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Category: Writing

Posts in which we talk about the writing craft and process

th1I have committed to complete the manuscript I’m working on by August (I left myself some leeway by not saying whether it was the beginning or end of August, so let’s just say August).  I’ve been devoting my mornings to this endeavor so, instead of the regular plunge into my library, I’m going to be daring and share some of the work with you.

Our hero is the younger brother of a viscount who created a reputation for himself in school when he defended a gay schoolmate by calling himself “a nan boy who can kick your arse” to the boys bullying his friend. Now he is back in London, complete with the “nan boy” rep, which he hasn’t bothered to renounce. Moreover, he’s taken over his late mother’s fashion column as a tribute to her (and because he thinks it’s fun).  His heroine is a young woman from Yorkshire who has been given one season to find a husband or she must go back to being her great aunt’s unpaid companion.

This bit of the manuscript is the assembly where they first lay eyes on each other.

 Raising a quizzing glass that he didn’t actually need, Simon examined the arrivals. Ah, Baron Langridge and his brood.  Simon had been at Oxford with Langridge’s son and knew the entire family slightly, including the three unmarried sisters.  Tonight, it looked like just the baron and his wife and the three daughters.  No, not the three daughters.  Two daughters and someone else.

Good Lord!  Who was that?  Had the Langridges picked a flower-seller up in Covent Garden and brought her along for a few laughs?  No.  Not likely.  The Langridges were far too stodgy to laugh at the Ton.  Oh but her gown was a perfect disaster and she looked as though she would rather be anywhere but Almack’s.  Perhaps back at her flower stall?

At that moment, the strange young woman stopped fiddling with her ribbons and looked up. For just a moment Simon felt as though she were looking directly at him.  And something about her changed. Or something about Simon’s perception.  Yes.  Her dress was still hideous, but her face was lovely, an almost perfect oval with wide-set eyes.  Were they hazel or green?  And did he detect a satiric glint?  Perhaps she was more interesting than she appeared at first glance. Or was he fooling himself?  Good lord, he had been playing so many roles, he could not longer tell.  He looked at her again. Too bad about that unfortunate gown.

There you are, although, like all first chapters, it will probably change (again) before I’m completely done.  Stay tuned.

As a side note, although I don’t usually pick real people as models for my characters, the picture included happens to look a great deal like Simon. How can you go wrong with that?

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Lady_Selina_Meade.jpegWe’ve done a lot of talking about names at Risky Regencies over the years (see here, here, and here), but here I go again!

I have a few rules for myself when I’m naming characters. Guidelines, really.

1. The names have to have a pleasant rhythm. For example, Emily Galightly doesn’t do it for me, but Hugh Westleigh (hero of A Lady of Notoriety) has a nice sound to my ear.

2. The names need to be historically accurate, or at least seem historically accurate. No modern sorts of names like Savannah or Brooklyn, both of which make a Top 50 Girl Baby Name list for 2014.

3. Absolutely no female characters who have traditionally male names. This is one of my pettest peeves and I see it in contemporary romance too often for my taste. It’s just confusing!! So no names like Addison or Taylor for my heroines, even though those, too, made the list of Top 50 Girl Baby Names.

4. Vary the character names so that none are inadvertently similar. No Harry or Herbert if there is a Hal, for example. Same with surnames. No Goodman if there is a Jackman.

5. Try not to use the names of real people, especially real people who are in the news. My editors flagged a name I’d chosen that turned out to be the name of an English entertainer. Now I’ve learned to Google the name to see if I’ve chosen one that would be recognizable.

It seems like I use different websites with each book to help me select names. For first names, I google “girls names of the 1800s” or “boys names of the 1800s.”

Here are some websites to use for surnames or tital names or both:
http://www.thepeerage.com/surname_index_G.htm
http://surnames.behindthename.com/names/usage/english

The name of the lady in the portrait by Lawrence is Lady Selina Meade. Now that’s a great name!

Do you have any naming rules or pet peeves?

Sometime by the end of the month I’ll send my editor my draft of My Lady Defiant, my next full-length historical romance and a sequel to A Dream Defiant.

The first thing I intend to do after I hit the send button is take a week or two off from writing. I mean to read a lot, finally bake cupcakes with my daughter (I bought her a cake decorating kit and some cupcake books for her birthday in early April, but my weekends have been all about the writing of late), and get back onto Weight Watchers. I know, I know, Weight Watchers AND cupcakes. But I can manage both. Everything in moderation. Except reading. I mean to be very immoderate in that.

Cupcakes
Image from Dixie Belle Cupcake Cafe, used under a Creative Commons license

But then comes the momentous decision of what to write next. Oh, part of the answer has to be My Lady Defiant’s sequel. It doesn’t end on a cliffhanger or anything, this being a romance. Yet it does have its share of unanswered questions begging to be addressed, and I mean to answer them in the hero’s younger sister’s story.

However, before I start that sequel, I want to spend my summer trying something different. Very different. My husband recently wrote a blog post about the importance of crop rotation for creative types, and reading it made me realize I need to plant some alfalfa in the form of a fantasy novel, or maybe a contemporary romance. Maybe even that time travel baseball story I came up with while sitting at the ballpark several years back waiting for a Mariners game to start. Or I’ve got that vampire-slaying, garlic-wielding French chef in a Regency-set paranormal, because the fictional world needs more badass chefs. I have lots of ideas–more than I know what to do with, really. Maybe I’ll make a list and let random.org do the picking.

If you’re a writer or other creative type, what do you do for crop rotation?

I have been doing a bit of thinking on this topic. I trolled the internet to see what others wrote, but didn’t find anything that delineated the types in the way I was thinking of them.

We see certain Regency heroines over and over and marvel at how authors can make them fresh and new.

Here’s what I came up with:

DUKE'S GUIDE TO CORRECT BEHAVIOR cover[2]The Governess.
Tried and true from Jane Eyre to Megan’s upcoming The Duke’s Guide to Correct Behavior. The governess is often a genteel young woman who has fallen on hard times and has to accept employment that basically robs her of any social status at all. She is neither servant nor noble. It is the hero who comes to her rescue and frees her from her dismal fate. In a way she is a Cinderella figure. Just thought of that this moment.
My Born To Scandal is a governess story and my homage to Jane Eyre.

The Debutante.
The classic traditional Regency heroine. I used to love to read the Signets and Zebras about the young woman making her come-out and attending Almack’s for the first time. Her task, of course, was to make a good match and often it was not the man with the high title who ultimately won her heart.

The Bluestocking.
A bookish heroine who is more interested in her field of expertise than in the marriage mart. I have yet to write one of these heroines, because my imagination has yet to go in that direction.

The Fallen Woman.
I’d place courtesan heroines or heroines ruined by scandal in this category. She is a woman who, perhaps, once had a fine reputation but has lost it and this can either free her to take charge of her life or trap her in a worse situation. My The Mysterious Miss M fits this description, as does the heroine in Scandalizing the Ton. I’m returning to this type of heroine in A Lady of Notoriety, due out in paperback June 17.

The Feisty Heroine.
I think of this heroine as the one who defies all convention and protests to want things that, in my mind, only a modern woman would expect. You can tell this is not one of my favorites, but I do think that readers can love this heroine if she is done well. About the closest I’ve come, I think, is in Chivalrous Captain, Rebel Mistress.

91cbc8f1c531b62592f78425641434d414f4141The Hard Times Heroine.
This would be the heroine who needs to marry well in order to save her family or to escape something worse. My Wagering Widow was one, and looking through my books list I’ve written different versions of this heroine several times – . One of my favorite old Regencies had one of these heroines, The Last Frost Fair by Jo Freeman.

The Commoner.
This heroine is not a typical choice for a Regency Historical. She is not from the aristocracy. She is a commoner, like my French heroine in Valiant Soldier, Beautiful Enemy or Innocence and Impropriety.

You might also be interested in Mary Balogh’s discussion of Regency heroines.

And, for fun, here is a Regency Heroine Quiz to discover which type you are.

Do you have other Regency Heroine types to add? Let me know!

DUKE'S GUIDE TO CORRECT BEHAVIOR cover[2]I have a cover! And a blurb! And things!

All of London knows the Duke of Rutherford has position and wealth. They also whisper that he’s dissolute, devilish, and determinedly unwed. So why, everyone is asking, has he hired a governess?

When Miss Lily Russell crosses the threshold of the Duke of Rutherford’s stylish townhouse, she knows she has come face to face with sensual danger. For this is no doting papa. Rather, his behavior is scandalous, and his reputation rightly earned. And his pursuit of her is nearly irresistible-but resist she must for the sake of her pupil.

As for the duke himself, it was bad enough when his unknown child landed on his doorstep. Now Lily, with her unassuming beauty, has aroused his most wicked fantasies-and, shockingly, his desire to change his wanton ways. He’s determined to become worthy of her, and so he asks for her help in correcting his behavior.

But Lily has a secret, one that, if it becomes known, could change everything…

The Duke’s Guide to Correct Behavior will be out November 25, 2014, and will be followed by a novella and another full book (titles TBA) in 2015. Woot!

Megan

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