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Tag Archives: Jane Austen


Uh-oh! I almost did what Janet did last week–completely forget what day it is. Somehow it seemed like a Monday….

I don’t watch a whole lot of TV. I have shows I get obsessed with and MUST watch (like my late, lamented Deadwood, Mad Men–which won’t be back until March 2012, and Vampire Diaries, though I’ve only seen one episode so far of the new season), but don’t spend a whole lot of time on it. Last week I heard some good things about the new Zooey Deshcanel show New Girl and decided to give it a try. I’m glad I did, because it is hilarious!

The premise is this girl (Jess), who is very quirky and dorky, has a messy break-up with her boyfriend and ends up living with 3 guys as roomates. I tried to imagine how this would work in the Regency. I suppose it could be a girl who has 3 older brothers, all of them over-protective of her as she stumbles her way through the Season looking for the perfect match. I could imagine all sorts of awkward, funny situations our heroine and her well-meaning but exasperating brothers could get into as she sorts through suitors looking for the perfect hero!

What shows inspire you??? What other strange places do you look for inspiration?

My Mother is preparing mourning for Mrs E. K. – she has picked her old silk pelisse to peices, & means to have it dyed black for a gown – a very interesting scheme.“  (Jane Austen, 1808)

I found out that July 18 marked the 195th anniversary of Jane Austen’s death in Winchester, so i thought I’d take a look at some of the mourning rituals from the Regency period.  (It’s easy to mistake all 19th century mourning as the very elaborate fashions and rituals laid out in the later Victorian era.  The Victorians loved their rituals, and anything that involved special jewelry!!)

Though there are so many examples of beautiful mourning clothes in Regency fashion plates (very chic to our modern eyes!), most people of Jane Austen’s station and means couldn’t go all out like that on new mourning wardrobes.  They would make do with re-doing and black dye (as in the quote above!), cover bonnets with crape, add black ribbons and hems, buy jet or hair jewelry, things like that.  Widows would wear matte black for about a year, then transition to muted half-mourning like lilacs, purples, grays, or even white. (White was a predominant mourning color in the medieval and Renaissance period, like in this portrait of Mary Queen of Scots in mourning for her first husband, the King of France–La Reine Blanche).

Men had it easier–their clothes were generally dark anyway, they could get away with black armbands, hatbands, etc.

I often imagine some people must have spent years of their lives in mourning clothes!   At least I like purple and black!

“I have lost a treasure, such a Sister, such a friend as never can have been surpassed, – She was the sun of my life, the gilder of every pleasure, the soother of every sorrow, I had not a thought concealed from her, & it is as if I had lost a part of myself…” Letter from Jane Austen’s sister Cassandra to her niece Fanny Knight, 1817

“This morning, a little before one o’clock, the funeral procession with the remains of the late universally-regretted Princess Charlotte, arrived here from Claremont. They were received at the lower Lodge, where she is to lie in state this day, previously to the interment at night. The mourning coach, in which were the infant and urn, proceeded to the chapel, where eight yeomen of the guard, in attendance, carried and deposited them in the vault. The procession of the hearse and five mourning coaches, preceded by a number of men on horseback, was escorted into the town from Egham by a party of the Royal Horse Guards. Although the hour at which it arrived was so very late, the road and streets through which it passed were lined with spectators.”  “Blackwood’s Magazine” on the funeral of Princess Charlotte





The grave has closed over the mortal remains of the greatest hero of our age, and one of the purest-minded men recorded in history. Wellington and Nelson sleep side by side under the dome of St. Paul’s, and the national mausoleum our of isles has received the most illustrious of its dead. With pomp and circumstances, a fervour of popular respect, a solemnity and a grandeur never before seen in our time, and in all probability, not to be surpassed in the obsequies of any other hero heretofore to be born, to become the benefactor of this country, the sacred relics of Arthur Duke of Wellington have been deposited in the place long since set apart by the unanimous design of his countrymen. . . . all the sanctity and awe inspired by the grandest of religious services performed in the grandest Protestant temple in the world, were combined to render the scene, inside and outside of St. Paul’s Cathedral on Thursday last, the most memorable in our annals. . . . .Illustrated London News on the funeral of the Duke of Wellington (1852)

Whose funeral from history would you like to attend???  And isn’t that mourning gown from La Belle Assemblee not the most gorgeous?

I always love Jane Austen week here!  (And not just because it reminds me that my mom’s birthday is also December 16 and I need to remember to get her a gift…)  It gives me a chance to revisit these books that mean so much to me, and maybe do a little re-reading and reminiscing.

My “first” was Emma.  I found an old, yellowed paperback copy at my grandmother’s house, it had a girl in a pretty dress on the cover so I decided to give it a try.  I had already read some Heyer and a few Barbara Cartlands, so I knew a little about the Regency period (enough to know I loved it and wanted to live in that world, though not at that point much “real” history).  I love, love, loved the story, and immediately ran to the library to find the rest of the Austen novels, plus a bio!  I was amazed to find out the author had been dead over 200 years and wasn’t a writer working right then, her characters seemed so real and vivid to me.  Some of their concerns were different from mine (marrying asap and to the right man, since there is no other choice!), some I could relate to (parents can be sooo annoying!), but the characters at their core seemed like people I knew and wanted to spend time with, and that has never changed.

Jane Austen puzzleLast night I went to a jazz concert, and listened to a 15-minute version of a song I love (“Take the A Train”), and heard things in it I never had before, and realized Austen has much in common with this other love of mine, jazz music.  There are always variations on a theme in Austen, things that keep popping up on re-reading that I never saw before, things that resonate with me at different ages, and that means her books always repay revisiting.  That’s her rare genius.  And since I’m getting ready to get married on Saturday (a core concern of all Austen characters!) I am thinking I need to re-read some Pride & Prejudice or Persuasion to make sure I’m ready…

All commenters on today’s blog get put in the drawing for our grand prize (a $50 Amazon giftcard!), but I am also giving away an adorable Jane Austen puzzle!  It would make a great holiday gift if you have an Austen fan in your life (or a great gift to yourself!).  How did you get hooked on Austen?  What was your “first”?  (You never forget your first!!)

By the Numbers

  • 477,595: Book results on Google
  • 6,640,000: Google Results
  • 124,850: Words in Pride And Prejudice
  • 2,370,000: Google images
  • 101,000: Jane Austen Fanfic results
  • 228,000: Google results for Jane Austen Love fest

Do you know your Jane? And Other Fun Links

Snippets

  • The very first sentence of Jane Austen: Facts and Problems by key Austen editor RW Chapman is “Jane Austen never married…
  • It is important, she says, ‘because it illustrates the way in which the life of the legendary Jane Austen has been created’. She notes that the 1913 Life …
  • This modern adaptation of Jane Austen’s famous story of social snobbery and coming of age is described as ‘admirably lively and daring provocative … will give
  • The volume concludes with assessments of the history of Austen criticism and the development of Austen as a literary cult-figure; it provides a chronology, and . . .
  • Includes index.
  • Exploring the romantic impulse in Austenian biography, Jane Austen as a commodity, and offering a re-interpretation of Pride and Prejudice, this book approaches …
  • The honesty and directness of her personality (perfect heroines made her “sick and wicked”), her strength in giving up a chance at marriage to follow the path ..
  • The characters of these stories have a jaunty and never-failing devotion to themselves. They perpetually lie, cheat, steal – and occasionally commit murder.
  • La même orthodoxie de goût nous apparaît dès que nous cherchons à étudier les opinions de Jane Austen sur le style du roman. Il est aisé de retrouver sous …
  • Li xing yu gan xing‎ | Jane Austen, 楊淑智 – Love stories – 2007 – 407 pages
  • STILUL INDIRECT LIBER IN ROMANUL EMMA (1814) DE JANE AUSTEN LILIANA MATACHE Jane Austen nu-si mai propune sä …

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P.S. Happy Birthday, Jane!

I meant to blog about this site earlier: RegencyRedingote which is one of the most amazing Regency-related history blogs I’ve come across. I feel dumb for not finding it sooner.

this post on chalking Regency ballroom floors is what brought me to the site. I had no idea this took place, but on reflection, it makes perfect sense.

During the Regency, ball-givers often had elaborate images chalked onto the ballroom floor in order to keep the dancers from slipping on the surface. Usually, they used white chalk, as ladies complained about colored chalk staining their slippers. But of course this makes sense!

Think ballet. I took ballet for years. Classes were almost always on a wooden floor and whether you were wearing flats or toe shoes, the soles were leather and we were, well, dancing. There was always a box of rosin in the corner for us to step in to give a little more grip if the floor were recently cleaned or your slippers were new or just because.

So yes! Chalk on the ballroom floors makes perfect sense. And it makes sense as well that people would get fancy about it.

Floral designs were very popular for chalk designs, often larger images of the same varieties of flowers which had been used to decorate the ballroom. Arabesques were also fashionable, and in fact, it was a series of complex arabesque patterns which were chalked on the ballroom floor at Carlton House on the night of the grand fête. Mythological and fanciful motifs might also be seen, such as nymphs, mermaids, centaurs, satyrs, sea gods and/or classical heros. Heavenly bodies, such as the sun, the moon, stars, planets, comets and shooting stars were also popular motifs. For those who had the right to bear them, their coat of arms might be chalked on the ballroom floor. At one ball during the Regency, the guest of a gentleman who had had his coat of arms chalked on the ballroom floor that evening is reported to have quipped that his host was dancing on his arms as well as his legs. Floral patterns were most common for engagement or wedding balls, though if either the bride or the groom had a coat of arms, that might be chalked on the floor, often in the center, surrounded by flowers. If the bride and groom both came from families with coats of arms, the coat of arms of the bride might be quartered with those of her new husband in the design which was chalked on the floor for their celebratory ball. The dance floor was frequently chalked for masquerades, oftentimes with figures in keeping with the theme of the masquerade. There are suggestions that the more risqué masquerades had equally risqué drawings chalked on their floors for the titillation of the dancers.

RegencyRedingote.com

This article, which is quite long and detailed, belongs on your list of wonderful information. The entire site belongs there. The author of the site is Kathryn Kane. Here’s her bio:

Historian with a particular interest the English Regency era. An avid reader of novels set in that time, holding strong opinions on the historical accuracy to be found in said novels.