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Last week, we had a lot of discussion about the lives of famous courtesans after Pam’s interview. And a few weeks ago Elena gave us a great post about women scientists in history. I always find the lives of people–especially women–who make their own way in the world against tremendous odds very fascinating. What was it in them that gave them such strength and tencacity, such faith in themselves? So, I was delighted to come across a new book, The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty by Jean Zimmerman. I devoured this story of self-made success in just a couple of days. (OK, I know I’ve been talking too much about books I’ve bee reading, but I’ve had such a great run of reading luck lately!).

While neither Regency nor English, Margaret Hardenbroeck Philipse could easily star as the heroine of her own novel. She came from Holland to New Amsterdam (New York) as a very young woman in 1659, with an unusual job–she was a factor, or business manager, for a well-to-do merchant cousin, managing his New World dealings. But she was very ambitious and highly energetic, and didn’t stay a factor for long. She built up her own shipping business into a fleet that carried furs, sugar, and slaves all over the world, owned real estate from Albany to Barbados, and became one of the richest people in the colony–all while marrying twice (the first one didn’t live long, the second was pretty ineffectual), raising five kids, and keeping an impeccable household (she was especially proud, as most Dutch women were, of her bright white linen). It’s not a perfect story–there was marital discord, and the aforementioned slavery dealings (plus the author calls her “the she-merchant” way too often, making me envision the old She-Ra cartoon from when I was a kid), but it is a fascinating one.

Of course, Margaret’s ambition was helped by the fact that she lived in an extraordinary moment in time and place for women’s rights. I know very little about Dutch history, having concentrated mostly on England and Italy, and what I learned in this book was very interesting. The Dutch, while their social manners were often rough-edged and Brueghel-esque compared to the slick English and French, were very forward thinking in their gender dealings (and religion, too, but that’s a different story). Commerce was everything, and women could run a business as well as men and thus add to the national prosperity. Free, public primary education (reading, writing, figures) was available to all children, male or female. Women who held jobs like Margaret’s as a factor were not unique in this atmosphere of high literacy rates and intense commercial activity.

Dutch matrimonial laws were the most liberal of the time, including two different types of marriage a woman could choose from. There was “manus”, which is the sort we usually associate with the time period. The woman assumed the status of a minor under the guardianship of her husband. The second option was “usus”–a wife retained all the rights she had as a single woman (which were the same as any Dutch man), and the marriage was a partnership of equals. This was the marriage agreement Margaret entered into.

Dutch inheritance law also prohibited parents from relying on gender or birth order when apportioning property in wills. So, daughters were not deprived of an inheritance, and widows received at least fifty percent of an estate. Dutch law also gave unwed mothers the right to prosecute the alleged father in a paternity suit (“vaderschapsactie”), or force him to marry her. If he was already married, she could demand he pay her a dowry and compensation for childbirth expenses, as well as child support. A husband’s adultery, abandonment, or venereal disease gave his wife grounds for divorce. If a wife believed her husband was squandering their property, she had legal recourse to request her half of the estate plus the return of her dowry in full.

Of course, all this started to change drastically as soon as the English took over the colony in the 1680s, and this brief moment of women’s rights would not be seen again for 300 years. But Margaret Hardenbroeck took full advantage of this, building a vast empire that would allow her descendents to live at the wealthy pinnacle of New York society until the Revolution. She did it all in a relatively short life (she died at 53), and all on the force of her own ambition and intelligence. Her story was very absorbing, and I would love to read about someone like her in fiction. 🙂

What are some “heroine types” you’d enjoy seeing more of? Any real-life examples you can envision as romance heroines?


Is there anything more exciting than starting a new book? The first few pages of breathless exposition–how can he possibly get out of that situation, why does she need to be there–the first meet, the first glance, the first description, all leading up to the inevitable Happy Ever After.

No, wait, that’s not what I meant.

Is there anything more terrifying than starting to write a new book? The first few pages are crucial to setting up the rest of the action, the prose should be compelling, conveying information without too much ‘infodump,’ the set-up should be sufficiently difficult to make your reader wonder just how the hero and heroine are going to get out of their situation and into each others’ arms–that’s a lot of pressure.

Guess what I did yesterday? Yup. Started writing a new book. It was called Clive Owen Goes to Hell, but now I’ve titled it the more sedate Road To Passion. I’ve got 744 words thus far, no clue if they work, or the idea sucks, or where these two are going. But it’s something, and I’m going to plug away at it until I think I know (or my kind reading friends tell me) that it does or doesn’t work.

Wish me luck, I’m off to the wars.

Megan
www.meganframpton.com

…and they’re written for a reader.

That’s the philosophy of Edward Mendelson, who teaches at Columbia University and has just published a book called The Things That Matter. In it he explores what the following novels tell us about the stages of life–Frankenstein, Middlemarch, Jane Eyre, and Wuthering Heights; and three by Virginia Woolf, Mrs. Dalloway, To The Lighthouse, and Between The Acts. He gave a fascinating interview on Weekend Edition on NPR last Saturday.

He’s got some amazing things to say, for instance, about Wuthering Heights as a depiction of childhood. But what really impressed me most in this interview–other than his refreshing attitude of not looking for a message, but taking a book for what it is, a statement of the human condition–was this perceptive comment on what happens when a writer sits down to write, and he/she is…

…cooperating with hundreds, thousands of other writers; to have the support of the shape of a novel, to have the help of the English language…with its rhymes and puns and its echoes and allusions. When you sit down to write this book you’re not alone. You have all of your reading, all of the language, all of the things that you’ve forgotten that got into your head working with you, helping to shape that world…

A wonderful thought. We are not alone!

And have you checked out the current Riskies contest? See Sunday’s interview with Pam Rosenthal.

Every day I don’t write I go a little crazy. I make excuses, that I’m dealing with more important things like my children’s health and well-being or major or minor household catastrophes, but something inside me screams. If I ignore it the screams build up in the pit of my stomach and somewhere between my shoulderblades. It gets physical.

Summers can be tough on the mommy writer. This one has been no exception. For the first month or so I did quite well. Despite the flood, heat waves and a bug bite that gave me the hives, between play dates and errands, I still managed to sit down and write for at least an hour every day. I have about 50 pages of rough draft on one story and about 2/3 of a detailed outline for another to show for it.

But for the past three weeks or so, writing has been derailed by vacation, house guests, back to school preparations and threatened cuts to the local Kopernik Observatory’s educational programs, necessitating much letter-writing to the controlling museum’s board members and local politicians.

Now I have lost that tenuous connection with my characters and my stories and I am rusty as – as – well, so rusty I can’t even think of a decent simile.

My friend Therese Walsh has been going through something similar and blogged about it at Writer Unboxed. She and I are suffering from the same malaise–shall we call it Summer Writing Syndrome (SWS)?

The problem with SWS is it’s hard to recover, even once salvation arrives, as it did this morning, in the form of a schoolbus. Now there are no more excuses. The pressure’s on to produce but the creative muscles are creaky.

At least I’ve been here, done that already. To come back from a break in the writing, I know I need to cut through the nonsense. No self-flagellation about how little I accomplished this summer. No whining about being rusty–some sludge has to come out of the pipe before the good stuff. No prima donna melodrama. Just back to work. Back to sanity.

I’ve brewed my pot of half-decaf. The candle is lit. Ravel is coming from the CD player.

Wish me luck!

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice, Best Regency Romance of 2005
www.elenagreene.com

In three weeks — on Tuesday, September 26 — I’ll be holding a contest here, with great prizes. So, do you want to hear about the contest first, or the prizes?

The prizes? Okay!

There will be at least two winners, and they will have a variety of prizes to choose from. The first winner will get to choose any of these prizes she or he wishes — and the second will choose from the remaining prizes. (If there are a lot of entrants, I’ll have a third winner too!)

PRIZE A: PRIDE & PREJUDICE “FOR YOUR CONSIDERATION” Book. This is an 11″ by 9″ softcover book with approximately 80 pages of color photos of last year’s film of “Pride and Prejudice.” This was the book given to Academy members to convince them to nominate everyone who worked on the film, and I suspect it’s pretty rare. As well as laudatory critical quotes, it has lots of neat bits: quotes from the production designer on her aims, from Keira Knightley on her thoughts about taking the roles, several excerpts from the script, costume designs, a picture of Sleeveless Hussy (Miss Bingley) in her sleeveless dress, and a lot more. And yes, all you Matthew MacFadyen fans — there are very nice pics of him in it. (The picture at the top of this post is the cover.)

PRIZE B: BATH MUSEUM OF COSTUME & ASSEMBLY ROOMS souvenir guidebook. This 8″ by 11 1/2″ “Authorised Guide” has 48 pages of pictures of the Assembly Rooms in Bath, descriptions of their history, and photos and explanation of the famous Costume Museum Collections there, accompanied by period illustrations.

PRIZE C: An Advanced Reading Copy of Stephanie Barron’s sixth Jane Austen mystery, JANE AND THE PRISONER OF WOOL HOUSE, which came out in 2001.

PRIZE D: Hardback copy of Steven Parissien’s GEORGE IV: INSPIRATION OF THE REGENCY. Four hundred pages about the Prince Regent himself, including sixteen black-and-white plates, this book was called “Charming, intelligent, imaginitive, witty” by the Sunday Times.

PRIZE E: Any four of the following paperbacks: Georgette Heyer’s THE MASQUERADERS; Georgette Heyer’s SYLVESTER; Carla Kelly’s SUMMER CAMPAIGN;
Carla Kelly’s MISS CHARTLEY’S GUIDED TOUR; Carla Kelly’s LIBBY’S LONDON MERCHANT; Catherine Fellows’s THE LOVE MATCH; Laura Kinsale’s FOR MY LADY’S HEART (It’s Medieval, not Regency, but it’s a Kinsale!); and Patricia Wrede’s MAIRELON THE MAGICIAN (which is fantasy set during the Regency.) Information about the condition or edition of any of the above available on request, beginning next week (September 12). (Some have well-creased spines. Some don’t.)

Those are the prizes. Now — for the contest.

Because my book (MY LADY GAMESTER) is still in print, but may not be for long, I’m making this contest all about it! To enter, you will need to read MY LADY GAMESTER (author: Cara King) by Tuesday, September 26. (I will not ask how you obtain it — new, used, library, friend — but I will mention that it is still available new through Amazon and similar outlets.)

Then on Tuesday, September 26, there will be a discussion about the book here, on the Risky Regencies blog. If you leave a comment that makes any kind of sense and shows you’ve actually read the book, your name will be entered two times in the drawing. For each further sensible comment, you will have one more entry. (Please note: you don’t have to say nice things about the book. Honest discussion is what is sought.) Then names will be drawn at random — first name drawn gets first choice from prizes A – E, and second name gets second choice. (If there are a lot of comments, I’ll have a third winner as well.)

You can start placing comments at 12 a.m. Pacific Time (3 a.m. Eastern Time, 8 a.m. GMT) the morning of Tuesday, September 26, and place them as late as noon Pacific time (3 p.m. Eastern Time, 8 p.m. GMT) the following day, Wednesday, September 27, 2006.

And, yes — I will mail these prizes anywhere in the world (except for the GEORGE IV book, which is just too heavy). So no matter where you’re living, you’re eligible.

If you have any questions about the contest, ask them here — but please be patient about the reply. I’m off to England today to see six plays in six days — including five of Shakespeare’s most rarely performed plays — so I’ll be offline much of the next week. (The plays, if anyone’s interested, are the three Henry VI plays [all in one day!], King John, and Troilus and Cressida. Plus the new Stoppard.)

So: why should you enter? (a) You may win great prizes; (b) If this contest gets a lot of comments, we’ll probably have other similar contests in the future, with even more great prizes; (c) You might just enjoy reading the book; and (d) Even if you don’t, it should be fun explaining why not to everyone else who’s read it!

So, one final point… The answer to the question “Is a contest in which an author forces entrants to talk about her book a sign of (a) runaway egomania, or (b) rampant insecurity?” is still being debated in Parliament.

Cara
Cara King — author of MY LADY GAMESTER
Booksellers’ Best Award
for Best Regency of 2005