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Category: Risky Book Talk

Posts in which we talk about our own books

 Do you read holiday romances? I do. I read them, and re-read them when the season comes around, and keep adding them to my collection. Addicted much? I admit it. But I have questions for you.

1) Since these stories often center around Christmas activities, do you read them even if you are not of the Christian faith?

2) Does the historical context of the period make the “religious” parts of these stories, if there is some, acceptable if you don’t like “inspirational” romances?

3) Do you read them at any other time of year??

You may wonder why I am asking all these questions! I have been working on my first “holiday romance” –a Regency set in the countryside over the 12 days of Christmastide, starting on Christmas Eve day and ending on Twelfth Night. But my major medical issues and those of my husband are interfering with my ability to get it done when I had hoped, and I am considering releasing it AFTER Christmas. So here’s my biggest question:

would you buy a holiday romance after the holidays?

Book sales usually decline during December, when folks are too busy, and they tend to pick up afterwards –I guess people have time to read again once they get through the press of getting ready and celebrating!! But I would love to know if you think it would be lame to release a holiday story after Christmas, say for Twelfth Night (January 6) instead?

LOL, that’s if I can even make that deadline. But I’m considering it. My poor characters really want their story to get out there, and not have to wait until next year!! I would love to know what you think.

THE LORD OF MISRULE: On a snowy Christmas Eve day, a vicar’s daughter runs into the Devil himself, or is he just the Lord of Misrule? In a season of miracles and magic, can love bind two unlikely hearts in the days leading to Twelfth Night?

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So much of the time, our Regency stories evolve in the settings of the elegant mansions, grand townhouses and large country estates of the rich aristocrats who people the stories. There’s good reason for that, for certainly the elegance helps the romance! But lately I’ve been on a “cottage kick”.

There are two reasons for this (besides just that English cottages can be so adorable) One is that my current WIP has my high-born hero stranded in a very small and lowly village (at Christmas, no less) which is all farms and small village houses except for the local manor and the vicarage, of course. The other is rocks. Yes, I said rocks.

In view of the current fad for painted rock “fairy houses” that people are putting in their gardens, I agreed to paint some for my church’s Holiday Bazaar in December. Do you know how hard it is to find good rocks with a shape that lends itself to becoming a cottage? Even for fairies?

My tendency is to go for thatched roofs and the often-crooked charm that comes from centuries of standing in a lovely English garden. I’d show you some of mine if any were finished yet!! LOL. But I have collected a lot of cottage pictures to inspire my efforts, and I thought I’d share some.

I’m not going to turn this into a research post or talk about how very different in style and materials the cottages can be in every different area of Great Britain. There is no such thing as a “definitive” English cottage style unless you consider the “picturesque” revival movement that began towards the end of the Regency period. At that point, architects including Nash pondered what elements made up “cottage style” and purposely designed new homes to capture that charm. I just thought it would be fun to share a little overview!

This is a short post (having some health issues, sorry!!) YOUR turn! How romanticized is my view? Which cottages do you like best?  One of these is NOT in the U.K. –I wonder if you can spot the “fake”? Are you into any of the current painted rocks trends? (Fairy houses being only one of many going around.) Finally, a lovely rock house (painted by someone else).

If/after someone guesses the “fake”, I’ll post in the comments where some of these are to be found! Or perhaps you’ll recognize some of them!

 

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One Grey Seal looking. Located Newquay, Cornwall, UK.

A lot of my favorite romance authors include animals in their romances. In Regencies, we often have horses, but other animals, usually pets, can add fun to a story. Laura Kinsale usually (always?) includes some sort of “mascot animal” in her books, including a horse, a gyrfalcon, a shark, and a pig. Mary Jo Putney is a cat lover and many of her books include cats.

There are almost always named horses in my books, and some of my characters have had pets. I included goldfinches, a hedgehog, and a pony in Lady Dearing’s Masquerade, since there were so many children in that story who would enjoy them. In Saving Lord Verwood, the hero gives the heroine a kitten as a wedding present and later gives her the more practical gift of a mare to ride. Later, he also lets her talk him into rescuing an orphaned seal pup, which they later release back into the wild.

I got the idea for that story element after a visit to the Cornish Seal Sanctuary, a fun place to visit and learn about wildlife rescue. People at the center helped me figure out plausible ways for my characters to care for the baby seal.

Saving Lord Verwood by Elena GreeneThis month, I’m running a 99 cent ebook sale of Saving Lord Verwood, with my share of the proceeds going to the Sea Life Trust which runs the Cornish Seal Sanctuary and other sea life centers.

Saving Lord Verwood is available at Amazon, Barnes & Noble,
Apple, and Kobo.

If you’d like to donate directly, just visit the Sea Life Trust website.

Do you enjoy animal characters in Regency romance? What are some of your favorites?

Elena

I know you understand the issues –I think all of us here tend to be research geeks. Sometimes it’s hard to pull ourselves away from the endless journey of searching out more information, more fascinating details –just a little more time, or just one more day…. Not everyone gets it. Back in the days before the Internet (I know, I’m old) I was so lost in the pages of the London Times from 1813, peering at the screen of one of those God-awful microfiche scanning machines in a library basement, I forgot one child’s orthodontist appointment, a whole afternoon, plus dinner, and oh boy, the looks I got when I finally went home!!!

The Internet has been both a blessing and a curse. So much is now available at our fingertips, but there are so many more rabbit holes to fall down!! Those were less likely to occur in the pre-Internet days. When I could only get information I needed for The Captain’s Dilemma (orig pub date 1995) by traveling to England and visiting special libraries (both military and civilian), you can bet I stayed on point for pretty much every minute I was over there! No rabbit holes. But the time thing, well, that was still an issue. Traveling alone was a blessing so there were no dinner appointments to make or other people’s schedules to accommodate. I guess there’s never enough time, no matter which way we research!

But now if we’re lost in the wonderful feast of Internet information, we may not even notice we’re down a rabbit hole until we’re pretty far down, LOL!  Does anyone else think the ease of Internet surfing has made research even more addictive?

Not to mention things like Pinterest!! How many of you have Pinterest boards set up for details of clothing, heroes, heroines, ideas for cover art, period room décor, views that inspire you –do I need to list more? Totally addictive. Every time Pinterest sends me an email with “suggestions” for my boards, I try to delete it, I really do. And sometimes succeed. But sometimes I just-can’t-stop-myself! My finger hovers, then clicks the fatal button and there goes a precious half-hour or more. But sometimes I find really helpful pictures that somehow escaped previous discovery.

For The Magnificent Marquess, I set up a board on Pinterest to collect pictures of East Indian artifacts that Lord Milbourne might have in his London townhouse after living in India. So many beautiful things!! They inspired me but I had to be careful not to put them all into the story!! (It’s called East Indian design, under Gail Eastwood-Stokes.) Here’s the link if you want to explore: https://www.pinterest.com/eastwoodstokes/east-indian-designs/ (Be warned, there’s 226 pictures!)

However, I’ve discovered readers can be interested in these things too. Am I the last one to figure this out? I just did a tea party with Cerise DeLand and Susana Ellis where I posted this silver tea pot  very similar to one my marquess uses in the story. I was astonished by all the love!! But then, I loved it, so why wouldn’t others?

On Facebook I’ve posted this picture of some gorgeous Indian teacups that were too beautiful not to use in the book. Just for fun, here’s the excerpt from fairly early in The Magnificent Marquess where both these cups and the silver teapot similar to the one above make their appearance.

The hero is serving tea to the heroine (I can’t explain why without giving spoilers):  “I must compliment you on your fetching ensemble,” Lord Milbourne said, picking up the silver teapot and pouring tea into one china cup. Was he fighting a smile? She could not quite tell. “It is so fitting to the occasion, for one thing. If I had a wife, I would make certain to take down the name of your modiste.”
Now he was openly roasting her! Apparently she was not already miserable enough. He added milk and sugar to her cup without asking, and held it out to her. She moved to the tea table and took the cup from him in suffering silence. She took a biscuit, although she was not certain she would be able to swallow anything solid, with her heart in her throat. He poured a glass of brandy for himself.
“Ah-h. One of the smaller but no less happy benefits of the war being over,” he said, holding the glass up and taking a deep, appreciative sniff. “Please, do sit. Otherwise I shall feel obliged to remain standing. In the company of a lady, and all.”
She dropped into the nearest chair, biting her lip. What he must think of her now! His tone said it all. How silly of her mother to have feared that she would ruin her sister’s chances with her blue-stocking ways! She had done a far more thorough job of it now, in a way her mother could never, ever, have imagined.
She sipped the tea, just now noting how exquisite the cup was. A little taller than usual, it was made of thin white porcelain and decorated so thickly with gold leaves, flowers, and vines that at first glance it appeared to be made of gleaming solid gold. The tea set on the table, too, at first appeared to be beautifully made but conventional in shape and design. It was only when she looked closer that she realized the silver pieces were covered with the same sorts of natural motifs she had seen on the walls and carved screens. The knobs and spout supports were flowers. Had every single thing in the house been brought with him from India?

I was tempted to make this post chock full of pictures from my East Indian Pinterest board –be glad I spared you (even though most of them are stunning!!). If you look there, just know you have to scroll down past all the weapons (Lord Milbourne has a collection of those on his library wall). Even some of those are pretty amazingly beautiful!

What are your research time and rabbit hole challenges? I refuse to call them weaknesses!! J It all goes to enrich our stories and reading pleasures, right?

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This month, I’m continuing my series of ebook sales for good causes. The Redwyck Charm is currently on sale for just 99 cents.

Here’s the blurb:

Marcus Redwyck, Earl of Amberley, reluctantly agrees to wed an heiress in order to save his estate. But his equally reluctant bride, Juliana Hutton, runs away and masquerades as an opera dancer. When they meet, passion leads them to the edge of scandal. Even when all is revealed, it will take all of Marcus’s resolution and the fabled Redwyck charm to win the spirited Juliana’s heart.

I realize that it’s a bit of a stretch for a properly raised young woman to impersonate an opera-dancer. I work around that a bit by not having her dance that well! But also I did have some historical justification. In The Mirror of Graces (by a “Lady of Distinction, 1811) I read that young ladies sometimes took ballet-lessons to improve their ballroom performance.

“Extraordinary as it may seem, at a period when dancing is so entirely neglected by men in general, women appear to be taking the most pains to acquire the art. Our female youth are now not satisfied with what used to be considered a good dancing-master; that is, one who made teaching his sole profession; but now our girls must be taught by the leading dancers at the Opera-house.

“The consequence is, when a young lady rises to dance, we no longer see the graceful, easy step of the gentlewoman, but the laboured, and often indelicate exhibitions of the posture-mistress. Dances from ballets are introduced; and instead of the jocund and beautifully-organized movements of hilarity in concord, we are shocked by the most extravagant theatrical imitations. The chaste minuet is banished; and, in place of dignity and ease, we behold strange wheelings on one leg; stretching out the other till our eye meets the garter; and a variety of endless contortions, fitter for the zenana of an eastern satrap, or the gardens of Mahomet, than the ball-room of an Englishwoman of quality and virtue.

“These ballet dances are, we now see, generally attempted. I say attempted, for not one young woman in five hundred can, from the very nature of the thing, after all her study, perform them better than could be done any day by the commonest figurante on the stage. We all know, that, to be a fine opera-dancer, requires unremitting practice, and a certain disciplining of the limbs, which hardly any private gentlewoman would consent to undergo. Hence, ladies can never hope to arrive at any comparison with even the poorest public professor of the art; and therefore, to attempt the extravagancies of it, is as absurd as it is indelicate.”

The picture above is a waltzing scene from La Belle Assemblee, February 1, 1817 which I think clearly shows the influence of opera-dancing on social dances.

This was a fun book to write, definitely in the category of “romp”. It was also a stretch for me to write a heroine like Juliana, who did things I’d never have dared. One reader did complain that Juliana is spoiled. But the way I look at it, even now a woman can be born to wealth and material advantages but still have to fight to determine her own destiny.

When Juliana is faced with the prospect of a marriage of convenience with Marcus, she is finally swayed by the fact that he needs her money to save his estate from falling into the hands of a man who would neglect his tenants for a quick profit. Juliana’s compassion surpasses her personal desires (at the time at least—once she realizes she’s in love with Marcus, it’s all good).

So I think it is fitting to donate the proceeds of this sale to the Flint Child Health and Development Fund, dedicated to the “long term health and development needs of Flint children exposed to lead”. If you are not familiar, here is some background on the Flint water crisis and a more recent update.

The ebook version of The Redwyck Charm is on sale at Amazon, Barnes & Noble, iBooks and Kobo.

If you’d like to donate directly, go to Flint Kids and just use the “Donate” button.

Do you like “heiress” stories? Do you have any favorites?

Elena