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Dancing the Quadrille at Almack’s

Today I’ll continue the dance series I began on July 6, with some notes about the cotillion and the quadrille, dances which were common in the early Regency and the late Regency, respectively. While there is a great deal of overlap in some characteristics of these dances, their prevalence in the ballroom does not seem to have overlapped much at all.

COTILLIONS

Jane Austen wrote to her niece Fanny in 1816, “Much obliged for the quadrilles, which I am grown to think pretty enough, though of course they are very inferior to the cotillions of my own day.” Jane was past her dancing prime by then and was referring to music sheets, but as so often happens even today, was not a fan of the “new” style of dancing that the younger people loved.

The Cotillion was a French country dance for four couples popular in England in the late 18th century. While it often began with a circling figure and included later small circles, most of the dance was performed in a square, with various “changes”, or figures that moved in and out of that main formation and allowed for changes of partners.

Because the cotillions came from France, many kept their French names. The only dance Jane Austen ever mentions by name, “La Boulangerie” is a cotillion. Here is a video so you can see what it was she so enjoyed. https://www.youtube.com/watch?v=NLUzvSXguQY

There were many various types of cotillion dances: “waltz cotillions” and “allemande cotillions” for instance. They included some figures also commonly found in English country dances and reels, and later the quadrilles, so there is a shared basis between the types of dances.

For instance, four of the basic quadrille segments are also found in cotillions: Les Pantalons, L’Eté, La Poule and La Pastorale. Many steps are also shared, but in style and music the dances are quite different. Quadrille enthusiasts denounced the cotillion as old-fashioned and “belonging with the ancient minuet.”

The word “cotillion” changed during the 19th century from referring to the specific type of dances to the more modern usage, referring instead to a dance event, even specifically to a dance event for debutantes. Just know that during the Regency era, that was not what it meant!

QUADRILLES

Captain Gronow wrote in his memoirs about the first appearance of the Quadrille at London’s elite social venue, Almack’s: “In 1814, the dances at Almack’s were Scotch reels and the old English country-dance; and the orchestra, being from Edinburgh, was conducted by the then celebrated Neil Gow. It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular.”

The quadrille became a craze, so popular that it overtook all other forms of dance being done at this time, except for the waltz (topic for Part 3 of this series), introduced at about the same time. Cartoonists of the day, such as Gilroy and Cruikshank, could not be expected to resist ridiculing such a vibrant fad, especially as it required some skill and practice. “Accidents while dancing the Quadrille” was a popular caption.

Like the cotillion, this was a dance form with four couples arranged in a square. Unlike the cotillion, it consisted of five sections or movements, each with its own complicated sequence of figures and music, with differing time signatures. Also unlike the cotillion, in the quadrille, the couples took turns performing the steps, with the head couples leading and the side couples resting until their turn. (Given the exertion required and the length of the dances, this was no doubt a blessing!)

This video gives a good sense of the dance –watch as much as you wish, just know it lasts 11 minutes and 19 seconds! Paine’s First Set of Quadrilles (1815) https://www.youtube.com/watch?v=VSD37PF2_Dw

Here is a video that shows “The Mozart Cotillion” being danced at Chawton House (yes, I thought you’d like that!) 🙂 https://www.youtube.com/watch?v=YEsAijdGT20

I hope you are enjoying these dance notes and finding them helpful to visualize Regency dancing for your reading or writing pleasure! Part 3 on the Waltz will be posted on July 25.

Be afraid … be very afraid. Christmas is coming but Kate Dolan is here to guide us through this darkest part of the year. Kate is a prolific writer of many hats, and today’s hat is that of the writer of not quite politically correct Regencies for Cotillion Press. And she’s giving away a free download of each of her holiday releases, The Bride of Belznickel and Change of Address. Take it away, Kate…

Back before we had the option of watching “Elf’ or “A Christmas Story” every night for a month before Christmas, we humans satisfied our need for entertainment by sharing Christmas stories around the fire. There is an ancient tradition of telling “winter tales” that included fantastic or paranormal elements inspired by our fears of the dark. Some say this practice died out during the medieval era and others say it continued unabated, but there is no doubt that the tradition of telling scary tales was being revived by the later Regency period.

My favorite figure from these tales is the Belznickel, a figure from Germanic legend who is sort of the opposite of St. Nicholas. Where the saintly Nick rewards children who’ve been good, the Belznickel does the opposite – he punishes the bad.

With whips and chains.

That could make for a very scary Christmas if you’ve been bad.

The Belznickel was generally depicted as dark, with the figure of a man but the horns of a goat. He carried a whip to chastise, and chains to confine or remove miscreants.

Some believe stories of the Belznickel derive from the vindictive Germanic god Woden, whose name in older dialects was Pelzmartel. According to legend, Pelzmartel and his wife would come to earth each year from December 25 to January 6 and they were welcomed with bonfires. In mumming tradition, the evil Belzickel figure is always portrayed by a man while his companion, the good and generous Christkindl, is always potrayed by a woman despite the fact that the name translates to Christ child and should therefore be male. This suggests that the “Christkindl” character is just a Christianized version of Woden’s wife, who was said to be as good and kind as Woden was nasty.

Others trace the Belznickel tradition to the popular stories of St. Nicholas, a bishop who lived in around the year 300 in an area now part of modern Turkey. Nicholas supposedly put money in a girl’s shoes one night to keep her from falling into prostitution. From that came the custom of putting gifts in stockings or on the floor. In some places, it was expected not only for  the Belznickel to threaten punishment but also to scatter candy and treats on the floor to reward well behaved children. If they reached down to pick up the goodies while he was still there, they risked getting hit with a whip or switch.

Stories of a mischievous or macabre “helper” for St. Nicholas vary according to different cultures. In Switzerland, for example, the helper “Schmultzli” was said to threaten to put bad children in a sack and take them to the Dark Forest. There are even tales of him drowning particularly naughty offenders.

The Belznickel tradition took on a new twist in 19th Century America. A Pottstown Pennsylvania newspaper article from 1826 calls him a Christmas “marauder”  who created havoc every night leaving the streets strewn with lumber debris. The newspaper describes the Belnickel as short and “chunky” with a long beard and clothed in a black bearskin cap, red plush breeches and moccasins “the same worn by the Chippawa Nation.”

Often those dressing as Belznickel blacked their faces, and that became such a part of the tradition in the U.S. that by 1905, at least one journalist speculated that the entire Belznickel legend originated with African-American slaves performing at Christmas.

The black face disguise goes along with another part of the Belznickel tradition that seems to fit Halloween better than Christmas. Troupes of men would go from house to house in costume, play up the part of the Christmas demon, and then be treated to drinks and food.  This is called “Belznickeling.” Even as recently as 30 years ago, a group of these revelers scared the heck out of one college student returning home for a visit with her parents. After the rest of the family had gone to bed, she heard noise outside and looked out the window to see the house surrounded by men wearing masks. She woke her parents and begged them not to open the door, but they did anyway and the men pushed their way inside and staggered into the kitchen, demanding drinks. Her parents tried to explain that this was an old European tradition.

In my experience, I would expect the college students to be the ones dressing in costumes, stumbling around in search of alcohol. Maybe the tradition of Belznickeling is still practiced more widely than we realize.

I found the Belznickel character so interesting that I used him for the basis of my traditional Regency Christmas story Bride of Belznickel, which has just been re-released as a standalone story by Ellora’s Cave Cotillion. In my tale, the heroine Hannah is forced to spend Christmas with cousins who ridicule her at every turn. To get even, she tries to scare them with tales of a Christmas demon. But then her stories start to come to life, and no one knows what to do about it, Hannah least of all.

Kate’s also giving away a copy of Change of Address. Amanda, her young sister and her unconventional mother move to a small house in a remote village just before Christmas—and discover it lacks furniture and everything else they need. Charles, son of the local squire, bursts in to rescue them when he mistakes smoke from the clogged chimneys as a house fire. When she realizes his father is their landlord, Amanda drafts Charles into helping them, and he willingly complies with the requests of the beauty. As the acquaintance between the families deepens, Amanda comes to realize that Charles may not be quite as bacon-brained as she assumed. When he rescues her from a drunken man, she then has to conspire with him to prevent worse consequences—all on Christmas Eve.

So … let’s talk about Christmas traditions. Does your family have a tradition of, uh, unusual folklore with or without whips and chains, or featuring scary stories?
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