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Category: Research

Posts in which we talk about research

Fun is the word whenever I welcome Lavinia Kent to the Riskies. Lavinia is a good friend of mine and though we write in the same genre we are miles apart in our approach to the period. ©Rebecca Emily Drobis ALL RIGHTS RESERVEDI tend toward the traditional and Lavinia writes hot in about a hundred different shades. I love what she has to say here. Read on and see what you think.

Belly dancers. Pirates garbed in black. Fairies with flower wings. Woodland warriors with full wolf masks. Friars, satyrs and pixies. A steampunk gentleman.IMG_2057

What do any of these things have to do with the other?

A glorious afternoon spent at the Renaissance Festival answers that question. Do any of these things belong there? No – and Yes, Yes, Yes. I love the anachronism of the Festival. I love the joy people take in their costumes even when they make no sense. Few of the costumes are directly related to England under Henry the Eighth. Somehow it just doesn’t matter.

Some of the garb is timely to the basic period but still the differences can be great, the costumes differing by centuries.

As I sat and watched the people go by, I considered how to make them work for the period, what story to tell to make each piece fit. Why was that group wearing hats of fabulously colored ribbons? IMG_2051 (1)Was somebody throwing a masquerade and required that all the guests come dressed that way?

And why was a party of pirates walking down the center of the street and nobody reacting? Was a prodigal son returning and all his friends chose to dress in a similar fashion to make him feel at home?

And where did the belly dancers come from? Were they heading to some other foreign land and after a great storm came to shore on England’s coast in all their bells and scarves? Or did some crusader knight return with a retinue of fair dancers who didn’t know how to dress for the English winter?IMG_2052-1-300x225 (2)

And the steampunk gentleman? Clearly a time traveller lost by a century or two now doing his best to fit in.

For each passerby I could find a story and a reason.

And that made me think about my own writing. I’ve always acknowledged that I am research light. I love the characters and the story more than the facts. But, and it’s a BIG but, I work hard to not get anything wrong. I may skim over a detail, if I can’t find a ready source, but if I put a goldfish in the pond I do the work to be sure that goldfish or koi had already arrived from China. And I’ve spent countless hours looking up words to see when they came in to use and whether they were used the same way they are now.

So why do I love the anachronisms of the Festival? Because the inspiration I find in them. And the same is true in my writing. I love the challenge of explaining why my heroine’s viewpoints might not be traditional for the age, why she knows more (or less) than the other women around her. It’s fascinating to explain why an elderly woman clings to the corsets of fifty years before.

I don’t like it when history is wrong, but there is something wonderful when an author can add an oddity and make it work. I worked along the lines of this premise when creating Ruby, Madame Rouge in my Bound and Determined series. I wanted to create a multi-faceted woman who could run a successful brothel, go to church with her grandparents and put on the airs of any great lady plus she had to know about textiles and how to sum a patron up by the cloth of his trousers.mastering the marquess_3_7_14

I am not going to give all the secrets of her past, but I will say that having a duke for a father and his well bred, but not quite well enough bred, mistress for a mother was an easy place to start.

And then came the fun of figuring out how to bring each heroine to Madame Rouge’s house. Surely no true lady would ever visit such a place – or would she?

A lnaked couple embracing each other in the darkness

What would make each individual make the choice to do something so out character?Answering those questions is what makes the writing such fun and hopefully the reading as well. I’ve had a different answer in each of books, Mastering the Marquess and Bound by Bliss and in my September novella, Sarah’s Surrender, I work to find one more, to explain why a gentleman would ever bring his love of years before to such a scandalous establishment as Madame Rouges.

What sparks your imagination? As a reader are you curious about what inspiration lurks behind the title?

Finally, thank you for having me. I always love the chance to stop by Risky Regencies.

Thank you , Lavinia. We all enjoy having you with us!

Duke of Wellington

Duke of Wellington

For a while now, dukes have been running rampant through the Regency fiction genres, especially in Historicals, but even in Trads. Do you love this? Hate this? Don’t care? The trend seems as strong as ever. The publishers, and apparently the readers, love them. And hey, we’re writing stories that are fantasies based on a romantic view of our time period, so why not? It’s not as if all of these fictional dukes exist in the same version of Regency England –each author’s Regency World is unique to that author (except perhaps in a connected set or special project). Right? But did you ever wonder how many dukes there really were in Great Britain during the Regency?

Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon

Douglas Hamilton, 8th Duke of Hamilton & 5th Duke of Brandon

You might say dukes are the equivalent historical heart-throbs to the super-billionaires that are the go-to heroes in current contemporary romance. As The Daily Mail has explained it: “Dukes are just one rung down from royalty in the social pecking order and enjoy a special status way above the rank and file of the aristocracy. As peerages go, it’s the jackpot.”

Who wouldn’t want their hero to be that special? Except the way I see it, this status cuts both ways. The very rarified “special-ness” of such high rank begins to suffer when book after book after book has young, handsome, wealthy dukes just ripe for marriage. It just rubs against my personal vision of what I think the Regency was like, or makes the rank of duke seem a little common. Dukes were rare, and most often old…weren’t they? And I’m not even touching the question of the way dukes fit into the political structure, but you can note below how many of the dukedoms are named for the counties of Britain….

Charles+Lennox,+3rd+Duke+of+Richmond+(1758),+Sir+Joshia+Reynolds.

Charles Lennox, 3rd Duke of Richmond

I’ve nothing against my fellow authors whose heroes are dukes, or the readers who love them. I get it. But I can’t do it. Every time I consider creating a hero who is so highly ranked –well, I feel like I stubbed my toe. The closest I’ve come to it was dealing with a duke’s family in An Unlikely Hero, and that story’s hero was a viscount, a “lowly” friend of the duke’s son. Am I losing readers?

I don’t seem to have the same problem with creating heroes in the lower peerage ranks. There were so many more of them! Earls, for instance. I am fond of them. They could be wealthier than some dukes were! But I have this idea that there were a lot more earls floating around in the real Regency England, so it seems less of a violation to add in a few fictional ones. And barons –they date very far back in time, and there were lots of them, too. Has the demand for dukes devalued the other four peerage ranks (marquess, earl, viscount, and baron) in our fiction?

I decided to put my prejudice to the test and check the numbers. (I’m not including Royal Princes’ dukedoms). After all the dukedoms that have been created, recreated, forfeited, merged (through marriage or elevation to higher rank), or simply gone extinct (no heirs), today there are only 24 still extant. But how many in our favorite time period?

63 English (non-royal) dukedoms starting as early as 1351 went extinct, were forfeited to the crown, or merged prior to 1707. Eleven (including two forfeited and restored several times) were extant at least through the Regency:

1 Norfolk, 1483 (forfeited three times up to 1660)

Edward Seymour duke of somerset

Edward Seymour, Duke of Somerset

2 Somerset, 1547 (forfeited 1552-1660)

Charles_Lennox,_1st_Duke_of_Richmond_and_Lennox_by_Sir_Godfrey_Kneller,_Bt

Charles Lennox, 1st Duke of Richmond

3 Richmond, 1675

4 Grafton, 1675

5 Beaufort, 1682

6 St Albans, 1684

7 Leeds, 1694 (extinct in 1964)

8 Bedford, 1694

9 Devonshire, 1694

John_Churchill_Duke of Marlborough__van_der_Werff

Duke of Marlborough, Winston Churchill’s ancestor

10 Marlborough, 1702

11 Rutland, 1703

Between 1707-1801, about ten more were created and went extinct, merged, or were forfeit. Eight dukedoms of Great Britain created during these years were still extant into the Regency:

12 Brandon, 1711

13 Ancaster & Kesteven, 1715 (extinct-1809)

14 Portland, 1716 (extinct 1990)

15 Manchester, 1719

16 Dorset, 1720

17 Bridgewater, 1720 (extinct 1803)

18 Newcastle-under-Lynne, 1756 (extinct 1988)

19 Northumberland, 1766

Created between 1801-1822, only two:

20 Wellington, 1814

21 Buckingham and Chandos, 1822 (extinct 1889)

22 Duke of Leinster, 1691, was the only Irish dukedom extant during the Regency

It appears there were nine Scottish Dukes during the Regency, titles dating from 1707 or earlier. (18 other Scottish dukedoms went extinct, were forfeited to the crown, or merged between 1351-1707 ) The nine:

1) Hamilton 1643 (and later Brandon, 1711)

2) Buccleough, 1663 (and Queensbury, 1810)

George_Douglas_Campbell,_8th_Duke_of_Argyll_by_George_Frederic_Watts

G. D. Campbell, 8th Duke of Argyll

3) Lennox 1665

4) Gordon

5) Queensbury, 1684

6) Arguyll, 1701

7) Atholl, 1703

8) Montrose, 1707

9) Roxburghe, 1707

By my count, that’s 31 dukes during the Regency, in all of England, Scotland, and Ireland. If I had time, I would now look them all up to find out how old each one was in, say, 1816!!

For comparison, I give you:

1) number of earldoms (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1398-1822) still extant today: 142. (Because the sheer number of earldoms has long surpassed the number of territorial counties, the names of many earldoms are associated with smaller units (estates, villages, families, etc.).

2) number of baronies (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1264-1822) still extant today: 124 (and 317 more were created since 1822!)

I am sure there were more of both these peerages during the Regency that disappeared later –sorry I don’t have time to analyze these long lists! You get my point. Slipping in a bunch of fictional earls or barons doesn’t rattle my universe of imagined history nearly as much as all those dukes!

James-Graham-1st-Marquess-of-Montrose-by-William-Dobson

1st Marquess of Montrose

Viscounts and marquesses, the other two peerage titles, were less common, at least as independent titles. Copied from the French, they came into use later, and tended to become subsidiary titles as the holders were promoted. Much more commonly found as the courtesy titles used by heirs-apparent. Today there are only 25 marquesses who do not hold higher titles, and 37 such viscounts. I learned that stand-alone viscountcies were more common in Ireland than the other parts of the UK –24 of those 37 viscounts are Irish titles. Things I’ll keep in mind for future stories!!

I came across two tidbits that I can’t resist sharing. One is this: The Daily Mail reported in 2009 that Tatler Magazine invited the 24 then-current non-royal dukes to lunch. Some were too frail to attend, and some live abroad, but ten of them came. Those ten represented the largest gathering of dukes since Elizabeth II’s Coronation in 1953! Their ages ranged from 41 to 94. For a photo of them, details and the interesting story, see “Ten Dukes a-Dining”.

And this last bit is at least for Amanda, and also shows that it’s not always good to be a duke:

“When Elizabeth I came to power the only [remaining] living duke was Thomas Howard, 4th Duke of Norfolk. Elizabeth did not create any dukes, and she beheaded Thomas Howard at the age of 36 for plotting to wed Mary, Queen of Scots and overthrow her. By 1572, this class of peerage was extinct – there were no Dukes in the last 30 years of her reign.” (from Wikipedia) No wonder Shakespeare could so liberally sprinkle both historical and fictional dukes throughout his plays without worrying about direct repercussions! (besides putting them in Italy, of course) No one in England held that rank for most of his lifetime –from the time he was eight until seven years after his death in 1616. The later extant Dukedoms in the Peerage of England were created (or restored, in two cases) in the Stuart period and after.

How do you feel about dukes? In our Regency fantasies, does it matter whether the titles of our characters reflect the nature of the peerage at the time? I’d love to hear what you think!

One of my favorite parts of the Romance Writers of America (RWA) Annual Conference is that the Beau Monde chapter of RWA holds their annual conference the Wednesday before. I try always to attend. It is a great chance to see old friends and to hear great presentations on my favorite topics–anything about the Regency era!

IMG_0082This years conference keynote speaker was Miranda Neville, who honored her recently deceased father in her speech. Her father nurtured Miranda’s interest in history and took her and her sister to museums throughout Europe as a result. If that wasn’t enough to envy, she also had an idyllic childhood on a farm in Wiltshire and went on to work for Sotheby’s, writing catalogues of rare books and original letters and manuscripts. This meant she was paid to read the personal correspondence of historical figures, including those of “our” time period. Needless to say, Miranda likes to get the history correct in her books!

Our Risky Janet Mullany presented a workshop on servants, but I won’t say much about that, because she may be telling you herself. She told us about Black servants who were in England for many years. She mentioned one of the duties of footmen was to deliver messages for the lords and ladies for whom they worked. I thought it a clever fact to use in a future story that the footmen might take hours to deliver such messages, even though the distances might be nor more that a mile away.

Another Risky who presented a workshop was Isobel Carr, who spoke about the fabrics of the time period, about the different weaves of fabrics and the different materials from which they were made. Isobel has so much expertise to share on this topic, it is much too extensive for me to repeat. One interesting fact, though. We all believed that Scottish clans each had their own tartans. I imagined the clans rushing into battle at Culloden each wearing their clan’s plaids. It turns out that, in the late 18th century, a man named William Wilsons published a pattern book in which he assigned clan names to different tartans. The clans themselves had nothing to do with it.

Edmund_Blair_Leighton_-_Singing_to_the_reverendRisky friend Louisa Cornell talked about The Musical Education of a Regency Young Lady. I’ve heard Louisa speak on this topic before and I was so happy to hear Louisa, formerly a professional opera singer, sing some of the examples. She showed us what (and how) a sweet young might sing at a recital, what a talented young lady might sing, and what selections would be scandalous for a young lady to sing. Turns out, singing scandalous songs was acceptable in society.

Jackie Horne spoke about The Material Culture of Childhood and showed how the different cultural views on childhood were reflected in their toys, furniture, and clothing. Before 1750, children were rushed to adulthood, so their furniture, clothing, etc. reflected that. 1750 to 1830 was the era of the Natural Child, the belief that childhood was a special time requiring more freedom of movement than children had experienced previously. One interesting fact Jackie told us. Baby carriages were not invented until 1830, so don’t have your Regency characters pushing one!

Cheryl Bolen shared tons of information on the interiors of Regency houses, both in Town and in the country. She showed us slide after slide of wonderful Regency interiors, including some beautiful Adams rooms. You can see these images on her Pinterest Boards. An interesting fact–her floorplan of a typical Regency town house showed that the master’s bedroom was on the ground floor behind the dining room.

georgette-heyer-biographyThe Beau Monde was honored to have Jennifer Kloester, author of the recent acclaimed biography of Georgette Heyer. Ms. Kloester gave us a lovely picture of Heyer, including many of the insider tidbits she’d learned doing her research. She showed us a photograph of Heyer in her 20s by a then famous photographer. She looked like a 13 year old. Another photo the next year was more like the one on this book cover.

I missed the last workshop, because I needed to get ready for RWA’s huge Literacy Book Signing, but I heard it was wonderful, too. It was about Regency dance and was intriguingly titled Rethinking the Regency Ballroom with special guest Susan de Guardiola.

Miss Guardiola also led us in dance later at the evening soiree, where I joined other Beau Monde members, many in period costume, dancing the dances of the Regency. My dance partner was Joanne Grant, Senior Executive Editor at Harlequin UK. She and I have danced at previous soirees and it was a delight to have her attend this year’s and dance with me again!

It was a wonderful Beau Monde conference. Special thanks to Janna MacGregor, the coordinator of the conference. She did a marvelous job! And has become a great friend of mine, as well!

What topics would you like to hear presented at a Beau Monde conference? I’ll pass on your ideas!

How many books have been written about Waterloo? Leona Francombe, the author of THE SAGE OF WATERLOO estimates over two hundred with her book one more entry into the field. And a very unique entry it is.

The Sage of Waterloo is a rabbit named William. With an anthropomorphic bent which I usually dislike the author gives a unique view (wow that’s stating the obvious) of a battle that is as well known as DDay.th9IB0KITG

Waterloo is not a subject that I have studied extensively (hello Diane Gaston!) But I think even the well-educated student of the war will find this book fascinating and beautifully written. William hooked me on page 6 “If you just stumble across Hougoument the scene is quite unremarkable….Until you see the three chestnut trees. Two are dead, the third not far behind them. They look like freaks…and then you realize they’re over three hundred years old, and the only remaining witnesses to the fighting and you understand. Place your hand on one – even a dead one, and you will feel a pulse.”

William’s home is the farm that was the scene of the earliest fighting at Waterloo, a battle that claimed close to fifty thousand dead and wounded (counting both sides together) and ended a war that was as all involving as the World Wars that came over 100 years later.

William’s story manages to cover some of the more familiar aspects of Waterloo including the Duchess of Richmond’s Ball, but what fascinated me the most is his recounting of what happened at the once elegant and serene chateau/farm of Hougoument the day before the Waterloo.

“Go there yourself and you will feel it: the knowing wind…and a strange sort of peace that is not peaceful at all. Sometimes, …it’s as if a worn curtain is shifting and through a tear in the fabric you can see something unimaginable for such a sleep backwater.”
Who can resist reading on after that? The New York Times reviewer, Laline Paull, says that “will hinge on whether its premise instinctively charms or alienates.”

Obviously I was charmed.

What is your favorite recounting of the Battle of Waterloo and why has the battle never been made into a movie?

Someone on Twitter was saying she has trouble keeping track of all the locations that get tossed around in Regency Romances. This is entirely understandable as we fanatics tend to treat Mayfair and the City of London (c. 1800-1830) as though they were our hometown. There are some GREAT map resources out there. Even if you don’t want to invest in a hardback copy of the Regency London A-Z, you can go to Motco and look at John Fairburn’s wonderfully detailed 1802 map (snippet provided) or the even more detailed Horword map (1799) which shows individual houses. I once printed out all of Mayfair and had it pinned up like wallpaper so I could plot my books.

1280px-1806_Mogg_Pocket_or_Case_Map_of_London,_England_-_Geographicus_-_London-mogg-1806

Edward Mogg’s 1806 case map of London. (This file was provided to Wikimedia Commons by Geographicus Rare Antique Maps).

I started out making a small map with a few places on it based on the Fairburn map, but then it occurred to me I could use Google Maps to make a “perioid” map that was zoomable and scalable and that I could even put links into! And once I got started, it became a bit of a monster project. I now has well over 200 locations and I will continue to add new locations and details as I have time and find new resources.

CLICK HERE FOR LINK TO GEORGIAN/REGENCY MAP

Currently I’ve input info from a few Georgian blogs, The Georgian Index, The Survey of London, and several books about historic homes. I plan to add info from The Epicure’s Almanack (an 1815 book about hotels, restaurants, chophouses, and pubs) and a couple of period guide books that I have either print or Google Book copies of.

If anyone has further suggestions for specific locations or sources, please let me know!

There’s also this amazing overlay of John Rocque’s 1746 map of London you can check out. Unfortunately, they don’t have a KML export I can find so I can overly it onto my Google Map, but I’ve emailed to see if they will provide one or alternatively add my map as an option to theirs. *fingers crossed*