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Category: Writing

Posts in which we talk about the writing craft and process

One of my favorite parts of the Romance Writers of America (RWA) Annual Conference is that the Beau Monde chapter of RWA holds their annual conference the Wednesday before. I try always to attend. It is a great chance to see old friends and to hear great presentations on my favorite topics–anything about the Regency era!

IMG_0082This years conference keynote speaker was Miranda Neville, who honored her recently deceased father in her speech. Her father nurtured Miranda’s interest in history and took her and her sister to museums throughout Europe as a result. If that wasn’t enough to envy, she also had an idyllic childhood on a farm in Wiltshire and went on to work for Sotheby’s, writing catalogues of rare books and original letters and manuscripts. This meant she was paid to read the personal correspondence of historical figures, including those of “our” time period. Needless to say, Miranda likes to get the history correct in her books!

Our Risky Janet Mullany presented a workshop on servants, but I won’t say much about that, because she may be telling you herself. She told us about Black servants who were in England for many years. She mentioned one of the duties of footmen was to deliver messages for the lords and ladies for whom they worked. I thought it a clever fact to use in a future story that the footmen might take hours to deliver such messages, even though the distances might be nor more that a mile away.

Another Risky who presented a workshop was Isobel Carr, who spoke about the fabrics of the time period, about the different weaves of fabrics and the different materials from which they were made. Isobel has so much expertise to share on this topic, it is much too extensive for me to repeat. One interesting fact, though. We all believed that Scottish clans each had their own tartans. I imagined the clans rushing into battle at Culloden each wearing their clan’s plaids. It turns out that, in the late 18th century, a man named William Wilsons published a pattern book in which he assigned clan names to different tartans. The clans themselves had nothing to do with it.

Edmund_Blair_Leighton_-_Singing_to_the_reverendRisky friend Louisa Cornell talked about The Musical Education of a Regency Young Lady. I’ve heard Louisa speak on this topic before and I was so happy to hear Louisa, formerly a professional opera singer, sing some of the examples. She showed us what (and how) a sweet young might sing at a recital, what a talented young lady might sing, and what selections would be scandalous for a young lady to sing. Turns out, singing scandalous songs was acceptable in society.

Jackie Horne spoke about The Material Culture of Childhood and showed how the different cultural views on childhood were reflected in their toys, furniture, and clothing. Before 1750, children were rushed to adulthood, so their furniture, clothing, etc. reflected that. 1750 to 1830 was the era of the Natural Child, the belief that childhood was a special time requiring more freedom of movement than children had experienced previously. One interesting fact Jackie told us. Baby carriages were not invented until 1830, so don’t have your Regency characters pushing one!

Cheryl Bolen shared tons of information on the interiors of Regency houses, both in Town and in the country. She showed us slide after slide of wonderful Regency interiors, including some beautiful Adams rooms. You can see these images on her Pinterest Boards. An interesting fact–her floorplan of a typical Regency town house showed that the master’s bedroom was on the ground floor behind the dining room.

georgette-heyer-biographyThe Beau Monde was honored to have Jennifer Kloester, author of the recent acclaimed biography of Georgette Heyer. Ms. Kloester gave us a lovely picture of Heyer, including many of the insider tidbits she’d learned doing her research. She showed us a photograph of Heyer in her 20s by a then famous photographer. She looked like a 13 year old. Another photo the next year was more like the one on this book cover.

I missed the last workshop, because I needed to get ready for RWA’s huge Literacy Book Signing, but I heard it was wonderful, too. It was about Regency dance and was intriguingly titled Rethinking the Regency Ballroom with special guest Susan de Guardiola.

Miss Guardiola also led us in dance later at the evening soiree, where I joined other Beau Monde members, many in period costume, dancing the dances of the Regency. My dance partner was Joanne Grant, Senior Executive Editor at Harlequin UK. She and I have danced at previous soirees and it was a delight to have her attend this year’s and dance with me again!

It was a wonderful Beau Monde conference. Special thanks to Janna MacGregor, the coordinator of the conference. She did a marvelous job! And has become a great friend of mine, as well!

What topics would you like to hear presented at a Beau Monde conference? I’ll pass on your ideas!

Janeway_PicsI’ve been streaming Star Trek: Voyager on Netflix a lot lately. Although the series (like all the Star Trek series) had some uneven writing, I do love the strong female characters, including Captain Kathryn Janeway.

Some Star Trek fans hated her, but I’m with Sara Eileen Hames, who wrote this blog post on the TOR website: “Janeway Doesn’t Deserve this Shit”.

Hames quotes one of the more egregious bits of snark she has read about Janeway:

“What they needed was a take charge, dynamic female Captain, what they gave us was a moralizing, overly-liberal pushover all too willing to throw her crew’s life away for no reason at all if it made her seem superior and at least as interested in prancing around in frilly dresses on the holodeck as she is in leading her crew.”

So there it is—her worst offence is taking a little free time from her stressful job to enjoy a romance holo-novel. The horror!

And not just any romance, but a historical romance featuring a governess. How cool is that?

Here’s something Hames herself wrote that sums up how I feel:

“Janeway is a strong female character to rock all strong female characters: A leader who is female-gendered, in touch with her sense of gender, and yet invested with a non-gendered position of highest responsibility which she executes with capability and compassion.”

In other words, everything that is most frightening to the fan-boys who admire Kirk’s girl-on-every-planet exploits. (Don’t get me wrong, I enjoy Kirk, but he does fall in love rather easily…)

Here’s another reason I love Janeway. She’s older than your average kickass heroine. While I enjoy heroines like The Avengers’ Black Widow, as played by Scarlett Johansson, and though they are interesting characters in their own right, they can also be perceived as serving the purpose of appealing to the fantasies of teenaged boys (and less evolved older men). Captain Janeway is sexy but her purpose is to captain a starship.

Likewise, a good romance heroine has more to her than beauty. She may or may not be physically tough, but she always has strength of character, like Jane Austen’s heroines who refuse to cave in to pressure and marry men not worthy of them.

It’s been far too long since I’ve had much time to read, so my favorite examples of strong historical romance heroines are from older books: Alys from Mary Jo Putney’s The Rake and the Reformer, who works as a land steward and supports the hero in battling his alcoholism, and Melanthe from Laura Kinsale’s For My Lady’s Heart, who is outwardly tough as nails while hiding heartbreaking secrets.

I hope at some point to have time to read more for pleasure, so help me out. Which historical romances have you read recently that feature particularly strong heroines?

Elena

Tipoos Tiger-pcard view      Are you familiar with this lovely item from the V&A Museum in London? I was not, until I recently received a postcard of this from a friend visiting London, who wrote “Look This Up Online” after his brief message. All of you who do research know what happened after that! Alice down the rabbit hole…. Ah, but there is so much more to what happened than that.

“Tippoo’s Tiger” is actually very famous and has been an object of curiosity ever since it was first displayed publicly in London in 1808. It is a nearly life-sized wooden sculpture, an automaton (the victim’s arm moves, and the tiger growls while the man cries out), a playable miniature organ with 18 pipes, and not least, a political statement by an Indian ruler whose hatred for the British is very clear.Close-up Tippoos Tiger-2

tipoos-tiger-organ view Tippoo was the sultan of Mysore, a power-and-territory-hungry thorn in the side of the East India Company and the cause of several wars. Tippoo’s Tiger was seized from Tippoo’s palace along with a great deal of treasure after the fall of Seringapatam ended both the 4th Anglo-Mysore War and Tippoo’s life in May, 1799. A few years after the Tiger was sent to England, it was put on display in the reading-room of the East India Company Museum and Library at East India House in Leadenhall Street. Did you know that the East India Company had a museum? In this picture, you can see Tippoo’s Tiger in the shadows at the left.East India Co Museum-Leadenhall_Street

The timing of my friend’s postcard was one of those Twilight Zone-ish coincidences that feel like messages. Synchronicities that happen during research never cease to thrill me. They feel like little gifts from the universe confirming that I’m doing what I’m supposed to be doing. When his card arrived, I had just –I mean, literally days before –stumbled across some other East Indian-connected anecdotes in a most unlikely place, while I was researching something entirely unrelated. But I had jumped on them, because they tied in with a project I had moved to the “back burner” –revisions I’ve mapped out for the reissue of my 1998 Signet, The Magnificent Marquess, with a hero who spent most of his life in India. I had been reading Sarah Markham’s book, A Testimony of Her Times, Based on Penelope Hind’s Diaries and Correspondence 1787-1838. That’s research for the Christmas novella I am working on. But blessed Penelope repeated two tales of British subjects who survived tiger attacks in India. And then came the postcard! Message received –I’m back at work now on the TMM revisions. And my characters are definitely going to visit the museum, now that I have no length restraint on the story!

Pottery Figurine of H Munro & Tiger

Tippoo’s tiger figure may have been based on the same incident that inspired this Staffordshire pottery figurine (c. 1814) showing the 1792 death of British subject Hugh Munro in India (now in the British Army Museum).

The fact that stories about encounters with Indian tigers circulated all the way out into the country where a parson’s wife like Penelope Hind received them is a good reflection of how fascinated people were becoming with things East Indian during her lifetime. That fascination was multi-faceted; it included a kind of horror mixed with admiration, and for many, but not all, a growing sense of justification for the East India Company’s expanding domination. The tiger became not just Tippoo’s personal emblem, but a symbol of resistant India itself –a symbol used for the medals issued to the men who fought at SeringapatamSeringapatam_Medal_obv, and in political cartoons, and much more as the century advanced. I tried to give a sense of the variety of attitudes about India that existed during the Regency period in my novel.

The life and times of Tippoo (also spelled Tipu) inspired written accounts that I have not even begun to look into –most of this East Indian connection is just background for my story’s hero, at any rate. But besides the first published account about the final Mysore war, published in 1800 by James Salmon, Tipu's_Tiger_Salmond_1800Tippoo and his exploits figured prominently in art, literature and drama far into the 19th century. According to an article on the V&A’s website, “the Storming of Seringapatam unleashed a flood of prints and broadsheets. It inspired one of the largest paintings in the world, exhibited in London as a panorama. It was featured as a vast spectacular at Astley’s Amphitheatre, and cut down to size for the juvenile drama. As late as 1868 it set the scene for Wilkie Collins’s novel The Moonstone.” I am also now aware that G. A. Henty wrote a fictional account, The Tiger of Mysore, and then there’s Bernard Cornwell’s offering in the Sharpe series, Sharpe’s Tiger (which I have not read yet, but now I want to!). Have you read any of these?

An end-note on Tippoo’s Tiger: Tippoo’s Tiger was on display at the East India Company until 1858, after which it was stored, then displayed in the new government India Office, and then in the India Museum. It became part of the Victoria and Albert Museum’s collection in 1880. The musical and noise-making aspects of Tippoo’s Tiger suffered over the years from public exposure and use, and gradually fell into disrepair. Eventually the crank-handle that powered the bellows inside the tiger disappeared. Not everyone was disappointed in this, however, as was noted in The Athenaeum magazine in 1869: “These shrieks and growls were the constant plague of the student busy at work in the Library of the old India House, when the Leadenhall Street public, unremittingly, it appears, were bent on keeping up the performances of this barbarous machine. Luckily, a kind fate has deprived him of his handle, and stopped up, we are happy to think, some of his internal organs… and we do sincerely hope he will remain so, to be seen and admired, if necessary, but to be heard no more”.

I’ve only scratched the surface here. For more information about Tippoo, his tiger obsession and his mechanical tiger, check this article offered by the V&A, or google the topic to find lots more!

Did you already know about Tippoo’s Tiger? Do you like stories that have an East Indian connection? Do you get distracted by fascinating historical diversions when you are doing research? Or how about those research synchronicities? Have you had those happen to you? What happened and how did you feel?

 

Lady Em's Indiscretion - New CoverI’m hopeful that I’ll be able to get back to writing soon, and when I do, I’ll probably work on a novella. I haven’t had anything “new” out since last April, when I reissued a heavily revised version of Lord Langdon’s Kiss, so I’d like to get more work out there as quickly as I can. That means novellas, in this case, a prequel and sequel to Lady Em’s Indiscretion.

It takes me a long time to develop a full-length book—more than just 3-4 times the length it takes to write a novella. It takes me longer to deal with the complexities of more characters and subplots. Long books are still my absolute favorite both to read and write.

Novellas are fun to write, though, and they go more quickly, not having all of the complications I mentioned above. I enjoy reading them, too. Since they usually focus more closely on the hero and heroine, there’s a certain intimacy to well-written novellas, kind of like chamber music compared to orchestral music. A friend also called my novellas “bon-bons”, which is another fun way to look at it.

However, I’ve had a few readers complain about the length. Even at 99 cents, they were expecting a full-length novel and apparently did not notice the word “novella”, which is on the cover and also in the description along with a word count. I’ve heard this happens to other authors, and we’re all stumped as to how to make the length more clear. I suspect there are readers who buy inexpensive titles on impulse and don’t know what they bought until they start reading.

I’ve also heard of complaints if the digital version of a novella is priced more than 99 cents. Since I personally know the time and work that goes into a novella, I wouldn’t balk at a well-written novella being priced at $2.99 or $3.99, especially from an established author. But of course every reader has the right to make purchasing choices based on her own budget and preferences.

My own novellas are currently priced at 99 cents. My strategy has been to encourage new readers to take a chance on me, in the hope that they might go on to buy my full-length books. However, Amazon’s pricing tool is encouraging me to price my novellas at $2.99. It’s also telling me to use the same price for my full-length Regencies.  That doesn’t seem right to me and would probably annoy readers, so I’ll always price my novellas less than my full-length books.

As for full-length books, I don’t generally want to support the notion that they should have a regular price of 99 cents. I make an exception for introductory prices and special sales. That is the beauty of digital publishing—one can afford to do that—but full length books are such a huge project that I think they should have a regular price that reflects the work that went into them. Even though I’m tickled when a reader tells me she stayed up and read a whole book in one night, I can’t help remembering that it took me a year or so to write it!

What do you think? Do you prefer novellas, long, meaty books, or something in between? Any opinions on e-book pricing?

Elena
www.elenagreene.com

Today the Riskies welcome guest author, Camille Elliot. She’s offering a giveaway, too, so be sure to check the details at the end of her post.

Hello! My name is Camille Elliot and I’m a relatively new Regency romance author.

Camy selfieI’ve been reading Regencies since I was thirteen years old, but didn’t start writing them until a few years ago. For my 40th birthday, I decided to take a “bucket list” trip to England rather than throwing a big party, and I’m so glad I went! It was the most wonderful experience I’ve ever had and it inspired some scenes in my latest Regency, The Spinster’s Christmas.

I was able to visit Lord Byron’s estate, Newstead Abbey, and it absolutely captivated me from the first sight of the ruined chapel front attached to the house.Abbey front

The grounds are absolutely stunning—not as extensive as, say, Chatsworth, but beautifully cultivated. Most of the gardens were developed in the late 1800s but some of the gardens nearer to the house had been there when Lord Byron lived at Newstead.

Two of the gardens that really captivated me were the Small Walled Garden and the Rose Garden. They were originally the kitchen gardens, but were developed, I believe, in the late 1800s. The Small Walled Garden is especially beautiful with arches made of trained pear trees, and the high walls make it seem like it’s cut off from the rest of the world.Small Walled Garden 1Small Walled Garden 2

 

The Rose Garden is gigantic and I could see it as a wonderful place for children to play hide and seek. What was rather funny was the way the trees were sculpted. My friend, Liz Babbs, said they looked like Hershey’s kisses, but I thought they looked like giant turds.Rose Garden 1-cropped

 

Rose Garden 2When I wrote The Spinster’s Christmas, I went back to my memories of Newstead Abbey for a key scene in the book (in other words, a major kissing scene). The children are playing Hide and Seek in the Rose Garden, which I named the Lower Gardens, and my heroine speaks to my hero in the Small Walled Garden, which I named the Upper Gardens.

When writing the scene, I almost felt like I was back at Newstead. Sigh. I hope to go back to England soon, and back to Newstead again!

Thanks so much for visiting with us today and sharing this adventure, Camy!

Camy writes Christian romantic suspense as Camy Tang and Regency romance as USA Today bestselling author Camille Elliot. She lives in San Jose, California, with her engineer husband and rambunctious dog. She is a staff worker for her church youth group and leads one of the Sunday worship teams. The Spinster's ChristmasHer latest novel, The Spinster’s Christmas, is now available for pre-order: http://camilleelliot.com/books/lady_wynwood_series/1_the_spinsters_christmas

This story is the first in Camy’s new series.

The Lady Wynwood series:
The pain and suffering of her short marriage eventually brought widowed Lady Wynwood emotional and spiritual peace. She is able to help her extended family members find love and happiness, but what about herself?
The Spinster’s Christmas:
Miranda Belmoore has never felt attuned to the rest of society. Her family has never understood her blunt speech and unwillingness to bow to conventional strictures, and so they have always made her feel that there is something wrong with her. Now as a poor relation in her cousin’s house, she makes plans to escape a life of drudgery and disdain from her own family members.
Naval Captain Gerard Foremont is having difficulty adjusting to life back on land, frustrated that his career has been cut short by his severely injured knee. Guilt haunts him as he sees the strain his long convalescence has had upon his parents. As they spend Christmastide with the Belmoores, he wants to help fulfill his mother’s wish to have her orphaned niece come to stay with them.
However, an enemy has infiltrated the family party, bent on revenge and determined that Twelfth Night will end in someone’s death …

Camy is offering three copies of The Spinster’s Christmas when it releases (please note it is not available yet!!) to three lucky winners who will be chosen randomly from among those who comment below. Do you have a favorite place in England you would most like to go back to visit again? If you haven’t been there, what one place is highest on your “wish to see” list? Writers, what real places have inspired scenes in your stories?