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Category: Writing

Posts in which we talk about the writing craft and process


I’ve just returned from a trip to the Midwest–Minnesota, to be exact–and am grumpy, fairly wrinkled, and just a bit stinky. Not to mention weary. To the bone.

In other words, if I were looking for Prince Charming–or in Regency terms, the Duke of Charming–I would probably yell at him because he hadn’t brought me my coffee just the way I like.

Yet so many Regency heroes and heroines take off on a vast journey and manage to fall in love. Without an airplane! Or a Northwest snack box (only $3!). How do they do it? I love road romances, even though I would make an awful heroine in one; in fact, on the plane I was sneaking pages of Georgette Heyer‘s Sylvester, which takes the hero and heroine to France and back again (I’m assuming they come back, I haven’t finished it yet).

Some of my favorite Regencies are, in fact, road romances (click here for the link to AAR’s Special Title Listings of Cabin and Road Romances). Here is a partial listing of some of the ones I’ve loved.

Tallie’s Knight (2001) by Anne Gracie
Sprig Muslin (1956) by Georgette Heyer
Sylvester: or The Wicked Uncle (1957) by Georgette Heyer
Miss Billings Treads the Boards (1993) by Carla Kelly
Miss Chartley’s Guided Tour (1989) by Carla Kelly
Miss Whittier Makes a List (1994) by Carla Kelly
Summer Campaign (1989) by Carla Kelly
The Wedding Journey (2002) by Carla Kelly
With This Ring (1997) by Carla Kelly

Carla Kelly seems to love taking her characters on the road–and really, how better to make two people who in a normal situation would never come in contact with each other fall in love? Throw in an adventure, usually involving a child or a lost or stolen inheritance, and all bets are off. But the romance is on!

Could you see yourself spending eight hours in a jostling carriage traveling over country roads with your loved one and a precocious child? Or your loved one and an irascible old lady and her pug? How about if you were abducted by said loved one in pursuit of some lost or stolen treasure?

Do you like road romances? Which are your favorites?

Megan
www.meganframpton.com

Posted in Reading, Regency, Writing | Tagged | 9 Replies

…and I’m desperately holding onto sanity.

This painting by John Linnell depicts “Lady Torrens and her Family” (1820). Linnell wrote “There Lady Torrens, in the most exemplary manner educated her six children to the admiration of all who witnessed the harmony & happiness with which her family was conducted…”

This level of serenity and harmony is actually what I strive for–and even often achieve, in my own family. But at transitions like this first week of the kiddos home, it isn’t easy. I can’t help thinking that Lady Torrens (in addition to having servants help her with household cares) wasn’t also trying to write a book.

Frankly, I’m a creature of habit, and changing schedules disorient and stress me out. I try hard to balance things, but crafting that balance requires different strategies at different seasons and different ages. Until it’s all figured out, my muse sulks somewhere complaining that I love the children more than her. And the fact is, they do come first, but until I get the schedule down that allows me some writing time, I feel like I go a little crazier every day.

In the past, I’ve relied on a few weeks of summer camp to get me some clear writing time (and the kids love them, too, so there’s no guilt). Other weeks, though, I need to scrounge writing time here and there. In the past I’ve had trouble getting my darlings to leave me alone while writing. Their definition of an emergency is a bit different from mine (I do not consider losing a doll’s glasses an emergency).

But I have to say this week is going better. For two days now they have actually left me alone for an hour each morning. Perhaps it was my paraphrasing Albus Dumbledore, Harry Potter’s mentor, who cautions the students at Hogwarts “…the third floor corridor on the right-hand side is out of bounds to everyone who does not wish to die a very painful death.”

Anyone else out there trying to rebalance life with kiddos at home? Any tips and tricks that work for you?

Elena
LADY DEARING’S MASQUERADE, Romantic Times Best Regency Romance of 2005
www.elenagreene.com

Ah, writing. Not always the smoothest-sailing of careers, but one that has many perks — such as an excuse to put a picture of Wentworth in one’s blog post, because he’s writing, and therefore not off-topic at all.

With the demise of Signet and Zebra’s traditional Regency lines, most of their Regency authors had decisions to make regarding their futures. (Certain course changes were made, some large, some small). Santa recently asked what we Riskies were each working on now, and what certain other Regency authors were currently writing. (Answers are coming, Santa!)

This made me wonder — are there any other particular Signet or Zebra Regency authors that any of you are curious about? We Riskies are exceedingly well-connected — we all have vouchers for Almack’s, after all (although I’m not sure how certain persons got one — I suspect blackmail was involved). So if you all let us know which traditional Regency authors you want updates on, we can use our extensive networks of spies and informants to obtain this information for you.

So — which authors do you want updates on? Please share!

Cara


So, tomorrow is Father’s Day, and I still haven’t found a gift for my dad. He is the hardest person in the world to shop for–he already owns every electronic gizmo there is, plus every DVD and CD he might want he’s already bought for himself. I wonder if people in the Regency had this problem? Oh, yeah–they didn’t HAVE Father’s Day then. Lucky them. 🙂

Besides scanning the Internet for possible gifts, I’ve been trying to decide on a good theme for this post. In college, I once wrote a paper on fathers and daughters in Shakespeare. To borrow from that idea, here is a selection of fathers from Jane Austen:

From Mansfield Park, there is the uncle/father figure Sir Thomas Bertram. Now, he benevolently takes Fanny in and raises her alongside his own offspring, but Sir Thomas is really pretty distant in her life, a fearsome figure of authority. He is not outwardly affectionate, and is definitely highly concerned with outward appearances, but in the end he does acknowledge that he should have really spent more time overseeing his children and not left them to his lax wife and crazy Mrs. Norris.

From Pride and Prejudice, of course there is Mr. Bennet. He spends most of his time reading and hiding out in his study, which really who can blame him, but he also comes across as a bit careless to his family’s ultimate fate. With Elizabeth he is concerned and loving, but with his three younger daughters he lumps them together as the “silliest girls in England” (and again, who can totally argue with him?)

From Sense and Sensibility, I guess you can say there is Mr. Dahswood, who dies at the beginning. Yet it appears he loves his wife and daughters and wants to provide for them, hence he makes his son promise to take care of them. That the son breaks that promise isn’t really his fault, I guess…

From Emma, there is Mr. Woodhouse, the invalid. It’s said “she loved her father, but he was no companion to her.” He sees no fault in his daughter, and they spend a comfortable life together indulging each other in their whims and self-delusions.

From Northanger Abbey, we see Mr. Morland, a respectable, well-enough-off clergyman, with “considerable independence, besides two good livings.” But he is not much of a presence, probably because he has two livings and ten children. His wife appears equally distracted, leaving Catherine lots of time to do stuff like roll down hills and read horrid novels.

There is also General Tilney. He is very wealth-obsessed, boasting, annoying, and preoccupied with himself (when not meddling in his children’s lives). I sometimes wonder how Catherine is going to handle having him for an in-law…

And, from Persuasion, Sir Walter Elliott. He spends all his time reading the peerage and probably looking in the mirror. He loves his daughter Elizabeth, who is like a reflection of him in female form, but is quite indifferent to Anne and probably to Mary. “Vanity was the beginning and end of his character.”

And that is my thumbnail sketch of fathers to be found in Austen. They’re kind of a pitiful lot when looked at like that, aren’t they? 🙂 I thought of many other things that could go into this post–fathers in romance novels, fathers in the real-life Regency (btw, the picture is George III, Queen Charlotte, and their Six Eldest Children by Johann Zoffany. Thanks for the tips on uploading pics to Blogger!). But I really do need to get to the shops and find a gift for my own dad, who luckily is no Mr. Elliott or General Tilney. What are some of your favorite examples of fathers in books or histories? Or comments on Austen fathers, either fictional or Rev. Austen himself?

Happy Father’s Day!


First off, may I just be so bold as to say “great minds think alike?” Amanda has a post on her blog about Bloomsday, also, although the smarty-pants actually finished the darn thing.

Me, I made it to the second page.

Elena had a post awhile back about giving up on books–I think most of us agreed that we didn’t used to, but time was too short, and there were too many books to read, to waste time on a book that wasn’t grabbing you. I think Joyce’s Ulysses is just too smart for me (I really admire, however, the premise behind Bloomsday: Ulysses recounts a modern-day traveler’s odyssey through Dublin on June 16, so Bloomsday celebrants relive Ulysses’s progress. Here in New York City, Symphony Space hosts a 12+-hour event to celebrate. So happy Bloomsday, everyone!)

But back to where I was attempting to go with this, albeit in a most Framptonian circuitous manner. I gave up on a book recently, one much less erudite (with less crudity) than Joyce’s because it was too slow. Was it me, or the book? The book was published in 2002, which means the author wrote it sometime in 2000 or so. I think that in that time, readers have come to want a different style in their romances. Instead of long, descriptive narrative, now most top-of-the-charts romances have tons of dialogue. Instead of love stories that take at least six months to begin and culminate, we’ve got stories that can take place over the course of a few days to a month. Is our attention span that much shorter?

Personally, I like the dialogue-heavy books. And I have a theory about how this sea-change happened: Julia Quinn. Julia Quinn writes amazing dialogue, light, witty banter that reveals loads about the character speaking, and she doesn’t spend a lot of time on description. Her books are a breath of fresh air.

Are the newer romances an improvement over the slower ones? Do you value dialogue over narrative? Which authors would you like to see stretch out their prose? What do you think of my theory?

And is this post itself too long?

Megan
www.meganframpton.com

Posted in Reading, Writing | Tagged | 9 Replies