Back to Top

Category: Writing

Posts in which we talk about the writing craft and process

I recently found out that the blog I’d posted this on (Popular Romance Project) has been wiped from the internet, causing a dead link on my website. So I’m reposting it here to preserve it.

One of the topics that comes up a lot among historical writers is what research books are essential. If you ask your top ten favorite authors, you’d probably end up with a pretty impressive research library (and I’d LOVE to see other authors tell us about their Must Have Books in the comments). Here are mine. I think these books are must reads for anyone wanting to create an authentic Georgian/Regency world, and I’m going to talk a little bit about why.

The Rise of the Egalitarian Family: Aristocratic Kinship and Domestic Relations in Eighteenth-Century England by Randolph Trumbach (1978; ISBN 0127012508; OOP, used ~$40).

When writing a love story, you need to understand the mores of the times. One of the many, many useful things that Trumbach does in this book is discuss the evolution of the love match as a social ideal in the Georgian period. It’s all bound up with the Enlightenment and the Hardwicke Marriage Act and the slow descent of the nobility’s dependence on land for their fortunes. By the Regency period, Trumbach maintains that the love match had ousted the arranged marriage entirely and was well on its way to trumping matches based on social advantage and monetary considerations. So if you want to have that tension between generations, this book is a great resource for understanding where everyone might be coming from in their viewpoint of what would be ideal.

This book is also the main source for basic information that we use in every book, such as the time periods for mourning, marriage settlements, consanguinity. And it features tons of information about basic domestic issues such as the role of wives in the family and the raising of children. Really, it’s just an all-round great book for getting a solid understanding of what was going on inside people’s everyday lives.

The Regency Companion by Sharon Laudermilk and Teresa Hamlin (1989; ISBN 0824022491; OOP, used ~$200, use interlibrary loan).

This is just an all-round brilliant book. It contains a wealth of information about everything from the Season and courtship among the ton to basics about how people lived such as the clubs men frequented, the theatres, roles of servants, etc. I just don’t know any other book that provides the information this one contains. It’s essentially foundational.

20,000 Years of Fashion by Francois Boucher (1973; ISBN 0810900564: OOP, used ~$12).

I simply don’t know a better survey book for fashion. While I’m obsessed with clothing, I don’t think everyone else needs to be, nor do I think it’s a wise place to spend your time considering, “With a small bit of effort, he undid her gown and it fell to the floor” suffices to get you where you need to be. But I do think every writer needs to know enough not to make any glaring errors, and Boucher’s summaries and careful selection of images are perfect for providing that little bit of knowledge you need (and since it covers pretty much all of European history, you don’t need to buy a new book if you decide you’d rather write Victorian settings, or Medievals.

The Family, Sex, and Marriage in England 1500-1800 by Lawrence Stone (1983; ISBN 0061319791: OOP, used ~$1).

Stone not only delves into the basic makeup of the English family (and he mostly talks about the upper class, “Barons and up” as he labels them), but he has great charts that provide vital information regarding the average ages at which people in this class married, how many times they were married, under what circumstances they were likely–and unlikely–to remarry, etc. This book provides a sort of grounding for the history of your characters’ families and a general understanding of how the most basic building block of society evolved and functioned. I would also suggest his Road To Divorce to anyone who wants to write about characters with broken marriages.

The British Aristocracy by Mark Bence-Jones (1979; ISBN 0094617805; OOP, used ~$10).

I love this book! It’s extremely insightful about how the aristocracy think of themselves, what matters to them, and what the origins of those feelings are. Bence-Jones is an insider who lays it all out for us. I found the section on “The Concept of the Gentleman” extremely enlightening and also highly recommend it for the chapter on “The Aristocratic Character.”

The Art of cookery Made Plain and Easy by Hannah Glasse (1774; free on Google Books)

Though you might throw food in with the unimportant minutia, I think that’s a mistake. The devil of historic world building really is in the details, and nothing throws a well-informed reader like potatoes in a Medieval setting or iced tea in a Regency (or indeed in any book set in England, including a contemporary!). And this isn’t something you have to spend years studying to get a handle on. Glasse’s historic cookbook is free on Google Books and contains hundreds of period recipes. Plus, it adds depth to get little things like this right, and it’s fun to have you characters eat Maids of Honor rather than just lemon cheesecakes (and it’s good to know that period “cheesecake” is pretty much a modern cheese Danish too).

Peerage Law in England by Sir Francis Beaufort Palmer (1907; free on Google Books)

This is a basic guide to how peerages are inherited, disputed, and granted, with many examples laid out so you can really understand it. This knowledge is ESSENTIAL if you want to deal with tricky inheritances. Yes, it’s a very dry book, but you really can’t hope to just muddle your way though these issues. Basic questions that this book answers come up on my historical writers’ loop all the time (the most common one is usually about a peer losing his title if it’s proven that he’s illegitimate, which simply can’t happen; all challenges have to be made BEFORE the title is granted, during the review of the claim).

British Infantry at Quatre Bras?

Have any of you already seen movie director Peter Jackson’s magnificent documentary about World War I, “They Shall Not Grow Old”? Today it is opening in 500 more theaters around the US after the preliminary viewings have been so well-received. What, you may ask, does this film have to do with the Regency? Bear with me.

My hubby and I went out in gusty minus 15 degree wind chills earlier in January to view this film, and I have to tell you, it is unforgettable. Jackson and his production teams delved through 100 hours of old, grainy film footage shot at varying speeds on hand-reeled cameras and 600 hours of oral history recordings made available by the British Imperial War Museum to pull together this amazing experience. By choosing a narrowly focused story and using every modern film and computer technique available to enhance the material, they truly captured an indelible, brilliantly rendered experience of being on the front lines in France during The Great War.

My brain always seems to pull things into a Regency frame of reference, and I felt that this film also captured a sense of what war in the Regency period would also have felt like. It probably captures it for any time, but the differences in technology between WWI and more recent wars are legion.

What struck me is that WWI’s ground war was probably the last that still somewhat resembled what wars had been like through history up to that point. In WWI, vehicles were still pulled by horses, and many officers still were mounted. Artillery cannon may have been more accurate and had a longer range, but the experience of loading and firing them (and receiving fire) had not changed much in 100 years. Infantry still used rifles with fixed bayonets. The misery of life in the trenches had not changed much, either.

The Napoleonic conflicts were just about as long past then as WWI is to us today. Jackson’s film does not try to capture the very different experiences of the air or sea parts of the Great War, where the technology differences would be more significant. But to me, the images of men trying to release a heavily-loaded team-drawn wagon from deep mud, or of the cannons rocking back when they fire, or simply of men waiting for battle, could have been pulled from Napoleonic France with very little added imagination.

Painting of the Battle of Waterloo by artist William Holmes Sullivan
Waterloo, by William Holmes Sullivan

Britain was at war with France from 1793-1815. There were impacts at home that may or may not inform the background of our Regency stories. The reality of men coming home wounded, or men who never made it home, of news events that people talked about, all form an underpinning to the era. Four of my Regency romances all feature heroes who served in the war, and in three of those, the effects of the war are deeply integral to the story.

Even impacts after the war, when the influx of soldiers coming home led to unemployment and other social problems, can figure in our stories, as a mere mention in passing or as an important part of plot or character.

Jackson’s film, at the end, shows exactly those same kinds of problems faced by the returning soldiers from WWI. We like to think the lack of gratitude or awareness was not as bad at the end of the Napoleonic Wars –people in Britain did fear the Little General might come right to their shores. Also, the population was not as huge, and every class felt some effect of war, whether it was the aristocratic families whose younger sons were officers, or the poor whose sons risked life and limb for the promise of pay. In WWI, the threat to Great Britain was perhaps not as vivid as it was before, or after. One soldier in Jackson’s film who was able to return to his old job after fighting in the war recalls being asked, “Where’ve you been, mate? Workin’ nights?”

I recommend this film to you, for a greater understanding of what the background of war can mean to our characters, and so to enrich our own storytelling. If it isn’t at a theater near you, it is also available online, at: https://tinyurl.com/y9ae3w2r . But the large screen version will be far more affecting, and it also includes a separate, fascinating short film about how Jackson made this amazing documentary. (Just be patient through the first few minutes.)

But be prepared –it isn’t pretty, and it is very moving. I managed not to cry until the end, but when the song Jackson chose for the credits began to play, I lost it. My paternal grandfather served in France during WWI (in the American army) and he used to sing that song all the time when I was a child. Hinkey-dinky-parlez-vous is embedded in my family memories. Although I must add, NOT most of the verses I heard sung for Jackson’s film!!

Have you seen the film? Do you think the similarities & emotion translate across 100 years of time to the Regency period? What do you think about the background of war in Regency romances?

I could NOT be more excited to tell you that, as it says above, finally –FINALLY!! –I have finished LORD OF MISRULE. Not only that, but the ebook version is up at both Amazon and Smashwords –the Kindle version is on pre-order and will be delivered next Wednesday. Please, please head on over there and order a copy? You will have my undying gratitude.

I put “finally’ in caps because really, this is not just about the fact that the poor book kept getting interrupted and has taken a couple of years to complete. This is my first all-new book in sixteen years! Yes, THE RAKE’S MISTAKE was the last entirely new book I wrote, and it was published by Signet in 2002. (That’s the only one of my backlist I still have not re-issued. I’ll get to it, I promise.)

Coming back after that long a break is not easy. First, there’s the “rust” factor –you’re horribly out of practice after not writing for that long (teaching helps, but it’s not the same), and more, at least in my case, you lose your “voice” and have to spend a lot of writing time just finding it again. Second, and it’s related to the first, there’s the “fear” factor. Face it, writing is a scary business. You put your heart on the line every time you write a story and put it out there for people to judge. When you’re rusty at your craft and finding your way back, I think the “fear factor” is tripled! So, I have my fingers crossed and hope readers will enjoy my new effort.

But there’s another “finally” I’m celebrating with this new book. I was detoured during those years by a series of serious health issues in my family –my mom, my younger son, my husband. Each time I started to write again, a new crisis occurred and the correlation of the timing was worthy of the Twilight Zone! I began to believe I just wasn’t meant to be writing during those years, and still believe that. No guilt.

This time when I started again, the health crisis that occurred was mine. The reason to celebrate is not only because I managed to write anyway, but because I believe I have either broken the pattern, or come to the end of the period of not-writing. The joy is back, and I feel that part of my brain is working again. FINALLY! Yippee!

LORD OF MISRULE

On a snowy Christmas Eve day, a vicar’s daughter runs into the Devil himself, or is he just the Lord of Misrule? In a season of miracles and magic, can love bind two unlikely hearts in the days leading to Twelfth Night?

“a bit of Pride and Prejudice, a little Brigadoon and a dollop of Cinderella” –author Terri Kennedy

In trouble for causing a scandal in London, Adam Randall, Lord Forthhurst, is headed home to make amends on Christmas Eve day when he becomes stranded in the tiny village of Little Macclow. Before the night is over, he has become thoroughly entangled in the village’s celebration of the twelve days of Christmas, and fully intrigued by the vicar’s daughter, Miss Cassandra Tamworth.

Cassie has been raised by her widowed father to expect the worst from members of the aristocracy. Lord Forthhurst is a puzzle. Can she trust him? Or is he a devil, as he claims and warns her? Can her mind resist when her heart and body want to be his?

Note: This special full-length holiday book from Gail focuses entirely on the romance between Adam and Cassie and the shenanigans during twelve days of Christmas. In this one, no nefarious doings are afoot and there’s no mystery to be solved beyond the mystery of how two people who belong together ever manage to sort themselves out enough to find love!

BUY LINKS

Kindle:  https://tinyurl.com/y7rofpyo

Nook, Kobo, Sony, etc.:  https://tinyurl.com/y89v9odt

Have you ever had to persevere over a long period of time to complete something, or get back to something? I am so grateful to my readers who have been patiently waiting for me, and for new ones who are willing to give me a try!

I’ve been editing Lord of Misrule (almost finished!), and it is always interesting to see what minutiae of the period suddenly will crop up as a problem when one is at this stage of finishing. I discovered that my hero has been saying “bloody hell” in the rough draft on the rare occasions that he felt the need to swear (usually in his head, not out loud). Yes, poor man, a lot of frustration there.

The problem with that (for me) is twofold at the least: first, I believe that is an extremely strong and even today quite offensive curse in Britain, and second, I write “clean/sweet” (choose your preferred label) Regencies, and I think that is too strong a curse for many of my readers, especially the ones who like Christian romances.

So of course, I’ve had to take time out from editing to study up on Regency cursing.

I’m not fond of “By Jove” even though the phrase is period –it sounds like a popinjay to me, not a hero. Might work for a best friend; in fact I’ve used it that way. The hero of my very first book used “Devil take it” as his cursing phrase, but I don’t want to go to the same well over and over –we writers like characters to be as unique as real people are, if we have enough skill to achieve that. Besides, my LOM hero, Adam, has a tendency to compare himself to the Devil or claim to be him, so things could get confusing. J But I have discovered an assortment of articles, blogs, and other sources all dealing with this vocabulary issue. Clearly this is a common problem!

Interestingly, “bloody” which is considered quite bad even though commonly used now, was not so terrible until about the time of the Regency. Even the illustrious Maria Edgeworth had a character use it in 1801, but that is about the last time it was acceptable for a very long period. (Ref. https://www.salon.com/2013/05/11/the_modern_history_of_swearing_where_all_the_dirtiest_words_come_from/

For me, the problem with using “bloody” remains all about the modern reader’s sensibility, rather than period accuracy. If Adam uses “bleeding” instead, does the change in word form make it less offensive?

Historical sources make a distinction between profanity and obscenity in cursing –the former having to do with religious references and the latter about body parts and functions. Several scholarly articles talk about swearing and class distinctions. It seems to me after only a brief study, I’ll admit, that when looking at the differences in the way the upper class and lower class swore, at least historically, the upper class was more likely to stick with profanity and the lower classes tended toward the obscene.

That interests me, because I have the impression that often the lower classes were actually more religious than the upper class, and I wonder if there’s a case to be made of that influence on each class’s choice for bad language! Neither sort quite serves my purpose for poor Adam, so I begin to see why I am having trouble.

The problem with many of the sources is that they lump cursing and swearing in with slang in general, and an article that sounds promising may not actually have much to offer to the specific point. Slang is easy –just get a copy of the 1811 Dictionary of the Vulgar Tongue. That isn’t what I’m looking for. But author Joanna Waugh has a fabulous list of expressions (with dates) on her website: http://www.joannawaugh.com/expressions.html

The best article I found was an old post by Nicola Cornick on the Word Wenches blog: https://wordwenches.typepad.com/word_wenches/2011/03/mind-your-language-a-very-short-history-of-swearing.html  She does an elegant job of handling the topic, but some of it still deals with insults and not cursing the way I am looking for it.

 In the end, I am going to modify Adam’s swearing by making one up, substituting only slightly milder words: “bleeding blazes” works for me. It’s still strong, but no longer blatantly profane. Swears don’t have to make sense –they’re about strong emotion, not logic.

But researching this topic has made me yearn for a book I came across only once ever, gifted to a friend who later died, and which then could not be found among his effects afterwards, sad to say. It was a marvelous flip book for creating Shakespearean insults. The author had gone through all of Shakespeare’s writing, collecting the insult words and dividing them into nouns, verbs, and adjectives. The book was ingeniously divided into sections so that you could flip between them and construct your own phrases. Someday I would love to come across that book again!

What do you think about swearing in novels? Does finding profanity in a story offend you? Does obscenity belong only in erotica? If you write, have you ever created swears for your characters, or have any favorites that you like to use? Lots to talk about. Please let me know in the comments!

Nov 5: I’m back to add some material from discussion this post generated on Facebook. Plus an apology that some comments were delayed in showing up here –first time commenters sometimes need approval and the emails seeking it were in my spam folder!

Author Ella Quinn compiled the following list of Regency curses from her research and gave me permission to share it with you here. Thank you, Ella!

Words gentlemen used when they swore:
Devil it, Bollocks, Bloody, Hell, (Gail’s note: but not Bloody Hell together, several people have assured me) Damn his eyes, Damme, (Egan uses Demmee), Devil a bit, The devil’s in it, Hell and the Devil, Hell and damnation, Hell and the Devil confound it, How the devil . .

Words that could be used around a lady: Perdition, By Jove’s beard, Zounds, Curse it, Blister it, By Jove, Confound it, Dash it all, Egad, Fustian, Gammon, Hornswoggle, Hound’s teeth, Jove, Jupiter, Lucifer, ‘Pon my sou, Poppycock, Zeus.

Oaths appropriate for ladies were:  Dratted (man, boy, etc.), Fustian, Heaven forbid, Heaven forefend, Horse feathers, Humdudgeon, Merciful Heavens, Odious (man, creature, etc.), Piffle, Pooh, What a hobble (bumble-broth) we’re in.

How do you like those?  —Gail

The habit of taking snuff is one of those areas of very authentic period life that seem distasteful to our modern sensibilities. If I wrote a hero who took snuff, be honest –wouldn’t your reaction be “eeeuwww”? He would instantly seem less attractive, wouldn’t he? Snuff-users, if we have any in our stories at all, are more likely to be dandy-ish best friends or even perhaps villains.

As fiction writers, we authors always walk a fine line between recreating an accurate picture of the historical world our characters live in and the attitudes of the modern age we and our readers inhabit. Today we know the dangers of using tobacco and the addictive nature of nicotine. I have to admit, after recently visiting a historic snuff mill near where I live (birthplace of American artist Gilbert Stuart), I came away wondering why more of the snuff-using fashionable people in our period didn’t all have brain cancer! (More on this below)

That said, I thought I might share a glimpse into snuff and the process of making and using it, since it actually was such a popular habit. Did you know that Queen Charlotte (Prinny’s mother) was such a snuff fan that she had an entire room at Windsor set aside for her snuff supplies? Or that she was called “snuffy Charlotte” by some (clearly irreverent) subjects? Prominent snuff-users in our period included Keats, who penned the line, “Give me wine, women and snuff, until I cry out – hold, enough!”, also Wellington, Nelson, Napoleon, and the Prince Regent himself, who had his own proprietary blend. Members of Parliament would take snuff before debating matters, and to this day a communal snuff container is provided in the House of Lords.

Snuff is dried, cured tobacco ground into a powder of varying consistencies and taken by inhaling through the nose. A special grinding apparatus is used to achieve the fine powder. Its history traces back to ancient times in Brazil, where the Spanish first encountered it and brought it back home. From there, the French picked it up and spread its use to the rest of Europe and even into the Far East. As its use became more and more popular, it grew from a luxury only for the rich to a habit also shared with the professional middle class. In general it was never adopted by the poor who smoked their tobacco instead.

Like tea at this period, snuff was blended to unique and very individual tastes. The types of original tobacco plants could vary, as well as the many different methods used for curing it. Many additional ingredients might be combined with the various kinds of dry ground tobacco to affect the scent, which lingered in the nose long after the initial fast “hit” of the nicotine. Spices, fruits, flowers and more substances were all used for this purpose. Users took pride in their own specific recipes. Prinny was hardly alone in having his own blend, although others might not have the power and position to attach their name to theirs.

Snuff was most often taken by holding a pinch between the thumb and index finger, or placing a small amount on the back of the hand to “snuff”. Sometimes rabbits’ feet were used to wipe away the residue under the nose. (Sneezing was considered the sign of a beginner, although many snuff sellers also sold handkerchiefs.) Enough people placed their pinch of snuff in the concave space between the wrist and outer base of the thumb created by cocking one’s thumb out that the spot acquired the anatomical name “snuff box”.

Actual snuff boxes, however, were a necessity for users, and very quickly became status symbols. Because dried snuff loses its flavor quickly when exposed to air, portable pocket-sized boxes that held only a day or two’s supply were needed as well as larger boxes at home, or for communal use. Pocket snuff boxes were often given as gifts, the more elaborate the better. Boxes were made by jewelers and goldsmiths, made of gold, silver, tortoise shell, ivory and many other materials, decorated with jewels, portraits, mosaics, and more. The famous jewelers Rundell & Bridge received £8,205 for snuff-boxes given as gifts to foreign dignitaries at Prinny’s wedding.

Snuff was considered by many to have beneficial medicinal properties. Catherine d’Medici used snuff to combat migraines. People believed snuff could protect them from plague and cure failing eyesight. Some modern studies have concluded that snuff is a “safe” alternative to smoking cigarettes, because it doesn’t involve the tar and carbon products from being burned and it doesn’t impact the lungs. However, warnings against snuff usage also have a long history. It was banned at various times, and John Hill published his Caution against the Use of Snuff in 1761. People could see for themselves the damage sometimes done to the inside of the nose. The cancer-causing tobacco chemicals can have unhealthy effects on the nasal passages and sinuses they touch, and the stimulant chemicals can still raise the risks of heart-related problems such as high blood pressure, heart attack and stroke. Despite the fast route of nicotine directly to the brain, brain tissue itself is not in direct contact with the snuff, so brain cancer isn’t a risk. Throat and stomach cancer can be, when some of the powder travels from the nose to those lower areas.

I was surprised to learn, while researching this topic, that snuff use is on the rise again, popular among ex-smokers and others who haven’t kicked the nicotine addiction. A “less-bad” way around the smoking bans, I suppose. Dry snuff is closely related to “moist snuff”, also called dipping tobacco, which is placed inside the lip and is quite popular among professional sports players. Drug-screening doesn’t test for or count the addictive stimulant nicotine among the forbidden substances for these people. For an entertaining and interesting foray into the world of modern snuff users, read an excerpt posted by writer Julian Dutton on his blog, from his book titled The Bumper Book of Curious Clubs. Snuff has also been ridiculed by none other than the comedian Stephen Fry –check his youtube video .

Did you know taking snuff was on the rise again? Did you know that the phrase “up to snuff” originally meant someone who was mentally alert, smart –as in someone whose brain was stimulated by nicotine? How do you feel about period characters who indulge in taking snuff?