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Category: Risky Book Talk

Posts in which we talk about our own books

I am back from New York City, city of terrorist plots to blow up the Lincoln Tunnel and where subway employees get attacked with chain saws. You’d never know it from my experience. My sister-in-law, Rose, and my friend Katie and I had a great time! We saw my daughter, which is the best thing, and we did typically New York tourist things like visit The Metropolitan Museum of Art and walk through Central Park. We went to see Phantom of the Opera on Broadway and my high school classmate’s sister, Mary Stahl, who has been in POTO from the beginning of its Broadway run 18 years ago, gave us a backstage tour, so we got to see how all the special effects are done. The backstage of a Broadway theater is not glamorous, but it is fascinating. We had tea at the Ritz, which was glamorous.
Rose and I visited the World Trade Center site, which now looks like a place of rebirth rather than the devastation I saw when I paid homage there in 2002.

And, as I mentioned in my previous post, we went to see Beowulf & Grendel, the Gerard Butler movie that is experiencing a limited release in the US. Its NY opening at a little theater in SoHo, The Quad Cinema, was an event. First we gathered with other GB fans for dinner at Stouts, a restaurant near Penn Station. Who should I see when I first walk in, but fellow Harlequin Historical author, Terri Brisbin!


We had no idea the other would attend. In appreciation for the GB fans’ support of his film, the director, Sturla Gunnarsson, came to the restaurant and the theater. This whole event was a unique experience.

Let me tell you, there are Gerard Butler fans who are even more dedicated and enthusiastic than I am! And they are all nice, normal people. GB gave a great performance in the movie and the scenery (Iceland) was spectacular. It is well worth seeing if your city is one of the lucky ones. If not, the DVD will be out in August, I think.

So all that had nothing to do with the writing life, but I thought you would like to know…I also had my meeting with my editor at Warner, Melanie, and my agent, Emily, both lovely people whom I enjoy seeing. Melanie had not finished reading Blake’s story, so I still don’t know if it will need big revisions or minor ones. She didn’t like the synopsis of Wolfe’s story–not enough conflict between the hero and heroine, their backgrounds were too similar, and the plot revolved around secrets–other than that it was okay (g) So all that agonizing over an Indian heroine was for naught. No Indian heroine needing rescue from sati by Wolfe in Warner book #4, but I already have another even better idea. I’m not going to tell though. This one is a secret.

I am not upset with the rejection of my synopsis, by the way, because I agree with Melanie’s criticisms of it. Besides, rejection is all part of the writing life, no matter if you are published or not, and in this case it is a good thing. I want to write a great book, not a mediocre one, and it is Melanie’s job to see that I do!

We also talked business, about things like release dates (Blake’s story will probably be released Sept 2007) and covers (We’re looking for a sexier design) and titles. Or lack of titles, really. We still don’t have a title for Blake’s story.

I have not heard back from Mills & Boon about Mallory Pickerloy’s (g) story, but I should hear this week. Waiting is also part of the writing life.

Have a great week, everyone!

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I may have mentioned recently finishing Warner book #3, untitled and awaiting a publication date. This is Blake’s story, one of the hero’s friends in The Marriage Bargain. Right when I was tearing out my hair and gnashing my teeth to finish Blake’s story, my copy edits came for Innocence & Impropriety, the story of Rose from A Reputable Rake. I finished those in a record (for me) two days, then had to jump in to the next Mills & Boon, following a character from Innocence & Impropriety. That done, I decided I ought to plot the next Warner book, too, because I’m going to NYC to see my editor this coming Friday (and to see Phantom of the Opera on Broadway and Beowulf & Grendel in the movie theatre). The next Warner book is Wolfe’s story.

I like to start my books off with something really exciting, a task that gets harder and harder to do, but sometimes turns out to spark ideas for the rest of the plot. I may also have mentioned that story ideas do not exactly flood my brain and keep me awake at night.

For my big bang openings for Harlequin/Mills & Boon I’ve done lovemaking in a gaming hell (hee hee, pardon the pun), a Gretna Green wedding, and an attack in Hyde Park. This time I decided it would be nice to put my hero and heroine in a shipwreck. So I did my usual thing and bought as many books on shipwrecks that I could find and afford.

I bought Shipwrecks of the Revolutionary & Napoleonic Eras by Terence Grocott (1197 Stackpole Books), and Life Before the Mast by Jon E. Lewis, ed.(2001, Castle Books). I already owned A Sea of Words by Dean King (1997, Henry Holt and Co., Inc). And, of course, I tore through whatever I could find on the internet. The shipwreck scene was a lot of fun to write and I hope it comes off sounding real. I also hope my editor approves the story, because now I am dying to write it.

For Warner my big openings have included childbirth, a duel in which the hero is slain, and a tryst with a mysterious French thief (Blake’s story), but I need something very exotic for Wolfe.
I want to begin Wolfe’s story in India, where he will travel to learn about his Indian roots–he’s one quarter Indian and his father is (gasp) in Trade. I’d already collected some books to help: The East India Company by Antony Wild (1999, Harper Collins); Begums, Thugs & White Mughals, the Journals of Fanny Parkes (2002, Eland Publishing); White Mughals: Love & Betrayal in Eighteenth Century India by William Dalrymple (2002, Penquin Books). I found Original Letters from India by Eliza Fay, EM Forster, ed, (1986, Hogarth Press) when I was in Alabama for my High School reunion, and I just bought Raj: The Making and Unmaking of British India by Lawrence James (1997, St. Martins Press). But none of these books were giving me my huge opening.

Scouring the internet about India in the nineteenth century, I came across several first hand accounts of sati (or suttee, as it is sometimes spelled), the practice of a wife throwing herself on the funeral pyre of her deceased husband and burning alive. Now that will make a bang up opening! The heroine being forced into the flames when the hero rides to the rescue, snatching her from the consuming fire. I hope my editor loves the idea, because I really am itching to write that scene!

Now, I don’t want you to think I will actually read all of the books I mentioned above. I must keep up my reputation as the world’s worst read romance author. I do read bits of the books, though, unless one really captures my interest and I read every word. I read enough to tell me if my story idea will work and to give me enough knowledge of the topic to at least take a stab at writing it. Then as I write, I go back to the books and the internet and research whatever I need to at that moment. This may not be the most efficient way to do it, but it has worked for me so far.

I keep all my notes on the computer. I copy information from the internet. I might even summarize something from a book. I don’t make a collage for the story, but I do have a page I always call “Names” where I put down the facts and backstory for the main characters. I find a photo to use for my hero and heroine. Quite by accident, the photo I chose for the hero of this next Mills & Boon was one of Gerard Butler, chosen before I became one of the converted and actually knew who he was. For the heroine, I chose Jennifer Connelly, because she looks vulnerable but has strength underneath. For the Warner book, Wolfe is an actor named Adrian Green and the heroine is a beautiful Indian actress named Bridget Monynahan. But forget these images if you prefer to visualize on your own. The books will not be out until 2007 so you have lots of time to forget.

I don’t know when I’ll get the go ahead for the Mills & Boon but I expect to find out about the Warner book and Wolfe this Friday. If my editor doesn’t like it, at least I’ll still get to feast my eyes on another fictional character that night – Beowulf, played by Gerard Butler!

I’ll let you know how it goes next week.
Cheers,
Diane


here’s my cover! It’s really, really pretty, but… they’re too young, too scrubbed-looking, and almost certainly too well-behaved. I asked for Harrison Ford with a bigger nose and Juliet Binoche. Personally I think it’s a mistake having people on covers, period, particularly on romances and particularly particularly on historicals where they get the costumes all wrong. (A red neckcloth???!)

If I could have the same art, but without the people, and with a stocking and a book lying on the sofa, that would have been fab. The worrisome thing about this cover is that it doesn’t deliver. It looks like a really sweet regency and it isn’t.

Janet


If I told RR every project I have in the works, it would take a triple-length post, I think! I have a confession to make–my name is Amanda, and I am a researchaholic. I’m addicted to libraries, to the papery smell, the quiet, the cool air, everything. Give me a desk tucked behind some stacks and a pile of history books, and you won’t see me for weeks. It was a favorite method of my parents when I was a kid. I’m also very easily distracted by stray factoids I come across in researching, so lack of ideas is never my problem. The problem is stopping with the research and starting on, you know, writing a book.

So, I’ll just let you know about my Top Two (okay, Top Three) projects of the moment, ones that are actually sitting on various editors’ desks and not just a gleam in my eye and a bunch of research titles on my Barnes and Noble receipts.

1) Historical fiction number one, working title Tincture of Secrets. This one is set in Florence and Venice in the 1470s. Our heroine, Isabella, wants to be an artist. And, lucky for her, her cousin happens to be Botticelli’s favorite model–but she also happens to get Isabella mixed up with the Medici, right at the height of the bloody Pazzi Conspiracy. Art, murder, revenge, gondolas–what else does a story need???

2) Historical fiction number two, working title Fortune’s Fools (thanks, Cara!). No gondolas here–it’s set in Elizabethan England, early 1580s. Penelope was a Maid of Honor to the Queen, until her naughtiness got her exiled to rebellious Lancashire. There she meets a young Shakespeare, a Catholic conspiracy, a new love–and gets set on a path to the Tower.

3) And, since this is Risky REGENCIES, a Regency historical called The Alabaster Goddess, Book One of the Muses of Mayfair. An aristocratic thief, archaelogical high jinks, a mysterious artifact (the titular goddess), and a hero and heroine on a collision course with fate–and each other. No gondolas here, either, but then you never know what might happen in Book Two… 🙂

And that’s what Amanda is doing on her summer vacation!


Even though I have been a voracious reader for eons (I’m older than I look), I never dreamed of becoming a writer. Now I can’t imagine NOT being a writer, even if I only ever publish one book.

That book, A Singular Lady, was also the first book I ever wrote (I know, I was exceedingly lucky to get it published).

So since then I’ve been trying to learn how to:

a. write faster.
b. write better.
c. write better, faster, more-plotted books.

The results? Not bad, although the ultimate affirmation–a second offer of publication–hasn’t happened yet. But meanwhile, here are my Wondrous Works In Progress:

After A Singular Lady, I wrote Mothering Heights, a mom-lit contemporary. It tells the story of a Brooklyn mom (like me) with a son (ditto) whose husband leaves her penniless, health-insurance-less, and alone (not like me, although the Sensitive Husband has problems reading the story because of the similarities). That is finished, and is in the hands of an editor, who is considering it. Word on the street is that she really likes it, but has concerns about its needs for some editorial revision (did I mention a plot is not my strong suit?). The best thing that happens is that I get an offer for it, but it needs revision; the second-best is that they reject it, but say if I revise, I can resubmit; the worst, natch, is that it gets rejected outright. But no matter what happens with it, I don’t regret writing it a bit, since it was in a new genre and in a new POV (first-person).

I’m also in the process of revising a Regency-set historical titled Lessons In Love, about a Greek-English widow who discovers she was never really married, and who is forced into a situation she does not want in order to survive. The hero is a wealthy bastard–literally, an illegitimate man whose wealth and good looks have given him entre into society. And there are some lessons. And some love. Once I am happy with the revision, I will pass it along to my agent, who will try to work her magic on it, and get it sold.


My next project will be a much darker Regency-set historical involving opium addiction, virgin auctions, vicar’s daughters, and thinking that you kill everyone you’ve ever loved. Oh, and hero looks a lot like my constant and ongoing obsession, Clive Owen (otherwise known as Mr. Broody).

So that’s it for me–thanks for the opportunity to talk about myself, because goodness knows, I don’t do that enough.

Megan
www.meganframpton.com