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…So wrote Jane Austen to her sister Cassandra while Jane was visiting their brother Edward.

These days it is a rare person who is not thinking of economizing (“Can we retrench?”) so naturally this last month I purchased more books…..

In case you are shaking your heads in dismay right now, I must say in my defense that my son took me to a book fair where I found about seven books in seven minutes. This after a long discussion with my husband about how we must watch our pennies (Retrench!). I saved lots of pennies! The books were dirt cheap!

Then there were others I simply HAD to have. A book on the battle of Badajoz, for example, which figures in my next book. And, of course, Todd mentioned reading a book about Dukes so I had to have that one, too.

Here are my Book Fair finds:
The Mammoth Book of Soldiers at War: Firsthand Accounts of Warfare from the Age of Napoleon, Jon E. Lewis, ed. $3.50

The War of Wars: The Great European Conflict 1793-1815, by Robert Harvey $7.50

No Ordinary General: Lt. General Sir Henry Bunbury (1778-1860) The Best Soldier Historian, by Desmond Gregory $4.00

Though the Heavena May Fall: The Landmark Trial That Led to the End of Human Slavery by Steven M. Wise $6.00

Sir Robert Walpole’s Poet: The Use of Literature as Pro-Government Propaganda, 1721-1742, by Tone Sundt Urstad $5.00

Tea: Addiction, Exploitation, and Empire, by Roy Moxham $5.00

The Making of Victorian Values: Decency & Dissent in Britain: 1789-1837, by Ben Wilson (I almost purchased this one full-price of $27.95 a year ago) $7.00

National Geographic Traveler: Great Britain $6.50

The Other Books:

Amazing Grace: The Great Days of Dukes, by ES Turner (the book Todd made me buy)


A Mad, Bad & Dangerous People: England 1783-1846, by Boyd Hilton

Chivalry & Command: 500 Years of Horse Guards, by Brian Harwood

Rites of Peace: The Fall of Napoleon and The Congress of Vienna, by Adam Zamoyski

Dancing into Battle: A Social History of the Battle of Waterloo, by Nick Foulkes

Badajoz 1812: Wellington’s Bloodiest Siege, by Ian Fletcher

These I bought earlier this summer:

The Battle: A New History of Waterloo, by Alessandro Barbero (Translated by John Cullen)

1815: An End and A Beginning, by John Fisher

This was a gift:


Regency Recollections: Captain Gronow’s Guide to Life in London and Paris, Christopher Summerville, ed.

Last but not least:

From Australia, a trilogy: Innocence and Impropriety, The Vanishing Viscountess, and Scandalising the Ton, by Diane Gaston, Harlequin Australia.

Get a load of the nice medieval cover…..

What ‘s the best book buy you’ve made lately?

AND EVERYONE IN THE USA, TOMORROW PLEASE PLEASE PLEASE GET OUT AND VOTE!!!!

To begin with, a little scheduling:

Next Tuesday, join us when (through the Jane Austen Movie Club) we’ll talk about our favorite heroines in Jane Austen movies.

And the following Tuesday, I’ll finally unveil JANE AUSTEN’S “PHANTOM OF THE OPERA.”

(I meant to have it ready for today, but I was kidnapped by a masked man who kept me busy with vocal warmups all evening…)

Now, the topic of the day:

Gateway Regencies!

After all, if a gateway drug is something that lures the inexperienced on to using more and more drugs…

then a Gateway Regency is clearly a Regency that gets a reader hooked on the genre.

So…what Regencies were your Gateway Regencies?

Which ones lured you to try more, and more, and more…

until reading Regencies was…

more than just a terrific means of entertainment…

more than just a great way to relax…

more than just a window on the past…

more than just a mentally stimulating pastime…

but became a way of life.

(Or a great fantasy life!)

Have you gotten anyone else hooked on Regencies?

If so, what Gateway Regencies did you supply them with…

or recommend to them?

Which books, which authors?

Did you ever recommend a fabulous book, which ended up being not the best book to hook someone with?

If a friend came to you today, and said she (or he) wanted to give the Regency genre a try…

and asked you what Regency to start with…

which book or books, or author or authors, would you recommend?

What sort of books in general would you recommend? (New, old, short, long, mostly history, mostly romance, mostly comedy, or what?)

Or are you of the opinion that Regencies are your private little world, and you don’t want your friends and family to read them too?

All answers welcome!

Cara
Cara King, who could be crushed under the weight of the Regencies she owns if there’s a big enough earthquake


One of our autumn rituals is to go apple-picking at a local orchard, coming home with bagfuls for eating and making pies. I use a recipe from my grandmother’s little old Lithuanian ladies’ group cookbook, with honey, raisins and nuts. Yum! I have to confess, though, I cheat and use the premade pie crust from the store. I used to try to make them from scratch and though they came out OK, the process involved a lot of cursing and sticking torn bits back together, and flour everywhere. Now everyone is happy. 🙂

But while I’m steeped in autumn activities with the family, I’m also working on a section of a story that occurs in April. As a reader, I have no problem transitioning between seasons. If the author has done her job, I could enjoy a snowbound-in-a-cottage romance from a beach-chair. But as a writer, I find it takes some work to look away from the colors coming through my windows and picture springtime in England instead. It helps to look at images like this one, of a bluebell wood in England, like one I used to walk through when I lived there. For anyone who hasn’t smelled bluebells, the scent is similar to hyacinths. I know some people who think the fragrance is too strong but I love it. Walking through a wood like this and drinking in the purple-blue color and the scent is a heady experience!

I also like to visit sites such as The British Library’s wildlife sounds archive to get an idea of the birdsongs of the season.



So for my fellow writers, do you have to do anything special to help you convey the sense of the season you are writing? For those of you like Amanda and Diane who write Christmas novellas, is this an issue for you? Personally, I’d find it hard to get into the holiday mood if it was 90 and humid outside. I don’t know what I’d do: turn up the AC and drap fake mistletoe around the writing room?

For our reader friends, is it ever a wrench for you to read a story set in a different season? Do you prefer certain sorts of books at certain seasons?

Elena
www.elenagreene.com