It’s spring break, so I’ve been in Florida visiting family. I’m supposed to be enjoying the break—and I am, to a degree. But what non-writers (everyone in my family except my daughters, who write fan fic) can’t understand is that what I’d really like best is quiet time to write. So I smile and go along with the planned activities, and I don’t tell them that there’s a part of me that’s eager to get back to cold and dreary upstate New York so I can write.
I’m finally getting close to the end of the balloonist story (current working title The Height of Desire). It’s not the best time to take a break, because this is a time when there’s a risk of something Julia Cameron, author of The Artist’s Way, calls creative U-turns, i.e. fear-induced backsliding just at the point of a creative breakthrough.
The good thing is that I’ve been writing long enough to recognize when I’m tempted to do a creative U-turn. The other thing I’ve found is that telling friends my plans can help me stay on track. So friends, this is my plan:
– I will finish this version of the story by the end of April.
– I will go on a writing retreat during the first weekend in May with my writer buddies at a house on Cayuga Lake. There I will do a deep, thoughtful review of the whole thing and very likely a lot of rewriting and polishing.
– Then it’s off to my critique partners, and probably another round of revision and polishing. Meanwhile I can start thinking about cover art. J
Wish me luck. What challenges are you facing? What helps to keep you from backsliding?
Elena
www.elenagreene.com
Janet’s post yesterday dovetails in nicely with what has been on my mind lately: Finishing the darn book.
I don’t mean finishing reading it, but finishing writing and editing it. See, I’ve had this Regency-set historical I’ve been editing, and last night I officially finished editing it. Until my last reader reports in with her feedback.
Like Janet, I like the quick ending. I despise epilogues, especially if there are little bundles of joy around. Not that I don’t like kids (I have one, after all), it’s that I don’t romanticize parenthood. Overweight, exhausted women who resent their husbands for sleeping through the night? Not romantic. But I digress.
I do have problems with some authors rushing too quickly to the end. Janet mentions Judith Ivory in her post, and some of Ivory’s books seem like she just wants to get out of there.
Until recently, I wondered why she just didn’t take as much careful time to craft her story at the end as she had all the way through the book.
Until recently.
I was so excited to get towards the end of my book that I totally rushed through the ending, wrapping up all sorts of plotlines in a few quick sentences. I know I’ll have to go back and flesh things out a bit, but right now? I’m just happy to be done. My last reader is starting to read the ms. today, will have feedback over the weekend, so it’s not like I have a whole lot of time off from it. But it’s enough.
Not all of you are writers, but all of you do things in your lives that you start and finish. Do you find yourselves rushing to get to the end? Delaying it as long as you can because there’s just another task waiting beyond this one? Or are you that pinnacle of perfection, taking as much time and energy–but not too much–with the end as you did the previous 95%?
Meanwhile, wish me luck this weekend with the editing. I thought I was done.
Megan
www.meganframpton.com
Borrowed from fairy tales, known as the HEA in romance–does it always work? Do you appreciate the book that ends like a slow fade on camera, moving away from h/h? Or do you prefer the full monty of explanations, apologies, tears, laughter, the whole package of loose ends and subplots tied up with a pretty ribbon , followed by an epilogue where h/h are surrounded by babies and all’s well with the world? I have to admit I can’t write endings worth a darn. I write and rewrite the last few lines, then shrug and type in The End, and put myself out of my misery (several nights in a row for a week or so).
Here’s a technique for The End which I’m rather fond of: Black Ice by Anne Stuart, where you realize the heroine is indeed going to take up with that thrillingly scruffy French psychopath. All in one sentence. Any/all of Judith Ivory’s thrilling throwaway one-sentence enders–yes, I rather like the sensation of leaping off a cliff, particularly if h/h have spent the entire book jumping off minor cliffs and are now going for the Big One, the Commitment–marriage, the final frontier. I don’t want cosiness and domesticity and the patter of tiny feet. Let the dysfunctionality thrive beyond the endpages!
Some readers got very upset about the end of Jennifer Crusie’s Bet Me where the h/h married but had a dog instead of children. It was seen as breaking the rules in some strange sort of way; even stranger is that Ms. Crusie claims she wrote it that way because the book is a fairy tale (lost shoes! Princesses in towers! Yes, the elements are all there). I think the only sort of dog that appears in a fairy tale would be a magic one, with eyes that roll round and round, for instance, and guards treasure. Well, maybe there was more to the dog than we knew.
Share your favorite endings–without giving away the plot, if you can.
Janet
This weekend was Kathleen Gilles Seidel’s Mansfield Park talk at our Washington Romance Writers meeting. As it always is with Kathy, the talk was intelligent, stimulating, instructive, and enjoyable.
In the morning we discussed what didn’t work for us in Jane Austen’s Mansfield Park, some of the same things I talked about in the blog last week. In the afternoon we speculated about alternate endings.
Mary Crawford is reformed and marries Edmund
Henry Crawford is reformed and marries Fanny
Tom is reformed and marries Susan, Fanny’s sister
The basic idea was that the flawed characters were more interesting than the wholly good Fanny or the easily besotted Edmund and that we like to see flawed characters change and be redeemed.
This got me thinking about other books or movies that deserve an alternate ending. The main one that comes to mind for me is Little Women. I always wanted Jo to wind up with Laurie. It still bugs me.
What books or movie endings would you change? Gone With The Wind? Wuthering Heights? Almost anything by Nicholas Sparks?