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On Going Home

winter landscape - winter sunrise

I’ve been trying to keep showing a cheerful front to the world here in this blog, Facebook and elsewhere, but it’s time for a confession. I haven’t done any creative writing in many months.

I’m not ready to go into the reasons at this point. I can only say that I’m facing a challenge bigger than any I’ve encountered thus far, including my husband’s stroke. The good news is that I have learned a lot from that crisis and am using it all now. I am no longer looking for a light at the end of the tunnel. I’ve also discovered that I can light my own way.

My instincts (which have been serving me very well lately and I should have listened to before) are telling me to focus my energy on solving the current crisis and that it is OK to take a break from writing. Sometimes writing is a solace, but pushing myself to write now—even if I had time—would be like a runner trying to train on a broken leg.

I am doing is letting go of the guilt imposed by internal and external critics and trusting myself. I know how to be mindful, how to tell I am being too hard or too easy on myself, how to ask the right questions and find out what I need more of, what I need less of, not only to get through the crisis but to thrive afterwards.

I think we all can do this. As Jane Austen wrote, “We have all a better guide in ourselves, if we would attend to it, than any other person can be.”

In order to learn to attend to that guide, I’ve been rereading Women Who Run with the Wolves, by Clarissa Pinkola Estes. She writes about women’s need to “go home”, where “Home is a sustained mood or sense that allows us to experience feelings not necessarily sustained in the mundane world: wonder, vision, peace, freedom from worry, freedom from demands, freedom from constant clacking. All these treasures from home are meant to be cached in the psyche for later use in the topside world.” One can “go home” many ways, including going into nature, praying, meditating, making art.

She also writes “if a woman doesn’t go when it’s her time to go, the hairline crack in her soul/psyche becomes a ravine, and the ravine becomes a roaring abyss.” I know from experience that this is true. So while I’m dealing with some crazy-making issues, I’m also doing my Morning Pages (a type of journaling taught in The Artist’s Way by Julia Cameron), meditating at every day and finding pockets of time to do smaller projects that sustain my creativity while demanding less time than the writing.

I am not leaving the Riskies, as our new schedule of posting just once a month allows me enough time to do the rest of the work I must do before I can write again. And I will get back to writing. The river hasn’t dried up; it’s only gone underground for a while.

Do you “go home”? How?

Elena

In Betweens

At the moment, I am in between historical releases. That is to say, I am working on My Immortals Book 7–No title yet. My next project will be another historical novella for a second anthology with Grace Burrowes, Miranda Neville, and Shana Galen. I believe the anthology title will be Dancing in the Duke’s Arms, and we’re targeting a summer release. We’ve chosen a cover image already, but I have yet to write a word. Even though I have a story idea I’m really excited about.

My point, really, is that I have my head in the paranormal world not the Regency historical world. If I were to noodle around with my historical idea I’d end up with Dancing in the Demon Duke’s Arms. In the meantime, however, I have released my individual novella from Christmas in the Duke’s Arms. Here’s the cover:

In the Duke's Arms by Carolyn JewelAnd here is where you can buy it, if you don’t have the anthology:

Amazon | iBooks | Nook | Google Play | Kobo | All Romance

It’s early days in my story process — seeing as how I haven’t started writing yet, and it’s entirely possible my story will end up completely different. I’m planning a heroine who is considered peculiar and unmarriageable because she never forgets a fact, and she knows lots of them. The hero will figure out what’s up with her and fall madly in love. The end. I’m telling you that’s more than I usually start with. I have a period book that is, more or less, a Farmer’s Almanack, and she’ll have read and remembered it all, so I’ll be referring to that quite a lot. The challenge, naturally, will be making sure her knowledge is period accurate. I foresee Google Books Advanced Search in my future.

I’m not a plotter, so I have to be careful about doing too much planning, or, perhaps another way to think about it is I need not to be wedded to any plot points that might come up before I start writing. I never know what the plot is until I’m done. Truth. So, though I would like to tell you all that my story will be about thus and such, the truth is, I have no idea. I’ll find out about halfway through the story. Possibly later.

For you readers out there, does the idea of an author having no idea what the book is about before she starts writing make you anxious?

Murder in the Queen’s Garden

Murder in the Queen's GardenFebruary 3 was the release date for the third Kate Haywood Elizabethan Mystery, Murder in the Queen’s Garden!  I loved writing this one–summer at beautiful Nonsuch Palace, alchemy, dancing, courtly skullduggery…

To celebrate, I’m taking a look at why I love this time period so much–and giving away a signed copy to one commenter…

I’ve been fascinated by the Elizabethan age for as long as I can remember! When I was a kid, I would read everything I could find about the period—romance novels, thick history books I could barely lift off the library shelf, Shakespeare plays, and bawdy poetry I couldn’t really figure out, but I liked the weird words such as “fie, away, sir!” and “z’wounds!” I dressed up as Anne Boleyn for a fifth grade book report, and spent days watching videos like The Six Wives of Henry VIII and Elizabeth R.

That’s what I love the most about writing the adventures of Kate Haywood—getting to live at the court of Queen Elizabeth, losing myself in that world and seeing I through Kate’s eyes, but then returning to my cozy house with running water and electricity! (I do love the 16th century, but not really enough to want an open sewer running down the middle of my street, or cooking a roast over and open fire while trying not to set my petticoats on fire…)

Kate is a young lady with many interests. She is the queen’s favorite musician, a performer and composer, as well as the catcher of villains who try to harm the new queen. She finds herself in the very midst of all the excitement of the day, and in vicariously living her life I get to be there, too. A bit like the archaeologist I wanted to be when I was a kid, before I realized how dusty the job would be!

So—what are some of my favorite things about Queen Elizabeth and her world?

  1. There were so many strong, fascinating women in charge! Not just Elizabeth herself (who overcame a lonely, dangerous upbringing to become the most famous monarch in English history), but her mother and stepmothers, Mary Queen of Scots and her mother Marie of Guise, Catherine de Medici and Diane de Poitiers, and so many others)
  2. The wondrous explosion of the creative arts, especially theater, music, and poetry (Shakespeare, Marlowe, Sidney, Spencer, to name just a few)
  3. The Age of Exploration. Men willing to pack themselves into tiny wooden boxes and launch across the oceans to find lands that might or might not be out there. That’s amazing to a homebody like me!
  4. The advances in science and medicine
  5. And, because I am a girly-girl, the clothes! This isn’t the era whose fashions I would most want to wear myself (that would be the Regency—high waists and lighter corsets!), but the fashions of the Elizabethan era are so fascinatingly elaborate, with lovely fabrics and colors, intricate embroidery and lace ruffs. (for a closer look, Janet Arnold’s wonderful Queen Elizabeth’s Wardrobe Unlock’d is a great source)
  6. The architecture. Places like Hardwick Hall and Hampton Court, and Nonsuch Palace (which is gone now, but which Kate gets to explore in Murder in the Queen’s Garden!) are amazing settings for royal shenanigans!

For more “behind the book” info on Kate Haywood and her adventures, you can visit my website at http://amandacarmack.com! I’m also on Facebook and spend way too much time on Pinterest.

What is your favorite time period? Where would you visit if you had a time machine???

Celebrating Capability Brown

With some pride I can claim I’m ahead of the curve here. Next year, 2016, is the 300th anniversary of the birth of the famous landscaper and designer Lancelot “Capability” Brown, who transformed the grounds of English stately home. Today, however, is the anniversary of his death in 1783. You can visit capabilitybrown.org for lots of information and plans for next year.

An anonymous obituary of Capability Brown reads: Such, however, was the effect of his genius that when he was the happiest man, he will be least remembered; so closely did he copy nature that his works will be mistaken.

And that’s pretty much true. We have come to associate his hallmark “Serpentine” style–gentle undulations of land, curving rivers and drives, circular clumps of mature trees–as what we expect to see when visiting an English historic house. Brown never saw his completed work, trusting to nature and time to finish the job.

He is thought to have worked on over 170 gardens in his 35-year career. He began his career as undergardener and then head gardener at Stowe, one of his most famous creations:

stowe_grecian_vale_originalHere’s his plan for Bowood House, with the Grecian temple on the right (east) point and how it looks today:

bowood_plan_originalBowood-House-Foto-WikipediaBlenheim Palace:

blenheim_palace_originalPetworth House:

petworth_house_garden_originalAnd talking of Capability Brown (his nickname came about from assuring his clients that their estates held great capabilities), let us not forget Terry Pratchett’s fictional Bergholt Stuttley “Bloody Stupid” Johnson from Discworld:

His efforts in landscape design are especially noteworthy, and the Ankh-Morpork palace gardens are considered to be his greatest accomplishment. It is here that we find such creations as the hoho, which is a fifty foot deep ha-ha, the gargantuan beehive currently used as a pigeon coop in the absence of ten foot long bees, a structure referred to only as the “Johnson Exploding Pagoda”, iron patio furniture that melted and crazy paving that committed suicide, and the chiming sundial that also tends to explode around noon. In the palace grounds is also a maze so small that people get lost looking for it. Another notable feature is the ornamental trout lake, built long, but, sadly, only one inch wide. It currently houses one trout that is quite content provided it doesn’t want to turn around. “Perfect for the dieting fish”. At one point there was also an ornate fountain which, upon being turned on, did nothing but groan ominously for several minutes before firing a small stone cherub a thousand feet into the air. Read more

I’m wondering if there are any books with landscape designer heroes or heroines. Enlighten me! Or tell me which historic homes you’ve visited, or would like to visit, in England.

Oh What a Circus … er … um … or Not

A cartoon of Astley's by Richard DoyleWhen you’ve spent more than a decade reading books from the 19th century, reading books set in the 19th century, writing books set in the 19th century, and researching everyday life in the 19th century, you’ve got a fairly good idea what life was like in the 19th century. Or at the very least, you’ve got a fairly good idea where you can look stuff up, and chances are, you have the relevant research books somewhere on your bookshelves.

You are familiar with all the itty-bitty details: ice cream from Gunter’s, betting book at White’s, weak punch at Almack’s, circus at Astley’s. You also have a fairly good idea what kind of clothes your characters would have been wearing, from what kind of tableware they would have been eating, and what their homes would have looked like.

But one day you let yourself be persuaded by a bunch of people on Twitter that it would be an awfully good idea to write a book set in a time period you’re only superficially familiar with (let’s say … um … how about the time of the Roman Empire?). You’re suddenly faced with all these questions about things like underwear (what the heck did a Roman legionary wear underneath his tunic??? a loincloth or the kind of thing that real men wear under a kilt?), normal everyday clothes (to wear a toga or not to wear a toga, that is the question!), food (fried dormice – really????), about tableware (glass – thumbs up or down?), sexual practices (eh … um …), or names (yes, that’s right, names; the naming problem alone would justify that I hide behind my couch sobbing quietly).

And then there are the things that you think you know (haha!) like, say, gladiators. After all, everybody knows that the Romans loved going to the circus in order to watch guys kill each other in interesting ways and people being torn apart by wild animals, right? We have seen Spartacus, after all! (Well, as far as the TV series is concerned, one might have at least watched a few bits and pieces – not all the ugly, bloody fighting stuff, mind you! – but the romantic bits. They had some truly great romantic subplots in that show!) (Unfortunately, nearly all of the romantic couples died in gruesome ways – except for the cute gay couple. Yay for the cute gay couple!!!)

So there you are, thinking you know all those wonderful things – until you decide that it wouldn’t hurt to properly check up on them, say, one or two days before you’re supposed to send the manuscript to your editor.

OMG! *breaks down*

And suddenly you have a host of horrible problems at hand:

  1. Nope, gladiator fights were not held at the circus. (Duh, Sandy, duh! You’ve seen Ben Hur! You’ve read Ben Hur!) (Okay, so the latter was when you were 12 or 13 and you were mostly impressed by the intriguing bits about Ben Hur’s manly beauty.) The Circus Maximus was a purpose-built building for chariot races. If you wanted to see gladiator fights, you needed to go to the Colloseum.
  2. In Imperial Rome, the staging of gladiatorial games was actually quite rare (in contrast to how such things were organized in the republic) and typically happened on specific holidays (*frantic googling for exact dates ensues*)
  3. Trying to find out on which days of the year (or at least around which time) the gladiatorial games were held, you stumble over a lot of extremely vague info as well as a lot of conflicting info: gladiatorial games happened only during the Saturnalia in December – happened during the Saturnalia and in March – were put on as often as possible!!!!! (*sobs quietly*)

Why exactly did I think it would be a good idea to write a romance set in ancient Rome????? That book is killing me!!!! And it’s still not finished!!! I’m still working on one scene that seems to go on and on and on and on and on and on and on and on and…. *runs out of breath*

In happier news: the digital art experiment is progressing nicely and apart from the occasional guy with skin made of green brocade, I’ve actually managed to produce a number of pictures with people who look like real (!) people. I’ve already put together one new cover that I rather like. It’s not live yet, and you’re the first to see it. I hope you like it! Also, please wish me luck with that dratted manuscript!

the new cover of BETRAYAL by Sandra Schwab
Edited to add: I’VE FINISHED THE BOOK!!!!!!!!!!! FIIIIIIIIIIINNNNNNNIIIIIIIISHHHHHHHHHD!!!!!!!!! And it’s already with my editor! Woooohooooo!!!! *hops around the room waving her arms*

(Of course, as always, I now worry that the book is utterly horrible and that reading it will probably kill of my poor editor. *sigh*)