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Category: Research

Posts in which we talk about research

This weeks selection from my library shelves is Royal Poxes & Potions by Raymond Lamont-Brown. It gives us an interesting picture of Royal doctors from medieval times to the present day. Let’s take a look at our period. HRH George Augustus Frederick, Prince of Wales was (as we well know) a tad pudgy in adulthood.  In fact, we learn from this book, that an inclined plane was constructed on which Prinny was placed in a chair on rollers and moved to the platform which was then raised high enough to pass a horse under and let HRH gently down into the saddle.

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George IV by Thomas Lawrence, 1816

During the period from 1787 to 1796, the Prince of Wales’s medical household included Sir Gilbert Blane, Richard Warren and Anthony Addington, later joined by Sir Walter Farquhar and John Latham. These doctors recorded not only the prince’s obesity and his craving for women and food, but the character traits of “vanity, extravagance, self-indulgence, and undependability.” Is anyone who has read a Regency Romance surprised by this? I think  not. As the Prince Regent’s “physician-extraodinary,” Blane records treating Prinny for a sprained ankle, incurred while teaching his daughter Charlotte how to dance the Highland Fling.  This could not have been an easy task for a man of Prinny’s girth and Blane recommended that he “curb his eating and keep more regular hours.” This advice was, naturally, ignored. Sir Astley Paston Cooper, who had studied medicine at London, Edinburgh, and Paris, was awarded a knighthood for successfully removing a sebaceous cyst from the Prince Regent’s scalp. Sir William Knighton appears to have been the physician most highly regarded by the prince and who became the King’s physician when Prinny became George IV. By 1822, he was also private secretary and keeper of the privy purse and one of the king’s closest confidantes. Those around the king attributed Knighton’s success largely to sycophancy. During a tour of Scotland, the king suffered from gout, the pain of which “no amount of cherry brandy succeeded in dulling.” Knighton treated him with a “mixture of flattery, laudanum (to which the king was addicted), bleeding and the potions of the day.”

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Caricature of George IV as Prince of Wales by James Gilray, 1792

The king had been seriously ill since the beginning of 1830. The royal physicians diagnosed “ascites (abdominal dropsy) and logged his difficulty in breathing, hiccups and bilious attacks.” He died on June 26, 1830 in extremely poor shape despite the attendance of at least ten royal physicians during the course of his adult life. The post-mortem, conducted by Sir Astley Paston Cooper, revealed that “His Majesty’s disorder was an extensive diseased organisation of the heart; this was the primary disorder, although dropsical symptoms subsequently supervened, and in fact there was a general breaking up of his Majesty’s constitution.” The report goes into quite a bit of detail which I’ll not inflict on you here. But, if you’re interested, it’s all in the book along with much information about the doctors of George the IV and the monarchs who preceded and succeeded him.

Today’s visit to my library involves a new acquisition. Historic Streets and Squares by Melanie Backe-Hansen. This lovely and detailed book covers a variety of streets and square ranging from Scotland and the North of England, through the Midlands and South-West England, East Anglia, and Southern England to Wales and Ireland, with special attention paid to London. Today, I’d like to look at two of the London squares that will probably be familiar to most of you. The quotes and most of the illustrations are from the book.

Bedford Square from Horwood's 1799 Map

Bedford Square from Horwood’s 1799 Map

Bedford Square is unique as it was not only planned as in imposed uniform square, but it is the only Georgian square to survive in almost its complete original form. Built in 1775-83, it was the inspiration of John Russell, the 4th Duke of Bedford, who wanted to replicate the style and imposing design of the  Circus in Bath. The initial plans for a circus, evolved into a square.

Doorway - 25 Bedford Square

Doorway – 25 Bedford Square

Bedford Square is commonly accepted as the most complete and best preserved of all London’s Georgian Squares and was one of the first squares in London to impose an architectural uniformity around a central garden square. Bedford Square is architecturally significant because followed directly after the 1774 London Buildings Act, which regulated building construction. Eached terraced row appears as a complete palace-fronted facade, with stucco pedimented centres.

Hanover Square 1754

Hanover Square 1754

Moving along, let’s take a quick look at Hanover Square. Hanover Square and the accompanying George Street date back to 1713 when Richard Lumley, 1st Earl of Scarborough, signed a conveyance of 2 acres of freehold land.  The land originally belonged to Lord Harley, who married Lady Henrietta Cavendish Holles, heiress of John, Duke of Newcastle, who inherited the Marylebone estate. (Got that?) The lease with Scarborough covered an area south from today’s Oxford Street, encompassing the central square, along with two roads leading into from the east, two from the west, and one on the north, and the wider George Street on the south. Hanover Square was the first square in Mayfair, laid out from 1717 to 1719. Sir John Summerson called it the foundation stone of Mayfair.”

St. George's Hanover Square

St. George’s Hanover Square

Although not technically within Hanover Square, St. George’s Church (of Regency Romance renown) was a vital part of the layout. It was built by John James as part of the “Commission for Building Fifty New Churches,” which was put in place by Act of Parliament in 1711 during the reign of Queen Anne.  It was completed in 1724. St. George’s Hanover Square was the main parish church for Mayfair, so it was often the location for high-society weddings, a well as a few notorious ones.

I do recommend the book for lots of great detail on a quite a few historical squares. It’s a nice way to visit the past and fire the imagination.  Do you have some favorite ways to do that?

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The Milk Sop - Thomas Rowlandson

The Milk Sop – Thomas Rowlandson

Moving along in my library, we leave last week’s Toilet of Flora, and move to my Georgian sex shelf.  On this shelf, we find the entertaining (and yet distressing) Harris’s List of Covent-Garden Ladies.  Like last week’s book, this is also now available to you in Google Books.  The one I’ve linked to is for 1789, but you’ll be able to extrapolate to a later date.

Harris’s list is sort of a Zagat’s guide to ladies of the evening. It was not, however, written by Jack Harris, but by one Sam Derrick, based on Jack Harris’s list. Mr Derrick apparently reached some sort of agreement for use of the list, and provided comprehensive descriptions of Mr. Harris’s ladies and where to find them.  Shall we look at a few?

Picking Cheerful - Thomas Rowlandson

Picking Cheerful – Thomas Rowlandson

The book opens with Miss D-vis, No. 22 Upper Newman-street. This is a fine lively girl, about twenty-one, rather above the middle size, genteelly made; has several good friends, but is much attached to young Br-om, the lottery-office-keeper, who is now in prison, where she often visits him; is ever obliging, and seldom out of humour, understands a great deal of her business, and never fails to please.

In No. 82, Queen Ann-street, we find Mrs. D-nby, who has found a neat way to make a little additional money by wearing her clients out and renting them a room for the night.

A fine plump lady, twenty-four years old, rather short with sandy colour hair, fine blue eyes, rather of an amorous constitution; when in the arms of an equally lewd partner, she never wishes to fall in the arms of sleep, whilst Venus holds her court, Morpheus is kicked out of doors, as she keeps the house, any gentleman may have a night’s lodging for one pound one shilling, and half the money if he can do the business well.

Mrs. D-l-v-t of No. 46 Hanover-street is apparently on hiatus but is thinking about returning to the business:

And Inclined Beauty - Thomas Rowlandson

And Inclined Beauty – Thomas Rowlandson

This lady is about thirty, she was bread a milliner, and married very young an attorney’s clerk, but as his income was not sufficient to support her in the manner she wished to live, she listened to the addresses of an American gentleman who made her a handsome allowance whilst he remained in England, and took some pains to persuade her to accompany him in his present visit to that quarter of the world, but she preferred old to new England. She is at present a housekeeper, but soon intends to quit her situation and retire to snug lodging as she has experimentally found that the frail sisterhood are vary bad pay mistresses.

We further learn that she has kept her looks and wields a “birchen rod” with dexterity (in case your taste runs in that direction). We also learn that she never never condescends to grant her favors for less than a guinea.

Let’s finish with Sally Cummins, Charles Street, Westminster who is a bluish eyed comely lass, but too much indebted to art for her complexion. She talks French, and sings agreeably, and in her cups is very religious, when you should find her to be a most bigoted Papist.  She sounds like fun, doesn’t she?

So, I leave you with another book to look into. Mr. Derrick has quite a way with words and one doesn’t know how much of this to take at face value. We do know, however, that it was based on Mr. Harris’s list, which was quite probably what it purported to be.  I also leave you with some illustrations by Thomas Rowlandson, who seems best fitted for this topic.

 

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The Duke of Wellington Tour
September 4 to 14, 2014

Diane: It is my pleasure today to welcome Kristine Hughes and Victoria Hinshaw of the fabulous blog, Number One London. Kristine, Victoria and I go way back. We became close during a tour of the UK, called The Romantic Road North tour, where Kristine was the tour’s historical expert (because she’s the author of The Writer’s Guide to Everyday Life in Regency and Victorian England from 1811-1901) and Victoria and I were Regency authors soaking up research material.

We also came together as admirers and researchers of the Duke of Wellington.  I’m delighted to have them with us today to discuss their upcoming Duke of Wellington Tour scheduled for September of 2014.

In honor of the Duke of Wellington tour, I’m giving way a (very abridged) biography of Wellington by Elizabeth Longford to one lucky commenter, chosen at random.

Kristine and Victoria, can you tell us more about the tour?

Kristine:  The Tour features sites associated with the life and times of the Duke of Wellington. As you well know, the Duke played significant roles during the reigns of four monarchs – George III, George IV, William IV and Queen Victoria, for well over half a century.  Because of that, we’ve been able to put together a great itinerary. In addition to London, we’ll be visiting Kent, Brighton, Reading, and Windsor.

Diane: And we can bet you’ll come up with some unique adventure! Remember the Highwaymen who held up our coach at Belvoir Castle?
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Kristine: Who could forget it!

Victoria: Don’t worry, we’ve include lots of unique opportunities on this tour, as well – a guided walking tour of St. James’s, a private dinner at the Grenadier Pub in London, a stop at the White Cliffs of Dover, luncheon at Wellington’s country home Stratfield Saye (below), and a river boat cruise in Windsor. Of course, we can’t tell you everything we’ve planned or they wouldn’t be secret.
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Kristine: Yes, and it seems that the itinerary keeps changing, as well. We got an email from a curator at the Tower of London letting us know that they’ll be mounting a special exhibition on the Duke and his influence on the Tower that will be running at the same time as our visit, so we’ve substituted that for St. Paul’s.

Diane: How did you come up with the idea for the Duke of Wellington tour?

Victoria:  The Duke of Wellington was an obvious choice for our first Number One London tour. We called our blog Number One London, the original address of Apsley House, because the Duke’s lifetime stretched across the periods of British history that we’re most interested in – Georgian, Regency and Victorian.

Kristine:  The tour includes all the best bits from each of the historic periods.  Most of the sites, such as the Tower of London, Brighton Pavilion and Windsor Castle will appeal to a wide range of people with varied interests, from medieval prisons to Edwardian dollhouses.

Victoria: Yes, and then there are the stately homes we’ll be visiting, Apsley House, Basildon Park, the Regency Town House, and Highclere Castle — all have elements that run through various periods of British history.

Diane: What part of the tour are you most looking forward to?

Kristine: Hands down, Stratfield Saye. I’ve wanted to visit the Duke’s country house for years, but it’s very rarely open. I’m looking forward to seeing the house itself, the portraits of the Duke’s favourites in the dining room and I’m especially looking forward to visiting Copenhagen’s grave. But I’m also looking forward to revisiting sites I’ve been to before, this time with the emphasis on their connections to the Duke of Wellington.

Victoria: I want to stand in Highclere Castle (below) and just take in all that magnificence. I have a real love/hate thing going with the story of Downton Abbey, but I have unconditional admiration for the costumes and settings. Can’t wait to see the Van Dyke and Reynolds portraits, for example, not to mention the museum of Egyptian antiquities from the Earl of Carnarvon’s expeditions. We’re to be given a private guided tour through the house and we’ve also included lunch on the grounds.
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Diane: What part of the tour was the hardest to arrange?

Kristine: Highclere Castle, without a doubt. Due to the popularity of Downton Abbey, they’ve been inundated with requests for visits, which they now have to fit in against filming schedules, so “open” days have had to be reduced. I believe they’re booked up a year or two in advanced just now, so we were really lucky to have been able to schedule our visit around the Tour dates.

Victoria: We’ve also arranged for private, guided tours at other sites, as well, such as Apsley House. We’re trying to keep the tour numbers small enough so that we can see things that aren’t typically open to the public.

Diane: This just sounds wonderful. I can hardly wait. Of course, Kristine, you and I have an ongoing rivalry regarding “dear Artie.” What makes you think he’ll prefer you above me?

Kristine: Well . . . . (sniff, sniff) I have dedicated the last thirty years to researching the life and times of the Duke of Wellington, dear. Seriously, Diane, I look upon the two of us as the modern day Mrs. Arbuthnot and Lady Shelley. Each of us adores the Duke in her own way, though I perhaps have taken that admiration to a greater extreme than you have.

Victoria: Wait a minute – not only to extremes, but to fixation! Both of you are downright obsessive over the man. Which puts you in excellent company, by the way. Speaking for myself, I think my more measured approach would be far more appealing to the Great Man.

(Kristine and Diane exchange glances and sniff in unison)

Diane: I cannot recommend this tour highly enough! I’m hoping to come and I’d love to have some Risky Regencies friends accompany us. Remember to comment for a chance to win Wellington by Elizabeth Longford–Who wouldn’t want to win Wellington? (hmmm, Kristine???)

Email Kristine and Victoria with any questions or to make reservations at london20@aol.com

Or ask your questions here! Kristine and Victoria will be stopping by.

Click here for complete Tour details.

Join The Duke of Wellington Pinterest Page

And the Facebook page

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Block Print c.1800

Today’s post is going to be more of a gallery. I want to build on my last post (The Colorful Regency) and highlight print gowns. The two methods of printing were block and roller (which are exactly what they sound like). Block predates roller, which was invented in the late 18thC and really came into its own in the 1820s.

It was common to see “penciling” combined with block printing. What this means is that the blue part (and sometimes the yellow part) of the design was painted on after the main pattern or “springs” were printed (yes, that’s what “sprigged muslin” means, printed with a small repeating design).

An unusual method of printing that was period was “chine”. The fabric was printed on the warp before weaving, resulting in a blurred design. I couldn’t find one from the Regency, so there’s an 18thC example in the pictures below, but it WAS used throughout the Georgian period (including the Regency) and Victorian era and beyond.

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Print Gown c. 1800

A bit about terminology: Calico is a general catch-all term for medium-weight cotton fabric of Indian origin (heavier than muslin). Chintz is calico which has been printed or painted. Many sources state that chintz was also glazed (note: glazed fabrics can’t be laundered!), but this clearly does not seem to be true of all chintz. These fabrics were commonly used for day dresses throughout the entire Regency period.

Indiennes was the term applied to French imitations of Indian chintz,, the most famous of which were produced in Jouy (such as the copperplate printed scenes we now call “toile,” which were only used for furnishings in the 18th and 19th centuries, so don’t dress your heroine in them).

As you’ll see below, white and cream backgrounds were common, but so were da

rk backgrounds in any color you can think of.

Jane Austen’s World has a nice post on this topic with more examples that are worth looking at when you’re done here.

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Orange “Sprigged” Gown c. 1800-1810

drawstring dress 1800 1810 detail

Blue “Sprigged” gown c. 1800-1810
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Sprigged Gown c. 1795-1805

1830s dress brown

Brown Printed Gown c. 1830

1820 roller printed dress bodice

Roller Printed Gown c. 1820

1805 1840 green blockprint

Green Block Print Gown c. 1805-1810

1795 1800 hooded perline 3

Printed hooded perline c. 1795-1800

floral front fall back detail 1820

Floral Gown, 1820s

1808 close up of back

Tiny Red Dots 1805-1810

 

 

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Printed Gown c.1800-1810

dress 1810 detail front

Woven Stripe w/printed sprig c. 1805-1810

 

Chine printed gown

Example of Chine printing, 18thC