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Category: Writing

Posts in which we talk about the writing craft and process

Hero-of-My-Heart-by-Megan-Frampton225x329My historical, Hero of My Heart, will be released Monday, and it has a different kind of hero–in that he is not heroic at all, not when we first meet him. In fact, he is a Marquess who does not wish to have his title, nor even be alive. Here’s the blurb:

When Mary Smith’s corrupt, debt-ridden brother drags her to a seedy pub to sell her virtue to the highest bidder, Alasdair Thornham leaps to the rescue. Of course the marquess is far from perfect husband material. Although he is exceedingly handsome, with a perfect, strong body, chiseled jaw, and piercing green eyes, Alasdair is also too fond of opium, preferring delirium to reality. Still, he has come to Mary’s aid, and now she intends to return the favor. She will show him that he is not evil, just troubled.

Mary was a damsel in need of a hero, but Alasdair’s plan is shortsighted. He never foresaw her desire to save him from himself. Alasdair is quite at home in his private torment, until this angel proves that a heart still beats in his broken soul. The devil may have kept her from hell, but will Mary’s good intentions lead them back to the brink—or to heaven in each other’s arms?

Alasdair is as close to an anti-hero as I could write, and I chose to write him that way because like so many romance readers, I believe that love and compassion can help a person find their way back to happiness. I was fascinated by the idea of a man at the absolute brink of dissolution needing to claw his way back to reality, and I gave him a reason–Mary’s salvation–to do it. Eventually, he replaces his opium addiction with Mary’s sexual healing, but that isn’t enough to absolutely save him. It is only when he is able to give both Mary’s presence and opium up that he is deserving of his own Happy Ever After–and deserving of Mary.

In writing this, I was inspired by Edith Layton’s The Devil’s Bargain (and snagged her hero’s name for mine!), because her hero is tortured by the past, just like my Alasdair, even if he doesn’t end up an opium addict. Of course there have been historicals where the hero is addicted–most memorable is Jo Beverley’s To Rescue a Rogue and of course Mary Jo Putney’s The Rake‘s hero is an alcoholic.

I also wanted to write a classic road story–in fact, the original title of the book was Road to Passion, which a few people pointed out sounded like a Bob Hope movie, which was not the intent, so I changed it. My hero and heroine are together almost through the entire course of the book, are forced together through circumstances and can’t run away from their problems–like Alasdair was trying to do.

All of this makes it sound as though Alasdair and Mary are all Dark and Serious during the course of the book, but both of them have good senses of humor and Mary, in particular, does not hesitate to take Alasdair down a notch or two (and he is highly-notched, let me tell you!).

Do you like books with very difficult heroes? Which are your favorites?

Megan

Posted in Risky Book Talk, Writing | Tagged | 4 Replies

Recently, I was thinking about books I read as a kid. I remember so many of them so clearly… In first grade, I discovered the Oz books. Then Nancy Drew, then Bobbsey Twins. In third grade, the Little House books, and the Orpheline series. Fourth grade was Zilpha Keatley Snyder, the Mushroom Planet books, the Alvin Fernald books, the Three Investigators. (My older brother definitely influenced my reading.)

By sixth grade, there was Lord of the Rings, and Lloyd Alexander, Joan Aiken, Edward Eager, Mary Norton, Louisa May Alcott, and Noel Streatfeild. I never stopped loving and reading “children’s books,” so by the end of high school I had added Susan Cooper, Diana Wynne Jones, Doris Orgel, Edward Ormondroyd, Ruth Nichols, Paula Danziger, and E. Nesbit.

My first college roommate turned out to be another fan of children’s & young adult fantasy fiction, and she introduced me to Robin McKinley and (more recently) Vivian Vande Velde. (She also gave me my first Regency — truly an influential roommate!)

All these authors and their books linger in my memory, even those I haven’t read anything by in years. I know that this is largely because I was young when I read them: I had less in my brain, and knew less about the world, so these stories took up root because I felt they were all so important, so new, so wonderful….and my limited brain capacity was still mostly unfilled. But perhaps…perhaps there was more to it than that. Some of these books surely linger for other reasons as well.

So…is there anything we writers of adult books can do to make our books linger in the memory? To make them take up root in people’s brains?

Writers: Do you do anything in particular to try to make your books lingering books? To make them last in the memory?

Readers (which is all of us): Have you read any books as an adult that made a big impression on you, that stayed with you long after the last page was read? What books were those? Do you know why they made such an impression on you?

All opinions welcome!

Cara
Cara King — MY LADY GAMESTER, out now!

Posted in Reading, Writing | 3 Replies

I love outtakes and bloopers. When the mess-in-progress is not cooperating, I need a good laugh. It also helps to remind me that other creative people make mistakes, too.

Surfing around on Youtube, I found some good bloopers from the 1995 Pride & Prejudice and the 2006 Jane Eyre.  Note that horses play a major role in each set.

As to bloopers in romance novels, some that I remember are also horse-related. The mare that turned into a gelding in the course of a ride. The phaeton, a type of 4-wheeled carriage, that turned into a curricle, which has two wheels. (Admitted, a lot of readers wouldn’t know that.) The funniest blooper I can recall is where the hero referred to his “bullocks” instead of “bollocks”.

This is what copy editors are for, but they do miss stuff sometimes.

Ditto for cover artists. You may already have heard of the legendary cover for Christina Dodd’s 1993 release, Castles in the Air.  The rest of the story is here on her website.

dodd

As for bloopers I’ve made, I hope most were caught by me or my critique partners, like the scene where a gun mysteriously jumped from one character’s hands to another’s. I’d accidentally deleted the sentence with the handover. Another sort-of blooper is a sex scene in which I had the hero remove most of the heroine’s clothing, except I forgot about her boots. Once I realized, I let it be. Maybe that’s how they wanted it.

What are some of your favorite bloopers, whether on film or in books?

Elena
www.elenagreene.com

Posted in Reading, TV and Film, Writing | Tagged | 6 Replies

It’s spring break, so I’ve been in Florida visiting family.  I’m supposed to be enjoying the break—and I am, to a degree. But what non-writers (everyone in my family except my daughters, who write fan fic) can’t understand is that what I’d really like best is quiet time to write.  So I smile and go along with the planned activities, and I don’t tell them that there’s a part of me that’s eager to get back to cold and dreary upstate New York so I can write.

I’m finally getting close to the end of the balloonist story (current working title The Height of Desire).  It’s not the best time to take a break, because this is a time when there’s a risk of something Julia Cameron, author of The Artist’s Way, calls creative U-turns, i.e. fear-induced backsliding just at the point of a creative breakthrough.

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The good thing is that I’ve been writing long enough to recognize when I’m tempted to do a creative U-turn. The other thing I’ve found is that telling friends my plans can help me stay on track. So friends, this is my plan:

– I will finish this version of the story by the end of April.

– I will go on a writing retreat during the first weekend in May with my writer buddies at a house on Cayuga Lake. There I will do a deep, thoughtful review of the whole thing and very likely a lot of rewriting and polishing.

– Then it’s off to my critique partners, and probably another round of revision and polishing. Meanwhile I can start thinking about cover art. J

Wish me luck.  What challenges are you facing? What helps to keep you from backsliding?

Elena
www.elenagreene.com

Posted in Writing | Tagged | 3 Replies

carriageI was down much of this week due to a stomach bug, but I’ve had a great time catching up today.  What an interesting week we’ve had at the Riskies!

Diane started out with Real Research? a discussion of whether it’s OK to base one’s research on that of popular authors in your genre. Then Amanda posted on Real Things (objects from Jane Austen’s life), Carolyn posted an Interview with Susan Broadwater of the Regency Library and Janet brought us the fascinating story of Anne Lister in Same Sex Marriage, 1834.

Diane’s original post reminded me of a recent writers’ loop discussion of historical accuracy. Some people were shocked when I put forward my belief that HISTORICAL ACCURACY IS NOT IMPORTANT when it comes to having a successful career writing Regency era romance.

I’ve read enough bestsellers, RITA finalists and even RITA winners in the genre that include errors of title usage, people traveling from London to Cornwall in the matter of a few hours, horses galloping for hundreds of miles without dropping dead, etc… to know this is true. Their popularity proves that there are vast numbers of romance readers out there who don’t care much about such things.

I don’t even mean this as a criticism of these authors. Not at all. Their popularity proves that they are consummate professionals. They are providing good entertainment for their loyal readers, they are supporting themselves, putting their kids through college, etc… All things I want to do. And they’re doing it by writing good STORIES.

The lesson I take away is that the story (in this case, the romance) comes first.

Does this mean I don’t research any more? Not at all, for several reasons. First, why annoy the smaller percentage of readers who are knowledgeable enough to be annoyed by things that can be checked relatively easily?

But the main reason I research is because it’s part of my process. It helps ME write MY stories. I have never gotten reader mail complimenting me on my meticulous research (and heck, I make mistakes too). But I have gotten mail and reviews saying my stories were a bit different, in a good way.

The point is, research inspires me.

I’m feeling more inspired this week, having added some books to my TBR list and resolved to subscribe to the Regency Library!

What inspires you?

Elena
www.elenagreene.com