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I have been avidly following the news about the discovery and identity of the remains of Richard III. I’ve been a sucker for Richard III ever since reading Josephine Tey’s The Daughter of Time--without going so far as to join the Richard III Society or anything (here’s the US R3 Society). I’m already mightily distracted from writing.

This month I attended a couple of events at the Folger, a fantastic resource in Washington DC that those of us who live here tend to take for granted. First, a lecture from the forensic and archaeological team, and then I saw the current production of Richard III which I highly recommend. Here are some interesting snippets from the lecture:

  • The team is doing further DNA analysis from tooth tartar (eew).
  • Richard III would probably have gone down in history, had the Tudors not taken over, as a just but fair king (the um, issue, of the two princes in the Tower would have been downplayed, just as the Tudors, and Shakespeare, propagandized Richard as a misshapen spawn of Satan).
  • Yes, he did have scoliosis. But he was also a seasoned warrior. The BBC (I think) is doing an experiment with a young man with the same degree of scoliosis teaching him horseback warfare, wearing armor, and so far so good. Expect a documentary or two.

Edmund Kean as Richard IIIIn the Regency, Richard III was one of Edmund Kean’s signature roles but he had a rival–Junius Brutus Booth, father of John Wilkes Booth. Booth’s London career was launched in 1817 in the title role of Richard III at Covent Garden, and thereafter Boothites and Keanites frequently quarreled in theaters. Booth and Kean seem to have both exploited the rivalry, often performing in the same plays.

battle2richardsBooth emigrated to the US in 1821 where he led a colorful life as an actor, and is buried in Green Mount Cemetery, Baltimore, where Betsy Bonaparte also lies.

Once again truth is stranger than fiction.

What’s your take on Richard III?

Another Regency birthday to celebrate–that of Sarah Siddons, considered one of the greatest actresses of her time, who was born July 5, 1755 in Brecon, South Wales (in the Shoulder of Mutton public house). She was born into the business; her father Roger Kemble owned a small traveling theater company. When she fell in love with a fellow actor, William Siddons, her family objected and sent her off to work as a maid, where apparently her employers enjoyed her dramatic reading aloud. But they relented, and Sarah and William married.

She first played London at the age of 20, but failed to impress audiences–possibly because it was too soon after the birth of her third child. After touring the provinces she returned, and became the undisputed diva of Drury Lane–the Queen of Tragedy (or the Queen of Rant as the caricaturists would call her). During her performances, the audience would weep and sometimes faint.

She gave readings to the Royal Family and elocution lessons to their children, and she was the first woman to play Hamlet. After a twenty year reign on the London stage, she gave her farewell performance in 1812 in one of her signature roles, Lady Macbeth.

I find the theater of the Regency period fascinating; if ever I have the privilege of time travel I am definitely going to attend the play and the opera.

What would you do on your time travel trip?

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