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Category: Research

Posts in which we talk about research

V0001016 Joseph Constantine Carpue. Stipple engraving. Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Joseph Constantine Carpue. Stipple engraving. Published: - Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

http://creativecommons.org/licenses/by/4.0/

Those were the words, spoken in deep awe, by surgeon Joseph Carpue when viewing the results of his first nose reconstruction, performed on this day in 1814. Plastic surgery was born.

Warning, heavy ick factor lies ahead.

His surgery is thought to be the first plastic surgery in the west but it was based on a procedure for nose reconstruction in India published in a book twenty years before. Nose reconstructions had been performed in India since 1500 BC. Carpue published an account of his procedures in a book snappily entitled An Account of Two Successful Operations for Restoring a Lost Nose from the Integument of the Forehead.

Why nose reconstruction? Accidents could happen. The sixteenth-century astronomer Tycho Brahe lost part of his nose in a duel and wore a brass facsimile and he also had gold and silver models for special occasions. But generally, people lost their noses through syphilis (well, I did warn you…) , or to be more specific, from the mercury that was the only treatment for the disease at this time. So you might have to wear something like this number from the mid-nineteenth century:

Credit: Wellcome Library, London. Wellcome Images

Credit: Wellcome Library, London. Wellcome Images

This is a silver nose painted to match the owner’s skin color. Astonishingly, the owner of this fake nose remarried and sold the device back to her physician for three pounds, claiming her new husband preferred her without it. Hmm. True love.

And apparently there were a lot of people around without noses (and with syphilis), so much so that later in the century No Nose Clubs were formed.

The Star reported in a February 1874 article entitled “The Origins of the No Nose Club”:

Miss Sanborn tells us that an eccentric gentleman, having taken a fancy to seeing a large party of noseless persons, invited every one thus afflicted, whom he met in the streets, to dine on a certain day at a tavern, where he formed them into a brotherhood … This club met every month for a whole joyous year, when its founder died, and the flat-faced community were unhappily dissolved.

I think the only question I can have after this, is what is the strangest club you have ever belonged to and what were its activities?

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In The Artist’s Way, Julia Cameron recommends taking a weekly Artist Date: a no pressure, fun outing or activity that pleases your inner artist. The Corning Museum of Glass is one of my favorite Artist Date destinations. Recently I took my daughter and some of her friends there for her birthday celebration and was able to take some time for myself in the galleries and the studio.

cmog_candy_dishFor anyone who hasn’t visited CMOG, there’s a science section and a history section, where you can see everything from ancient Egyptian and Roman glass to Tiffany to modern art. There are some examples of Georgian and Regency glass—I’ll get to those later. There are contemporary glass art galleries—a whole new section was recently added. You can also watch a glass blowing demo or make your own project at their studios. Here’s a candy dish I made during this last visit.
cmog_pendantRounding out this plug for CMOG, I’ll say that the café is excellent and the gift shop is full of beautiful things. I especially love the jewelry. There are trinkets to suit different budgets, from this dichroic glass pendant I got on sale for $5, to more expensive, one-of-a-kind items from master glass artists. (And there are good post-holiday sales…)


Here are some of the Georgian and Regency items I enjoyed during this last visit.

cmog_beilby_glassesThe lovely enamel work on these glasses caught my eye. According to the label,

“The Beilby family painted much of the colorless enameled glass that was made in England during and after the 1760s. William Beilby (1740-1819) and his sister Mary (1749-1797) enameled glasses with floral motifs, landscapes, and pictures of architectural ruins. The most famous of their glasses are goblets bearing the royal coats of arms. These goblets mark the birth of the Prince of Wales (later King George IV) in 1762.

Here’s a closeup that better shows the beauty of the enamel-work.

cmog_beilby_glass_detail

cmog_jewelry_casketI love the color and the detailing on this item, labeled merely “Casket: Birmingham or London, 1760-1770”.  I could see one of my heroines using it to store her jewelry.

 

cmog_dessert_pineapple_standsAnd here are some items I could see gracing a Regency dining table: “Dessert Stand: England, about 1715-80. This set consists of a revolving stand, jelly glasses, flower vases, and a central sweetmeat glass.” and “Pineapple Stand: England about 1830. This cut crystal stand was used to display pineapples, which were an exotic, highly prized status symbol in 19th century England.”

They rotate items around, which is one of the reasons I like to go to CMOG at least once a year. I highly recommend it!

Do you have favorite museums or places you like to go for “Artist Dates”?

Elena

Charity to the BlindI have a “wish list’ of charities I’d like to support if I ever won the lottery. Do you? What kinds of causes do you like to support? I’m gearing up to host a fund-raising event (on Facebook) for a friend who is on the national kidney transplant waiting list (more about that later), and it made me think about subscriptions and charitable associations and fund-raising events the way they worked in the Regency. The concept of computers, the Internet, and a place called Facebook where people from all over the country –the world– could gather “virtually” for a pretend party would really blow the mind of someone from our favorite era!

Naturally, as soon as I started to delve into this topic, I realized how huge it was. So many different threads, so much information. Where even to start the conversation? So I thought about our stories, the ones we love to read and write. How often have you read (or written) characters who were engaged in supporting or championing some charitable cause? Have you come across, or written, characters who are attending events for charity as part of their London season? Or attending meetings of a philanthropical association? I certainly have read books where this is the case, but I don’t feel as though I see it often.

I think in very general terms modern society has shifted away from the kind of “giving” mindset that prevailed in Regency times, and that philanthropy is not as fundamental to our daily lives as it was then. We have higher expectations of what our tax dollars should accomplish through the government, we have “lost the religious underpinnings of society”, as one scholar put it, that helped make charity a priority, and we have a society now where a majority of women work at jobs outside the home, which robs them of the time to be actively involved in charitable works. Does that make it harder for us to imagine a world where this was not the case? Charity-Covereth-A-Multitude-Of-Sins,-Published-By-Hannah-Humphrey-In-1781

I’m talking in broad generalities, of course. But in the Regency, supporting charitable causes was much more personal, more “hands-on”, if you will. The mail was too expensive to be used to send out appeals, and of course there weren’t any telemarketers badgering people to give. (Hmm, think of that!) But there were a variety of other ways one’s generosity would be solicited.

Your local church (or I assume, the synagogues as well) would present you with causes and solicit your support. I’ve been reading Woodforde’s Diary of a Country Parson and was impressed, as he was, by the generosity of even his poor parishioners who dutifully would contribute pence whenever he put forward a need during the Sunday sermon. You might be accosted on the streets by beggars, although by the Regency there were more institutions in place to help or relocate them. And of course, your friends might beg you to support whatever cause had caught their attention, through a subscription or attendance at an event. (Getting back onto more familiar ground!)

RolwandsonSelectVestryBesides these types of what is called “casual charity”, there was organized giving. This includes giving of alms, paying the poor rate tax (set up by the Elizabethan Poor Law of 1601, administered by the parishes and based on land and buildings, it funded the workhouses –“indoor charity”—and “outdoor charity” such as the dole, clothing, and food, among other things), or supporting any number of philanthropic organizations and associations. Bequest charities administered by parishes and guilds had a long history, but “associational charity” began to grow in the middle of the 18th century after it became illegal to establish charitable trusts through a will at death.

Foundling_HospitalThe famous Foundling Hospital was the first of these new kinds of socially active charitable foundations. The Marine Society (which placed poor adolescent boys into careers at sea), and The Magdalen Hospital for Penitent Prostitutes soon followed, and then many more, focused on particular social problems, and dependent on public support. Annual subscriptions, publicity campaigns through pamphleteering, and charity events including concerts and balls were all employed. Some societies levied a weekly fee on members to support their work. Medical charity took on a new approach, too, with the establishment of charity hospitals, dispensaries, and asylums. As we see so often, these changes were the beginning of a more modern way of thinking and doing, well established by the Regency period. There’s a great article here.

I tackled this topic because on October 30 I am hosting a “virtual” Halloween Party on Facebook, and any of you who are reading this (and are Facebook members) are invited! It’s going to run 4pm-midnight (Eastern) so you can drop in at any time. It is a fund-raising event, so I am asking people to donate $15 –or whatever amount they wish – to my friend’s fund at the Help Hope Live Foundation. (Her name is Joyce Bourque). If you would like to come to the party, you can send me a “friend” request (Gail Eastwood-Author) or drop me an email, or I think you can just find the event page I will be setting up and ask to be invited in. (I think we’re calling it “Virtual Halloween Party for Joyce Bourque’s Kidney Fund” and I hope to have it set up this weekend!) I am also going to set up a dedicated email address where non-FB folks can leave Joyce a message of support or Halloween wishes. As you may –or may not—know, people who are on transplant waiting lists are required to do fund-raising while they wait, every year. These folks have to show that they can cover their part of the cost to save their lives, or be dropped from the list. Foundations like Help Hope Live are designed to hold and manage the funds until they are needed. Here’s a link to the foundation: https://helphopelive.org and here’s a link to Joyce’s page there, if you’d like to “meet” her! If you like, you can pretend her page is a handbill that I passed to you when I stopped in for tea! J

Meanwhile, let’s chat about whether charity giving belongs in Regency romances or not. What do you think? Please comment below.

Let’s admit I had a plan for this weeks post that had NOTHING to do with soup, portable or otherwise … I’ve been tinkering with the Georgian Map of London and was reviewing my copy of T20150915_203341-1he Epicure’s Almanack (the 1815 Zagat’s of London) looking for locations when I noticed that soup was a very popular item among the listings. It’s noted again and again at chophouses, taverns, inns, even coffee houses that “good soup is always available”. Ok, I thought. Well, it was the tail-end of a mini ice age, and as such soup was probably pretty welcome most of the time (and it’s one of the cheaper items to offer at a restaurant so it makes perfect sense that lots of places always had a spot over the fire).

Then I started to see “portable soup” on offer occasionally. Intrigued, I fell down the research hole. I was trying to picture some kind of “pastie” filled with soup. A Cup O’Noodles, Regency-style. Maybe even a bread bowl (we know day old bread has long been used as a “trencher” by the poor). So I start searching for “portable soup” and lo and behold it’s basically period boullion!

There’s a great write up on the Lobscouse and Spoted Dog page (another food book 20150915_203625-1I adore, in which two intrepid cooks attempt to recreate all the food from Patrick O’Brian’s Aubrey/Maturin novels).  It seems like a lot of work, but as we all know, labor was cheap during our period of fascination, it was everything else that was expensive.  And a method of capturing every last drop of goodness in the kitchen offal was going to be widely popular (I totally make stock from the striped carcases of rotisserie chickens and all the odd bits of veg that I toss in the freezer for this exact purpose).

So back to portable soup …

 

So basically, it’s the ultimate take away. You likely don’t have a real kitchen in your London lodging, which even if it’s in The Albany is a suite of rooms. But you likely have a fireplace and a pot. And now, with a store of portable soup, you have a base for making a stew or hearty soup, or a restorative broth at the very least (see the currant hipster fad for “bone broth).

This is totally something I can see the valets of my younger sons having on hand for when their master has a cold (or when they have a cold), or when someone needs sobering up.

Old, Old Fairy TalesAre you a fan of fairytales? Do you watch the mash-up Once Upon a Time on TV? Or the more horror-oriented show Grimm? I’ve been working with a writing student whose project is focused on the life of Charles Perrault, so I’ve been thinking about fairytales a lot lately.

This enduring, and endearing, form of storytelling goes back in time well before our Regency period to the late the 17th century. That’s when Perrault published “The Sleeping Beauty in the Wood” as part of his collection, Tales and Stories of Times Past with Morals: Tales of Mother Goose in 1697. (The English translation was published in 1729.) Actually, it goes back much further into the mists of time, depending on how you define fairytale vs folktale. Many of the stories are ancient, and of course there are some very ancient story traditions in the non-western cultures. But did you know that the Brothers Grimm Early ed of grimmpublished their first three German collections of tales in 1812, 1815, and 1822? Their first English edition was published in London in 1824, illustrated by Cruikshank.

Recasting some fairytales into romances has been a popular strategy for some authors within the romance genre. Turning them back into tales for adults is ironic in some cases, as some of the stories started out as strictly adult fare. But in addition to offering us plot ideas and possible story arcs, fairytales can serve in our stories exactly as they are, as part of the cultural background for our characters.

It’s good to know that if you want a character to read fairytales to children in a Regency story, any of those collected by Charles Perrault would be authentic. That includes such favorites as Cinderella, Puss in Boots, and Little Red Riding Hood.200px-Dore_ridinghood However, the late date of the Grimm Brothers’ English edition means some other best-loved stories, such as Snow White or Rumpelstiltskin, were not familiar in most Regency nurseries.

It’s possible, however, that some of the stories Jacob and Wilhelm Grimm had collected up to 1815 could have been retold in England by returned soldiers or statesmen who encountered Jacob Grimm in Paris or particularly in Vienna. That is how Devenham, the rakish hero of my 2nd Regency, The Persistent Earl, knows the story of the frog prince and recounts a cleaned-up version of it to the children in that book. (Some of this blogpost is taken from the Author’s Note I wrote for that book, a time-saving step for which I beg your indulgence!)

Jacob Grimm worked for his government during the closing years of the Napoleonic Wars. Brueder_GrimmIn 1814-15 he served at the Congress of Vienna in addition to making two trips to Paris to recover important German paintings and books stolen by the French army. In Vienna he was the nucleus of a small literary salon whose members entertained each other with the telling and retelling of folk tales and fairytales. wilhelm_grimm_250(Side note: apparently Wilhelm was struggling in the meanwhile back in their homeland. A novel just released in July, The Wild Girl, by Kate Forsyth,  tells the story of the woman who loved Wilhelm and waited ten years to marry him!) Dorchen Wild-349

Many of these stories were not originally intended for children, and were only made suitable after the Grimms modified, edited, and in some cases embellished them for publication. (a Regency precedence for Disney!) Jacob’s store of tales in Vienna would have included those already published in the 1812 German Nursery and Household Tales, plus others like “The Frog Prince” about to make their appearance in the second volume.

Here is an excerpt from TPE where my naughty hero (still recovering from wounds received at Waterloo) explains about the story my heroine, Phoebe, has just overheard him tell:

“I spent a few weeks on furlough in Vienna last winter, and that is where I chanced to hear the story. In fact, if I can remember them, I heard several others I could tell the children besides that one. There was a scholarly fellow there for the Congress, part of the Hessian delegation, who collects these kinds of stories, and he had formed a little group in Vienna who delighted in exchanging them to pass the time.”

Phoebe saw the wicked light that she had learned to recognize so well come into his eyes, and she quickly turned away to fluff his pillows. What could possibly be wicked about fairytales? And where was Mullins? She realized suddenly that both he and the tea tray had disappeared.

“I must add that many of these stories had more than one version,” Devenham continued. “I saw ladies far less reputable than you put to the blush. Some of the French and Italian stories I heard were enough to curl even my hair. Of course, I would never repeat those to children.”

Over time, the Grimm brothers published some 200 tales. However, the edition we know today as Grimms’ Fairytales was not published until 1857.Perrault's Tales -late illustration

What are your favorite fairytales? Have you ever used one in a story? Have you read (or written) any romances based on one? Let me know in the comments!

(P.S. If you were wondering, The Persistent Earl is one of my backlist books that has been reissued as an ebook by Penguin Intermix. The original paperback version is out of print.)