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Whoa. So, so late posting today.

See, I woke up with the bestest of intentions, but then NYC called a Snow Day for schools, and suddenly I had to be a Good Mom and take my son sledding. And then we ended up about twenty blocks away from our house, and I couldn’t exactly jump onto the computer there with any kind of aplomb, so–here I am.

But that has been par for the course this week anyway, so why did I think today would be different? I’ve been feeling yukky all week, haven’t written a stitch, and have just generally been moping.

BUT since I subscribe to the ‘today is the first day of the rest of your life,’ because if I didn’t, I would be even more self-deprecatingly acerbic than I am now, I have to pretend this week didn’t happen. Ergo, this post is not happening. You are imagining all of it. So just go ahead and imagine I’m all brilliant, and stuff, and all of us will walk away unscathed. Look how I just turned that into a surrealistic Borges moment!

I return next week, I promise, with discussion on writing, books, fun, etc.

Megan

I was always taught to be quiet and respectful of others during movies and especially at live performances (unless they are the sort that invite audience participation).

Yet I’ve been surprised, at my children’s last few school concerts, to find that parents of similar age to myself will chat through the performance, maybe shutting up only when their own child is featured. Although most of the audience members at the local Binghamton Philharmonic concerts are well-behaved, I sometimes hear people humming along or crackling candy wrappers at untoward moments. While I will practically burst my eyeballs to hold back a sneeze until a break between movements!

I’m noticing this sort of thing a lot more in movie theatres, too. And it’s not children or teenagers who seem to be the worst offenders; it’s adults who seem to think everyone around them should be delighted with their running commentary on the film. If you try to shush them, they behave as if you are the one being rude. I googled around a bit and found that audience behavior seems to be a growing problem, at all sorts of entertainment venues. For instance, the San Diego Opera has posted a set of Golden Rules of Opera Etiquette to try to address it.

But maybe I’m not so old-fashioned. During the Regency and earlier periods, the theatre and opera were places to see and be seen. People socialized and often didn’t pay much attention to what was going on on the stage, unless they were heckling the performers or throwing something at them!

Yet at some point this changed. In my googling around, I ran across a book called FASHIONABLE ACTS: Opera and Elite Culture in London, 1780-1880. A review by OPERA America Newsline states that “In a reassessment of British aristocratic culture, Jennifer Hall-Witt demonstrates how the transformation of audience behavior at London’s Italian opera – from the sociable, interactive spectatorship of the 1780s to the quiet, polite listening of the 1870s – served as a barometer of the aristocracy’s changing authority.” It looks interesting–even if the review makes my way of behaving at performances sound so stodgy! Has anyone read it?

So do people talking through movies, concerts, plays, etc…, bug you, too? Why do they do it?

Elena

Today’s the anniversary of the first crossing of the English Channel in 1785 by intrepid balloonists Jean Pierre Blanchard of France and Dr. John Jeffries, an expatriate Bostonian. Blanchard had made his first balloon ascents in London in the previous year, and also made some parachuting experiments. Jeffries was the money behind the venture and Blanchard seems to have had a rather ambivalent attitude toward his sponsor. He made an attempt to claim that their combined weight was too much for the balloon, suggesting Jeffries should stay on land, but it was discovered that the Frenchman was wearing a belt of lead weights.

They left from Dover at about 1:00 in the afternoon and landed in France a couple of hours later in a tree outside Calais but the trip did not go as smoothly as planned. The two aviators found the balloon losing altitude and had to rid themselves not only of ballast but any extraneous weight including books, food, scientific instruments and even their clothes, thus becoming the first male strippers in flight. Neither of them could swim.

Here’s Jeffries’ account of the flight:

Heaven crowned my utmost wishes with success: I cannot describe to you the magnificence and beauty of our voyage…When two-thirds from the French coast we were again falling rapidly towards the sea, on which occasion my noble little captain gave orders, and set the example, by beginning to strip our aerial car, first of our silk and finery: this not giving us sufficient release, we cast one wing, then the other; after which I was obliged to unscrew and cast away our moulinet; yet still approaching the sea very fast, and the boats being much alarmed for use, we cast away, first one anchor, then the other, after which my little hero stripped and threw away his coat (great one). On this I was compelled to follow his example. He next cast away his trowsers. We put on our cork jackets and were, God knows how, as merry as grigs to think how we should splatter in the water. We had a fixed cord, &c to mount into our upper story; and I believe both of us, as though inspired, felt ourselves confident of success in the event.

They were both feted, made honorary citizens of Calais and Louis XVI awarded Blanchard a substantial pension. Blanchard continued with his balloon and parachute experiments, including the first American ascent in 1793 from Philadelphia. His wife Sophie Blanchard also made her name as a balloonist. Sadly–or perhaps they appreciated dying with their boots on–they both died in ballooning accidents.

Jeffries, however, never flew again, returning to America and resuming the medical practice so rudely interrupted by the War of Independence.

Here’s a very nice paper cut out model of the balloon (with paper dolls!) on sale at fiddlersgreen.net and more information.

Have you done anything brave, innovative, or just plain daft recently? (and, yes, writing is all of the above).