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Category: Risky Regencies

LAMP-Icebound Light-nite   This ice-encased lamp by my front door started me on this trip down the rabbit hole, which has nothing (so far) to do with any of my current writing projects. The two-inch-thick ice gave the light shining bravely through it a beautiful glow, and admiring it, I thought, “Thanks for electricity! This couldn’t have happened during the Regency.” Well, at least not without considerable effort to melt, chip, or break through the ice, since the lamp would have needed to be lit.

That made me think about who would have had to do it, and lamplighters in general, and street lighting, and how in the Regency the transition from oil street lights to gas was actually a Big Deal that I’ve never seen mentioned in any of our novels. (Have you?) It’s just one more way the Regency era was the dawn of the modern age. Gas street lights were still in use into the 20th century, and there are still some in London. (I’ll come back to this!)

Our busy London characters never seem to run into any lamplighters, yet an army of them were out there at dusk every evening, with their ladders and long poles, making sure that the city was alight for the busy evening of activities ahead. And in homes that fronted along streets, someone had to light the exterior lamps every night, no matter the weather. (Doesn’t that make you start to appreciate the simple flipping of a switch?) Lamplighters-W PynePrior to the introduction of street lighting (and in rural areas), nighttime excursions depended entirely upon the moon or light you provided for yourself, that traveled with you, plus the light from houses along your route. I ran across a reference to some regulations that required homeowners to provide lights, at their own expense, so it wasn’t just a courtesy! Light you provided yourself might have been a portable lantern, or lamps on your carriage, or even a hired “link boy” who would carry a torch to light your way safely (if he wasn’t in league with a group of thieves). Hmm, that could be fun….

The system of oil street lamps in London and major towns was put into place starting in 1750, so the major changes in city life that came with such improvements –the reduction of crime, improved personal safety, and the glittering array of late night entertainments our characters enjoy: at theaters, pleasure gardens, private balls, assemblies, gambling hells, or even extended shopping hours– had become the norm only within a generation or two of our Regency characters. Travelers to London were suitably impressed, sharing descriptions like this in their writings: “In Oxford Road alone there are more lamps than in all the city of Paris. Even the great roads, for seven or eight miles round, are crowded with them, which makes the effect exceedingly grand.” – Archenholtz, 1780s

Lamplighter at duskThe next big thing, the introduction of gas lighting, did not happen easily, even though gas burned much brighter than oil. As I dove into this topic, I quickly found I had 11 printed pages of notes!! This is what happens –most of you reading this are research junkies, too, so you understand. LOL. Even my attempt at a brief timeline came out too long to put here — there’s so much fascinating stuff!!

So, the short(er) version:

After the discovery of natural coal-gas in mines and its flammability, people began experimenting. In 1739 Dr. John Clayton first manufactured coal gas by heating coal placed in a small retort. More experiments followed. In 1792, William Murdoch, a Scottish mechanical engineer and inventor who worked with steam engines in Cornwall for the firm of Boulton and Watt, and who had been experimenting with practical uses for coal gas, set up a retort in his own home in Redruth, Cornwall, laid pipes, and lit all of his house and workshop with gas, the first to achieve this.

Murdoch went on to become the manager of Boulton and Watt’s steam engine works in Soho, Birmingham, where he used gas to light the main building of the Soho Foundry in 1798. In 1802, Murdoch lit the outside front of the building by gas, to the astonishment of the gathered locals. Boulton and Watt began making gas retorts and pipes, and sent Murdoch to fit up many of the big cotton mills in the North with the new lights (which enabled extended working hours, for better or worse!). Murdoch later went on to invent other useful items, but that’s another story.

Other people were also pursuing the prospects for using gas. Frederic Albert Winsor, a German, came to London with knowledge of a French patent for piping gas. Despite little knowledge of chemistry or engineering, Winsor claimed to be an authority on gas and pursued his ultimate aim of lighting the streets of London. He wanted Parliament to set up a national gas company. Samuel Clegg, a fellow employee (or a student? or both?) of Murdoch’s at Boulton and Watt headed to London, where he apparently teamed up with Winsor, for he is named as one of the founders of the company Winsor eventually succeeded in starting.

1803 — Winsor gave a demonstration of lighting the Lyceum Theatre in the Strand with gas.

1804 – Winsor began to give public lectures about the uses of gas.

1807 –Winsor leased a pair of houses in Pall Mall where he conducted experiments and public demonstrations, trying to attract investors for his plans. He installed 13 lamp-posts in Pall Mall fed by a pipe buried under the pavement from his house. On January 28, he introduced the first gas street lights in the world. The lights stretched from St James’s to Cockspur Street and when lit, observers noted their light had “much superior brilliancy”. On June 4 of that year, to celebrate the King’s birthday, Winsor placed gas lights along the walls of Carlton Palace Gardens between the Mall and St. James’s Park. The gas was again supplied by the furnaces inside his house on Pall Mall.

Many people did not believe the city could be lit in this way, including the renowned scientist Sir Humphrey Davy. Some thought that the gas came through the pipes already on fire, which of course seemed dangerous! Rowlandson did a cartoon of the lighting in Pall Mall: Rowlamdson -Pall Mall Lights

In 1809, Parliament did not approve Winsor’s “national company”, but finally Winsor “and his associates” (Samuel Clegg?) did obtain a Royal Charter for their London and Westminster Gas Light and Coke Company to supply gas to those cities and the borough of Southwark for 21 years. On New Year’s Eve, 1813, the Westminster Bridge was lit by gas. Gas began to flow through the London streets that year and soon other companies were seeking permission to lay their own gas pipes. The laying of gas lines –think of all the construction in those busy streets!! Is it unromantic to have our characters inconvenienced by the mess?

By 1823, “40,000 lamps covered 215 miles of London’s streets.” And by 1826, “almost every city and large town in Britain, as well as many in other countries, had a gas works, primarily for lighting the streets. In these towns, public buildings, shops and larger houses generally had gas lighting but it wasn’t until the last quarter of the 19th century that most working people could afford to light their homes with gas.” (From the National Gas Museum website: http://nationalgasmuseum.org.uk/gas-lighting/)

Apparently the “gas works” were discussed in an episode of Downton Abbey (since gas was still primarily in use in the 1920’s) –I don’t watch that series so someone else might comment!

It’s interesting to note that in 1808, Murdoch read a paper before the Royal Society, staking his claim as the first to harness gas for a practical purpose. He said, “I believe I may claim both the first idea of applying and the first application of this gas to economical purposes.” He received the Society’s Gold Medal recognizing his work.

InLighting Plaque-IMG_23287-Vers-2 June 2007, the Westminster City Council installed a Green Plaque at 100 Pall Mall, London, to mark the the bicentenary of the “World’s First Demonstration of Street Lighting by Coal Gas”, marking Winsor’s achievement.

As for gas lamps still in use, this website: (http://www.urban75.org/london/london-gas-lamps-and-gaslighting.html) has a collection of photos of gas lamps still in use in London and their locations – a surprising number of them! And also a photo of a modern day lamplighter. Who knew?

And another “who knew?” –the connection between street lighting and crime is once again an issue in Britain, where a December 2014 report states that all over England communities are switching off or dimming their street lights to save money. Heading back to the 18th century, anyone? (http://www.independent.co.uk/news/uk/politics/safety-risk-as-councils-dim-or-switch-off-a-quarter-of-street-lights-9939124.html)

Let’s talk about it! Please comment on anything you read here. 🙂

comfort 1815 no drawers

Comfort, 1815

 

I’ve been mulling over ideas for my first “official” post as a Risky, and in the end, I’m falling back on clothing (shocking, I know, LOL!). I thought I’d do a post about “risky” clothing, or drawers. After all, what’s more risky than a risqué garment that we now think of as a necessity!

Knee-length drawers are reported to have been worn by women as early as the turn of the 19th century, but they were considered fast and unladylike, and were not commonly adopted from what I can tell. I’ve consulted with a lot of costume historians and museum curators over the years, and none of them see them as a common garment in the records, household accounts, or as extant garments before the Victorian period, really.

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Gilray,1810

They had a split crotch, usually being made up of two entirely separate legs on a drawstring waistband. An illustration from 1810 (included below) shows a lady wearing them, so it can be construed that they were somewhat accepted by then, but I do wonder as other images in the series seem to concentrate on highlighting the more deceptive aspects of a woman’s toilette (such as wigs).

 

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Woven linen drawers, c. 1820

 

The extant pairs we DO have from the Regency all seem to date from the 1820s. They have a split crotch, usually being made up of two entirely separate legs on a drawstring waistband.

An illustration from 1810 shows a lady wearing them, so it can be construed that they were becoming more accepted by then, but I would still hazard that they were not a universal.

stare case

Exhibition Stare Case, 1811 Click for a larger image!

And I would make that guess because of other images that clearly show them as not being worn (such as Comfort at the top of the post and Exhibition Stare Case, left).

So it’s always worth remembering that the daring, fast, risky move in the Regency period was to put on a pair of drawers. I’d love to see a book where the hero is scandalized by discovering his lady love’s undies, and I fully expect that if anyone can write that book, it’s one of the marvelous women I now share this blog with.

I look forward to seeing what everyone comes up with to talk about in 2015!

 

Three cheers for the Risky Regencies and how exciting that I can count myself one of them as of today. Thanks to the long time members for thinking of me and making this happen. Now I have an outlet for the research that never gets used, for research that is so great I need to share more than the mention it gets in a book, to discuss story concepts, release of new books, both ePublished and from legacy publishers, and the general commenting back and forth that makes this blog one of the best.

But first I want to tell you how and why I became a writer of Regency set romance. When I started writing I wanted to write books with happy endings and romance was the only place that welcomed an upbeat ending. (It was more than 25 years ago) I started with contemporaries when Harlequin and Silhouette were in competition, in what I think of as the golden days of romance.

After selling two books in quick succession (FATHER CHRISTMAS is now available as an ebook) I sold nothing, zip, zero for twelve years. I wrote and submitted proposals and the occasional complete manuscript and shook my head, or yelled, or cried at every rejection. Then one day a good friend of mine suggested that I write a regency. My answer was, “But regencies don’t make any money.” And her reply (with exasperation edging her voice,) “Mary, if you wanted to make money you would have written to the market for the last twelve years.”

Oh. Good point. For me it’s always been about sharing the story. Making money is a wonderful fringe benefit. So I finished the regency that I had started years before and sold it within three months. And eventually I made money writing series for Kensington, Bantam and Berkley.

Why has it been such a good fit? I was a history major in college. For me history is crammed full of stories waiting to be told.

Even more important: the Regency is, I think, the first period in history that 21st century people can truly relate to. The early nineteenth century is when the pendulum begins to swing from doing what is good for the community to what is good for the individual. In the late eighteenth and early nineteenth century men and women considered, for the first time, marrying for love rather than for what a marriage could add to the family in terms of wealth, land or social advancement.

Add to that the war with Napoleon and the beginnings of the Industrial Revolution and the period from 1800 to 1825 is a treasure trove of ideas and inspiration.

Why you love reading (or writing) regencies? What sort of stories do you enjoy the most?

It is not the strongest of the species that survives, nor the most intelligent, but the one most responsive to change
–Charles Darwin, English biologist (1809 – 1882)

1810 v3 Ackermann's Fashion Plate 38 - Evening or Full DressWe may not be the blog with the strongest following. We may not even be the most intelligent (given our lapses into the ridiculous from time to time), but The Risky Regencies know when it is time for a change.

Megan and Myretta leaving was the impetus for us to take a good look at ourselves. How should we proceed? we asked ourselves. We also asked you, our readers and the feedback you gave us was very helpful. One thing was very clear, we didn’t want to end the blog.

Another thing that was clear was, we needed change. For us “old” Riskies it was getting more and more difficult to post every week and each of us began to miss days, especially when life became too hectic. Keira, one of our readers, commented that sometimes it seemed like we were simply “phoning posts in.” She was right, at least pertaining to me. I did phone it in a few times. Sometimes I was at a loss as to what to post. Sometimes I was just swamped by other demands on my time.

0dcf45dd05ed14acc4016c8c77af293c-1One more thing was clear. Our “new” Riskies, Gail, Sandra, and Susanna, have rejuvenated the blog. Their posts have been intelligent, informative, and enjoyable. It stood to reason, then, that one change we should make should be to add new Riskies.

We have three new Riskies!

2665950Isobel Carr, who has been a Risky Regencies guest several times, is an expert in historical fashions as well as a terrific author of Georgian romance (close enough to Regency!) Her League of Second Sons series received wonderful reviews.

Rose_Lerner_200x300Rose Lerner was our guest very recently and has been a guest twice before and is the author of one of Publishers Weekly Best Books of 2014, which was also one of Susanna’s favorites. Amanda listed Rose’s In For A Penny as a favorite in 2010.

aboutphotoMary Blayney is our third new Risky. Mary has recently re-released her traditional Regency Braedon Family series, a series I loved. And there is always her Pennistan series, longer books written with the same heart. Mary also is one of the authors included in the annual J.D. Robb anthology, writing the sole historical novella in each (and always with a magic coin). Mary is a dear friend of mine and I’m so happy to have her join the Risky Regencies.

Isobel, Rose, and Mary will do us very proud.

There are more changes, too. We’re adopting a Monday-Wednesday-Friday schedule and we are each going to be blogging once a month.

We are confident these changes will infuse new energy into the blog! What do you think? Tell us what you’d like to see from us, too. The changes start today!

(P.S. I forgot to mention that we are going to have at least one guest per month, on the fourth Wednesday of each month and another guest on those months that have 5th days.)

 

Two years ago, I opened a package of books delivered to me and discovered that my 2007 book, Innocence and Impropriety had been released as a Japanese Manga!
Innocence-and-Impropriety-Manga1
What a thrill. I blogged about it here. I loved the illustrations, but the text was in Japanese, so I couldn’t read it.

Imagine my delight when I accidentally discovered that the Manga version had been translated into English! First it was available only in the UK and only in ebook version, but last week I found the English ebook version on Amazon! It comes in two volumes: Volume 1 and Volume 2

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I immediately purchased copies for myself! The first surprise for me was to see that this English version, called a Comic not a Manga, still read from right to left, just as Japanese books do.
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It was such a hoot to see how Hiroko Miura translated the story. I imagine this manga artist first translated the story into Japanese, then, for the Harlequin Comics (English) version, the Japanese was translated into English.

This makes for some amusing changes, such as Madame Bisou in my original becoming Madame Biz. Regency language (or how I imagine Regency language) was pretty consistent, though, as was the setting detail. Notice the drawing of Vauxhall Gardens.
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Here’s the meeting between the hero and heroine:
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Here’s an exciting moment!
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And the happily ever after:
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The emotion and danger and even the humor in the story were shown, as well. I loved reading it. Sometimes I laughed with delight at how Hiroko Miura showed the story.
But what really touched me was this note at the end of the second volume. What a wonderful compliment from Hiroko Miura.
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These are the moments that make the author life worth it!

Do you read Manga? Turns out there are lots of Harlequin Comics to choose from! What fun!!