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Tag Archives: Judith Ivory

Judith Ivory’s Black Silk is one of my all time favorite historicals. At the time I read Black Silk, Ivory’s books were not available in eBooks. There were terrible, horrible, cheap POD versions — with newsprint quality paper and ink that was smeared… I returned the copy that arrived with a crooked cover and located a used mass market paperback.

Ivory’s books are now available as eBooks, as  I came to learn on Twitter. I immediately purchased everything (including the Judy Cuevas books) and I added the audio book to a couple of them. Set that aside for a moment, while I gush about Ivory …

I LOVED LOVED LOVED The Proposition even with the cheesy ending. I’m in the middle of The Beast right now (in audio) and well. Judith Ivory. Her writing is lovely, and she does what I miss so much in historicals and that I strive to do in my own writing, which is tell as story as if the HEA is not a given. My personal description of this goes like this: A Romance written as if it were not a Romance.

Aside: I said this once on a loop and got a tremendous, even vicious, push back. Not that any of the disagreement came close to changing my mind. I still believe that a Romance that is written as if it’s not a Romance will have far, far more tension.

Also, especially now that I’m not traditionally publishing, I really don’t care about the prevailing beliefs about what sells. A lot of those beliefs are wrong. Sure, it’s crucial to know what’s happening in the market, but even so, I get to decide what I write, and I get to write exactly the way I want, entirely in line with the stories I want to tell.

Because, and, yes, another aside, when I am gone from this world, I want to have written the stories that speak to me, without compromise in the way I’ve told them. (This is NOT the same thing as not listening to editorial advice. Editorial advice is crucial.) If that means I sell fewer copies, I am at peace with that.

When This Is A Romance permeates every aspect of the story, there’s a very real risk of the book being too familiar. Tired, even. The Insta-Love trope is a predominant approach these days. I don’t necessarily mind it. There are lots of such stories that are great books, too. But there’s an awful lot that don’t distinguish themselves.

Yes, this is another aside.

Too often I feel I’m getting a Romance where sexual attraction is the container of the story … such that it is present from the start. Even stories where the hero and heroine, ostensibly, do not like each other, they are powerfully attracted underneath. Again, I’m not saying this should never be done. I’m just saying, it’s now really really common. Plus, well, I guess I also think there are lots of authors who aren’t challenging this. You have to be really, really good to make such a story extraordinary.

This leads to stories where something else delays bringing together the sexual and the commitment to the person they love. Often, this ends up being “I’m not worthy.” A flavor, if you will, of “I’m in your ass, saving your life.” Again, it’s possible to pull this off, but you have to be good. Really good. (P.S. I read that book and liked it better than SBTB. But that review started a meme/trope/Romance inside joke.)

Anyway, one of the things Ivory does so well is to give us characters who, despite any attraction, have lives that allow us to see exactly how they might walk away from this potential relationship. And that possibility is credible. Even when you know it’s a Romance and there will be an HEA.

Right. OK, so when I was on my Ivory spree, I clicked Add the Audio Narration because I’ve been listening to some audio books, and I am finding a place in my commute and certain other moments where an audio book fits quite nicely. I just finished listening to a Romantic Suspense audio book (not an ACX DIY book) by a favorite author, and I loathed the narrator from the start.

Loathed. The. Narrator.

She read the book as if she felt contempt for the work she was reading. The male voices were phony and contrived and because she was trying (and failing) to roughen and deepen her voice for the male characters, they were all the same. That production wasn’t as bad as the production for A Darker Crimson (my first paranormal, audio rights not mine at the time) which was just horrific, I’m sad to say. Terrible narrator. Terrible production values.

I started listening to the audio book for Ivory’s The Beast, and the narrator is wonderful. She never sounds strained or phony, and I’m just so struck by how very, very good this reading is.

So. Here are my questions to you. Do you listen to audio books? What are your thoughts, pet peeves, loves, hates about them? Have you read Ivory?

 

 

The recent awards season makes me think about famous eccentrics, what makes them eccentric and why we find them entertaining.

I have a theory. I think many of us secretly wish we could do something a little outrageous once in a while. For instance, I love some of the crazy clothing in the Harry Potter movies but would never dare to wear anything like that except to a costume party. Maybe that’s why we love eccentrics, because they appear to be genuinely having fun living an extraordinary life without concern for appearances.

Some eccentrics ring more true to me than others. I might be wrong, but I think people like Helena Bonham Carter and Johnny Depp are the real deal, genuinely a bit mad, and in a good way. Celebrities like Madonna and Lady Gaga (again I could be wrong) come across as more calculated, though they are entertaining in their way.

Many famous figures from the Regency could be considered eccentrics, from Prinny himself to Beau Brummell and other dandies like Poodle Byng. It’s harder for me to tell whether some of these characters donned their idiosyncrasies to get attention or whether they were as eccentric in private.

I think that many of Brummell’s shocking sayings (“Who’s your fat friend?”) were a calculated risk. However, his friend the Princess Frederica Charlotte, Duchess of York, “Freddie” to her friends, seems more of a genuine eccentric. Her marriage was unhappy and she lived in the country, at Oatlands in Surrey, lavishing affection on her pets, which included cats, dogs, birds and monkeys.

“The Duchess’s life is an odd one; she seldom has a female companion, she is read to all night and falls asleep towards morning, and rises about 3; feeds her dozens of dogs and her flocks of birds, &c., comes down two minutes before dinner, and so round again.” – Right Honourable John Wilson Croker, LL.D. F. R. S., Secretary to the Admiralty, 1818

Eccentrics in romance novels are usually secondary characters, the weird great aunt and the like. I’ve tried to think of major characters who are eccentric and came up with a few. Merlin Lambourn, the heroine from Laura Kinsale’s MIDSUMMER MOON is a brilliant inventor but seriously unworldly. I’d call Charles Harcourt, the hero from Judith Ivory’s BEAST, something of an eccentric as well.

Do you enjoy eccentrics? Which are your favorites, real, historical or fictional?

Elena