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Tag Archives: Megan


Hello from the midwest! My son and I are on our annual two-week visit to Minnesota, on the shores of Lake Minnetonka, to be exact, so he can attend sailing school.

(Whenever I say that, I am hit by liberal PC guilt, as though it’s entitled and all for me to talk about sailing school. Which is run by the Minnetonka Yacht Club, fer chrissakes. And it is all entitled and stuff, but it’s a great opportunity for him, so I gotta just feel guilty and move on).

So I’ve been without son for at least seven hours every day, sometimes longer, depending. Bliss!

But, as I know better than anyone, I can procrastinate like nobody’s business. So today, my friend Liz Maverick and I had a virtual writing date: We got onto IM, I set a timer for 20 minutes, IMed “20 minutes–GO!” and we both wrote, not letting distractions like email or random cups of tea get in the way. It was an amazing way to work, and we were both stunned by our productivity. I wrote 1800 words, good words, too, which is almost twice what a ‘good’ writing day is for me.

When we are in the same state, Liz and I do the same thing at one of our houses; we set our laptops opposite each other, set a timer in-between (mine is painted like a ladybug, and I try not to set the ladybug butt opposite Liz, ’cause that bothers her), and we write for designated periods.

I think this method works for us because we are both competitive (as in, “I don’t want that bitch to have written more than me/I can sit in this chair pounding at the keyboard for longer than her”), both like companionship and if one of us is stuck on a plot point or something, we can just wave a hand and take a time-out. It’s really great, especially if you work alone most of the time, wich most writers do.

Today, actually, Liz and I brainstormed on IM about my hero’s backstory, and just a few minutes of back and forth conversation really helped me understand him. And hey, surprise, he looks like a cross between Clive Owen and Richard Armitage. Seriously, if I were any more predictable I’d be a Barbara Cartland novel.

I am back to writing a Regency-set historical, and I am loving it. It’s got the most “me” voice I’ve ever tried, besides my first book, which took three tries to get the voice right. Here’s a peek, as it stands now:

This was quite possibly the most boring evening he’d spent since he’d had his first drink, James thought as he walked into the room. The same dull people gossiping about other dull people, the same petty intrigues and scandals only obfuscating the inevitable ennui that enveloped every member of Society within a few years.

No wonder he’d bought a commission so many years ago. Yes, there was the threat of dying, but at least he wasn’t bored.

My hero, in case you couldn’t tell, has a dark soul. My favorite kind.

So how do you combat procrastination? If you’re a writer, do you have a writing buddy? And where are you going/did you go on vacation?

 

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Hello!

By now, you’ve no doubt noticed that the remarkable Myretta Robens is posting here on Saturdays when I do not. Myretta knows far more about titles, Jane Austen, and ignoring cats to write than I do, so please bug her for advice (as I do).

Fassbender-in-Jane-Eyre

My romantic women’s fiction title Vanity Fare came out this week, and it was cool to see it in Target stores, as well as track it online (“only 16 copies left!”). The response has been mostly positive, and even the negative critiques have been helpful.

I currently working on a very light historical, and been reading some light historicals to motivate my brain; unlike most writers, I love reading in the same genre in which I’m writing. So to ask you:

What’s your favorite light historical book or author? Julia Quinn is the Queen, of course, but which of hers are particular favorites? Or anybody else?

And hope everyone had, and is having, a lovely holiday season.

 

Megan

 

Posted in Writing | Tagged | 4 Replies

Rupert-Friend-Wickham

This week, we’re examining what Jane Austen has meant to us–and to say that Austen has informed every aspect of my subsequent reading and writing would not be an overstatement. In fact, Austen’s themes and style is present in my own writing even when I don’t realize it.

My romantic women’s fiction title, Vanity Fare, comes out in less than two weeks (Dec. 26), and some early reviewers are pointing out the similarities to Pride and Prejudice–more similarities than I even realized I had! I knew that I had put in a very Mr. Darcy moment when one of the characters rescues another from a bad financial situation. But there’s more Austen in there, as a review from Book Lovers, Inc. points out:

“In fact, it was clear to see many connections with Pride and Prejudice in the book, from the portrayal of Nick and Simon, to the financial mess Molly’s mother was going through. It was a modern take on the classic, albeit one that could stand on its own merits too.

As much as the story was about Molly finding a way to pay the bills and maybe find love, it was equally about Molly finding herself. Jane Austen’s generation might have tsk’d at the idea of this, but it was very cool to see Molly go from being dependent on her ex-husband to being able to speak for herself and find the strength within to become self-sufficient.”

While this example is both self-serving and timely, my Austen experience covers more than just my latest release. Austen embedded human truths within a deceptively simple read, and each reading, or viewing of the screen interpretations of her work reveals some new facet to the truths.

Thanks, Jane. You rock.

Megan

 

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So I have a son. A 12 year-old son. And he is currently in seventh grade at a gifted and talented school (the Proud Mom says) studying creative writing (New York City has middle school kids do ‘major’s, and that’s his).

He is super-creative, super-talented, and has a huge vocabulary. So far, so yay.
But–be careful what you wish for, since he is as big a reader as I was at his age. Which is to say, he reads to the exclusion of most other things, including taking a bath within 30 minutes, retrieving something from his room (“I got distracted!”), and concentrating on doing homework. There’s always a book nearby, and we just redid his room to accommodate his huge collection of manga.
So when I find myself griping about how much he reads, I have to hit myself. How great is that? Were all of you like that, too?
Megan
PS: Still waiting for the potentially excellent news I was hoping for last week. Fingers still crossed.
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For the past two weeks, I’ve been waiting, fairly patiently, for some good news to come my way. I believe it is on its way, it is good writing news, and I am anxious for it to occur.

Someone pointed out that in the age of instant gratification, where you can find the weather, an old friend, or the perfect pair of shoes in an instant, waiting for close to two weeks can seem like an eternity (it does!).

But in our period, waiting was a part of everyday life; you waited to come out as a debutante, you waited for the appropriate gentleman to make his addresses, you waited for dinner, and events, and a long-awaited treat, like a picnic to some old ruins with convenient hiding spots for smooching. So how did our heroines wait? Let’s ponder:

Traditional Regency Heroine:
–Exchanged witty banter with her best friend or the hero. Perhaps visited with her horse, to whom she told her troubles, and explained how hard it was to wait.
–Took tea with her old nurse/governess. Ditto on the telling troubles to.
–Sat in the corner with the purple-plumed dowagers as she observed the more popular girls already dancing.

Regency-Historical Heroine:
–Took a turn on the veranda because the rooms inside were too warm. Stumbled across the hero or the villain, both of whom took advantage of her, with a heroic rescue in the latter case.
–Went to fix her gown, where she overheard some scandalous/scurrilous gossip that would then impact her future happiness with the hero.
–Disguised herself and went to a gentleman’s club because she’s tired of waiting to have fun.

Racy Historical Heroine:
–Decided not to wait for marriage.
–Disguised herself and went to a gentleman’s club where she meets many gentlemen, both together and in succession.
–Waits for no man. Takes what she wants, oftentimes not waiting to get dressed.

What’s your best waiting strategy?

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