much to enjoy in this story, much of it the same things I loved about “Downton.”  Complex characters, with complex relationships; family secrets; snappy British dialogue; scandal and sadness and hope.  You can wait and order the full story, of course, but I think it’s a lot of fun to read as they are released now, in installments.  What do you think will happen next???

Giveaway

Win a Copy of Julian Fellowes’ Belgravia

In celebration of the release of Julian Fellowes’ Belgravia, Grand Central Publishing is offering a chance to win one of the three (3) hardcover copies of the book!

To enter the giveaway contest, simply leave a comment on any or all of the stops on the Julian Fellowes’ Belgravia Progressive Blog Tour starting April 14, 2016 through 11:59 pm PT, June 22, 2016. Winners will be drawn at random from all of the comments and announced on Austenprose.com June 23, 2016. Winners have until June 30, 2016 to claim their prize. The contest is open to international residents and the books will be shipped after July 5, 2016. Good luck to all!

Belgravia Progressive Blog Tour Schedule

April 14 – Austenprose.com: Episode 1: Dancing into Battle

April 14 – Edwardian Promenade: Episode 2: A Chance Encounter

April 21 – Fly High: Episode 3: Family Ties

April 28 – Calico Critic: Episode 4: At Home in Belgrave Square

May 12 – Risky Regencies: Episode 6: A Spy in our Midst

May 19 – Book Talk and More: Episode 7: A Man of Business

May 26 – Mimi Matthews: Episode 8: An Income for Life

June 02 – Confessions of a Book Addict: Episode 9: The Past is a Foreign Country

June 09 – Laura’s Reviews: Episode 10: The Past Comes Back

June 16 – Gwyn Cready: Episode 11: Inheritance

 

The Modern Land Steward by John Lawrence, published in 1806.

Note: A version of this was originally posted at my website. This post is expanded to include more about Stewards.

It will be sufficient fbr our purpose, to define the needful qualifications, of each, of three orders of stewardship, namely, of The Superintendant OR COMPTROILING AGENT, THE LAND-STEWARD OR Agent, properly so called, and of The HouseSteward. A thorough knowledge of common accounts, and of the nature of markets, bargaining, and of the proper modes of settlement with tradesmen, will, with the aid of common honesty and discretion, suffice to form the HouseSteward.
But with regard to the first description, or the Chief Agent, the trust is of a high and extraornary nature, nor do the opportunities of tilling such an office to advantage, frequently occur. It is even matter of great public concernment, since the well or ill-management of extensive estates may in a variety of views be highly interesting to the community’. How much then does it concern our great landholders and proprietors, both on their own private, and the public account, to search out the most capable men for this important department.
To be properly qualified for chief agent to a great estate, a man should have attained that thorough knowledge of the business of life, that tried experience in men and things[…]

 

Let the steward provide a Journal, or Day-book, and a Ledger, with two other books, having an alphabet, and the pages marked, to be styled the Memorandum Ledger, and the General Inventory, and let him always go provided With a POCKET-MEMORANDUM book.

Sidebar: I am using that pocket-memorandum in a novella I’m writing.

Here is a list of things logged by a Steward

Paid for bread and flour
Paid for a Cheshire cheese, 511b. at £3id.
Paid for oats, eight quarters, at 10*.
Paid grocer, for candles, &c …
Paid for a hunting saddle for Your .
Paid for ditto for My
Paid for a new set of harness for six cart-horses
Paid ironmonger, for tnxes, &c
Paid coachmaker, for chariot
Paid for a set of harness for six horses
Paid brazier, for a washing copper, wt.52lb. at £6d.
Paid for a garden engine
Paid for a garden roll six feet, at 2s. 6d.
Paid cooper, for six iron-bound hogsheads, at 22s
Paid Your——— by cash, bills, &c
Paid butcher’s bill
Paid for a cask of vinegar 16 gallons,at 16i
Paid for 20 ton of coals, at 10s
Paid for carriage of ditto
Paid housekeeper her bill for incidents
Paid myself my year’s wages
Paid housekeeper her year’s wages ….
Paid the keeper his year’s wages
Paid the butler ditto
Paid the head footman his year’s wages
Paid the under footman ditto
Paid huntsman ditto
Paid the dog-boy ditto
Paid the principal gardener ditto
Paid the under gardener ditto
Patd the head groom ditto
Paid the under groom ditto
Paid the coachman ditto
Paid the postillion dilto
Paid the game-keeper ditto
Paid labourers wages

There are several entries like this:

Paid collector, for two quarterly payments of the land-tax, from Lady-day to Michaelmas, 17—, for the manor of A. as appears by his receipt.

The total amount of land taxes paid is £499.11.5

Total yearly expenses for this particular Lord —- are £6139.2.41

The ledger example is for recording income received and money spent for tenant and household-related expenses.

This line is what made me pause, the author has it labeled for the year 1800:

Agreed this day with R. S. to accept as a compensation for a heriot due at the death of his father…………… £26 5

I admit I had to look up “heriot”

her·i·ot
noun
British historical
noun: heriot; plural noun: heriots

  1. a tribute paid to a lord out of the belongings of a tenant who died, often consisting of a live animal or, originally, military equipment that he had been lent during his lifetime.

Right. Even if this is only a made up example and not drawn from an actual example, (which I think it is since the author says he got examples from his own work and others), it’s not something I’ve run across in any of my previous research in the Regency.

R.S’s father died, and he has to pay Lord Soandso £26 5. Sigh.

Also interesting is that J.B paid half a year’s rent of £79.5 and D.S paid a full year at £125
J.S. Sadler was paid the full amount of his bill £19.10 as was P.A. Smith in the amount of £21.5
The Groom was paid expenses of £4.3.11

I just paged forward, there are several examples, plainly drawn from documents lent to him, that mention heriots:

Received of (J. D. a composition for three heriots, instead of his three best beasts or goods, due at the death of his father E. D

There are many of them.

Trees were branded, and boy, they were quite profitable.

When an account of the timbers is taken, they may be marked with iron stamps, the rough part of the bark being taken off with the hatchet before the stamp is applied, that the impression may be made fair; and that it may be lasting, the stamp should go no deeper than the bark, but it may be renewed.

Then I came to a long rant about lazy poor people and how taking away the commons and giving them to “ingenious gentlemen” to rent back to the poors who would then be no longer lazy, and, well, I’ve had about enough of that kind of talk lately so I stopped reading.

A picture of a toy theatre built by Sandra Schwab

St. George has just saved the other Champions of Christendom from the enchantment by the evil witch Kalyb

A few days ago Janet talked about paper dolls of the Regency period, and today I’d like to add to that theme by talking about another kind of toy produced from paper: toy theatres.

A picture of a toy theatre built by Sandra Schwab

The Seven Champions decide to separate and seek adventures each on his own (St George is off to Egypt in a steamboat)

Toy theatres were first produced by William West in 1811. He ran a haberdashery and circulating library on London’s Exeter Street, which is conveniently close to several theatres, including the Lyceum Theatre, Drury Lane, and Covent Garden. When he first noticed how well cheap prints for children sold, he had the idea to monetize his proximity to the theatres and started to sell theatrical prints. The first of these showed eight characters from Mother Goose, a popular pantomime playing at Covent Garden at the time. Soon, other printers also joined in and sold character sheets and scenery sheets.

A picture of a toy theatre built by Sandra Schwab

Having arrived in Egypt, St. George hears the most dreadful news: the king’s daughter is in grave peril

These first character sheets were not intended for playing – but it seems that this is exactly what happened: children cut out the characters to play with them. So within two years, West had also begun to sell paper theatres. The prints became ever more elaborate: clever cascading scenery was joined by sheets which enabled the reenactment of theatrical tricks.

A picture of a toy theatre built by Sandra Schwab

But never fear! St. George saves Princess Sabra…

Printers typically based their toy theatre sheets on current popular plays, and they made them available in two versions: plain and colored, which led to the famous phrase “one penny plain and two pence coloured.” Putting together toy theatres seems to have been mostly a pastime for boys, and it became a matter of pride to color one’s characters, scenery, and theatre oneself.

A picture of a toy theatre built by Sandra Schwab

…and fights against the terrible dragon, who was about to devour her

Before they were cut out, all parts were typically pasted onto cardboard to give them greater stability and make them more durable (though of course, cardboard would not keep the theatre from going up in flames when a particularly impressive trick involving a bang and lightning effect went wrong). Some children might have even built a wooden frame for their theatres, which would have made playing them much easier. Such wooden frames would have also enabled the young impresario to hang the scenery from the cross links rather than putting them into slits in the cardboard.

A picture of a toy theatre built by Sandra Schwab

“Take that, fiend!”

To give you an idea of how elaborate toy theatre sheets could become, let us look at J.K. Green’s sheets based on the Christmas pantomime Harlequin St George and the Dragon, which was running at Drury Lane in December 1847: there were 8 plates of characters, 17 plates of scenery, 2 plates of tricks, and 5 plates of wings. (By contrast, the modern version which was published by Pollock’s Toy Theatres in 1972 and which you can see in the pictures accompanying this post, is much abridged and comes with only four plates of scenery and characters.)

A picture of a toy theatre built by Sandra Schwab

Splendid tableau of past & present chivalry

But then and now, the play ends with a tableau of the victorious Wellington at Waterloo (*waving to Diane*). This way it draws an explicit comparison between chivalry of the past (St George!) and modern chivalry (Wellington, of course), which boys were supposed to emulate. So, in other words, toy theatres were not only mere entertainment, but also contained a didactic component (if you actually made it to the grand tableau without burning your theatre down, that is).

Toy theatres continue to be produced today (though in smaller numbers), several professional and amateur theatre companies are specialized in toy theatre productions, and annual toy theatre festivals are held in different parts of the world, including at St. Ann’s Warehouse in Brooklyn.

Which play would you like to see on a miniature stage?

~~~~~~~~

The production of Harlequin St. George and the Dragon depicted here was arranged for you by yours truly. I also did all the (inexpert) cutting out and gluing together of the various parts of the theatre, scenery, and characters. 🙂

A sketch of Castle Sooneck

… or at least I hope I will.

And not just any castle, but Castle Sooneck, one of the umpteen (and I mean UMPTEEN!) castles, ruin, and other historic sites along the banks of the river Rhine in the Upper Middle Rhine Valley. A cultural heritage organisation of the area as well as a local newspaper were looking for a “castle-blogger,” somebody to move into Castle Sooneck for six months and blog (in German and English) about life on the banks of the Rhine. The deadline for applications was at midnight on Sunday – and of course, I sent in my application. For how cool would it be to live in a castle?!?!

Well…

Let’s just say it probably won’t be all roses and rainbows: Apparently the view from the castle-blogger’s bedroom will be the (active) stone quarry next door. And down in the valley up to 400 trains a day pass by on one of the major transport routes of Europe.

Add to that that castles tend to be drafty places and that those thick walls don’t make for particularly warm rooms. What the colder season (= anything that’s not summer) can be like in a historic building is rather vividly described by the Dowager Duchess of Devonshire in the chapter about “Cold Houses” in her book Home to Roost:

“A new heating system was installed when we moved in[to Chatsworth] and it works pretty well. Even so, the wind can penetrate huge old window frames which don’t fit exactly. In September we go round with rolls of sticky brown paper to stop the gaps. When the front door is open and people with luggage dawdle, all our part of the house feels the blast so we’ve cut out a small door out of the big one and you have to enter at speed. There are zones of intense cold, seldom visited in winter: the Scupture Gallery, State Rooms and attics, where a closed-season search for forgotten furniture can feel colder than being out of doors.”

I would imagine that it’s probably different in a castle (if anything, it would be worse). But hey, that’s what woolen sweaters, thick socks, and the tea kettle were made for, right? Moreover, the scenery of the Upper Middle Rhine Valley would certainly make up for any minor inconvenience: it is one of the most beautiful areas of Germany – and Regency people were mad for it.

Tourism dwindled down during the Napoleonic Wars, but as soon as Napoleon was safely banished to his island, the British came back to the Rhine in huge numbers, undeterred by either customs stations or the German beds, which, apparently, were on the horrid side if Murray’s Hand-Book for Travellers on the Continent: Northern Germany, 1845 is to be believed:

“One of the first complaints of an Englishman on arriving in Germany will be directed against the beds. It is therefore as well to make him aware beforehand of the full extent of misery to which he will be subjected on this score. A German bed is made only for one: it may be compared to an open wooden box, often hardly wide enough to turn in, and rarely long enough for an Englishman of moderate stature to lie down in.”

No, not even the German beds could deter the British tourists. Happily, they all followed in the footsteps of Childe Harold, often dragging a copy of Byron’s work along on their journey to appreciate more fully the

blending of all beauties; streams and dells,
Fruit, foliage, crag, wood, cornfield, mountain, vine,
And chiefless castles breathing stern farewells
From gray but leafy walls, where Ruin greenly dwells.

The ruins and castles still dwell along the Rhine, and it would be a great thrill indeed to explore (and sketch!!!) them all as the castle-blogger of Sooneck. 🙂

~~~

What about you? Would you like to live in a castle for six months? Or would all the stairs put you off?