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Worth More Than 1000 Words*

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*Unless you’ve managed to dislocate your heroine’s shoulder

I’m a bit late with posting today because I spent a really long day at university, inflicting Shakespeare’s Othello on my students around midday and then grading for the rest of the day. As a consequence this post is going to be rather short — sorry about that!

I’m currently on deadline for my Roman romance (cue blood-curdling scream) (have I already mentioned that I wrote this thing longhand and that I still need to type most of it up?), and I’ve reached that happy stage where I’m convinced that writing the book was a BIG FAT mistake to begin with and that my poor editor will forever hate me for forcing her to read the manuscript (or she will just drop dead from the sheer awfulness of it). So to cheer myself up, I’m experimenting with digital art and developing character portraits. This, I’ve found, is not only a lot of fun, but it also helps me to better visualize my characters.

Thus, I’m always thrilled to pieces when I manage to render a particularly nice portrait of Lia, my heroine. One, in which her skin doesn’t look like plastic, in which her shoulder doesn’t look completely dislocated, and in which she isn’t hovering above the (anachronistic) chaise longue. But sometimes, an image turns out just perfect, which means you can drool over your heroine’s pretty dress. (Anachronistic as well, but who cares? A female character in Spartacus could have totally worn this! she says with her tongue firmly planted in her cheek)

Lia, by Sandra Schwab
But as to the guys? Oh dear, the guys! They all end up with gray skin that would suit a zombie extremely well. Or with red skin that looks like a bad case of sun burn As I write neither zombies nor lobsters, the skin issue is a bit unfortunate.

And in couple pics? If you’re really lucky, both of your figures end up looking … er … odd. As in this one. Guy looks like a lobster, gal looks plastic-ish. Duh. (Also, what’s up with their right hands? The hands seem to have merged and her middle finger now grows out of his middle finger. Gah!) (But hey, at least her hair and her dress are pretty!)

a draft for a new cover of Bewitched by Sandra Schwab
Still, I hope that I’ll eventually be able to use these images as promo images and perhaps even for my covers.

As soon as I’ve figured out how to solve the skin issue (and all the other stuff)!  🙂

Regency, Manga-style!

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Two years ago, I opened a package of books delivered to me and discovered that my 2007 book, Innocence and Impropriety had been released as a Japanese Manga!
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What a thrill. I blogged about it here. I loved the illustrations, but the text was in Japanese, so I couldn’t read it.

Imagine my delight when I accidentally discovered that the Manga version had been translated into English! First it was available only in the UK and only in ebook version, but last week I found the English ebook version on Amazon! It comes in two volumes: Volume 1 and Volume 2

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I immediately purchased copies for myself! The first surprise for me was to see that this English version, called a Comic not a Manga, still read from right to left, just as Japanese books do.
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It was such a hoot to see how Hiroko Miura translated the story. I imagine this manga artist first translated the story into Japanese, then, for the Harlequin Comics (English) version, the Japanese was translated into English.

This makes for some amusing changes, such as Madame Bisou in my original becoming Madame Biz. Regency language (or how I imagine Regency language) was pretty consistent, though, as was the setting detail. Notice the drawing of Vauxhall Gardens.
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Here’s the meeting between the hero and heroine:
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Here’s an exciting moment!
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And the happily ever after:
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The emotion and danger and even the humor in the story were shown, as well. I loved reading it. Sometimes I laughed with delight at how Hiroko Miura showed the story.
But what really touched me was this note at the end of the second volume. What a wonderful compliment from Hiroko Miura.
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These are the moments that make the author life worth it!

Do you read Manga? Turns out there are lots of Harlequin Comics to choose from! What fun!!

Guest Interview and Giveaway – Rose Lerner and True Pretenses

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Everyone, please give a warm welcome to Rose Lerner, who’s here to talk about her latest release, True Pretenses, and give away a copy to one lucky commenter!

True Pretenses

Never steal a heart unless you can afford to lose your own.

Through sheer force of will, Ash Cohen raised himself and his younger brother from the London slums to become the best of confidence men. He’s heartbroken to learn Rafe wants out of the life, but determined to grant his brother his wish.

It seems simple: find a lonely, wealthy woman. If he can get her to fall in love with Rafe, his brother will be set. There’s just one problem—Ash can’t take his eyes off her.

Heiress Lydia Reeve is immediately drawn to the kind, unassuming stranger who asks to tour her family’s portrait gallery. And if she married, she could use the money from her dowry for her philanthropic schemes. The attraction seems mutual and oh so serendipitous—until she realizes Ash is determined to matchmake for his younger brother.

When Lydia’s passionate kiss puts Rafe’s future at risk, Ash is forced to reveal a terrible family secret. Rafe disappears, and Lydia asks Ash to marry her instead. Leaving Ash to wonder—did he choose the perfect woman for his brother, or for himself?

Warning: Contains secrets and pies.

And now here’s Rose:

True Pretenses is your second book in a village-set series. Did you find writing it easier or harder than a stand-alone?

Definitely easier. Having an established world meant there were so many things I didn’t have to stop and think about. I already had a map of Lively St. Lemeston, for example (you can see it on my Lively St. Lemeston Pinterest board).

However, the two books were pretty loosely linked (if you’ve read Sweet Disorder, the heroine of True Pretenses is the daughter of Nick’s mom’s political archnemesis Lord Wheatcroft). So as far as writing characters and plot was concerned, it didn’t make too much difference.



What was your inspiration for this book?

I was watching Mark Ruffalo movies after The Avengers came out. One of them was a movie called “The Brothers Bloom” in which he and Adrien Brody are good-looking Jewish con artist brothers. The ending of the movie upset me so much that I had to fix it.

The basic set-up of the movie is that Adrien Brody wants to go straight, so Mark Ruffalo tries to set him up with Rachel Weisz, an endearingly eccentric heiress. Something that I realized while turning it over in my mind was that Mark Ruffalo set his brother up with someone exactly like him. Now, this is not an uncommon plotline, but usually it’s leading to either (A) “I set you up with a mini-me because I’m in love with you myself” or (B) “I arbitrarily decided you would be perfect with this person and pressured you into dating them and then HORRIBLY BETRAYED YOU by falling in love with them myself” (cf. Dan/Blair on Gossip Girl. Blair, Serena would have been FINE with you guys dating if you hadn’t gone ON AND ON about how she and Dan should get back together first, and tricked them into going on a weird Valentine’s Day date, and planted old people in the restaurant to talk about how great marrying your high school sweetheart is, and and and).

I went with option (B) for obvious reasons. Delicious angst! BUT with a happy ending, UNLIKE “The Brothers Bloom”. (Seriously, I love the movie, watch it, but BE WARNED.)



Did you learn anything that surprised you in your research? (I’m particularly interested in how you researched your hero’s background, since he’s not your typical Regency hero on several levels.)

I was surprised by how many Jews were involved in the Regency criminal world! Apparently most London fences were Ashkenazi Jews, for example, who had immigrated from the Netherlands and still had the connections to offload hot items there.

The word “swindler”, which my hero Ash uses to describe himself (“confidence man” is first attested in 1849, and in the US), entered the English language in the 1760s probably as a borrowing from Yiddish. (See a summary of the debate here. When it first came into use, the word had a much narrower meaning in bankruptcy fraud.)

I almost hesitate to share that because I don’t want to contribute to anti-Semitic stereotypes, but on the other hand, I don’t think that erasing Jewish criminals in favor of imagining an all-Englishborn all-Gentile underworld is any better.

Some books that were helpful to me in building Ash’s backstory were The Jews of Georgian England by Todd Endelman, The Regency Underworld by Donald Low (especially the chapter “Nurseries of Crime” about child criminals), The Big Con by David Maurer (a very entertaining history of American con artists that provided the blueprint for most modern heist stories and requires no background knowledge to enjoy), and A Vocabulary of the Flash Language (1819) by James Hardy Vaux, which not only teaches slang terms, but indirectly demonstrates a lot about London criminal culture and practice. 



What was the most difficult part of the book to write?

Ash and Lydia are both very different from me! They don’t like reading fiction, they live in the moment, they get a thrill from taking risks, in their hearts they don’t really care about the rules, they aren’t cranky and enjoy crowds. There were a lot of times where I was writing them and thinking Ugh I would hate this SO MUCH but I guess it doesn’t really bother Ash. 



Read any good books lately?

I feel like I’ve read ONLY good books lately! I think as I get older I get better and better at knowing my own taste and avoiding books I won’t enjoy. A few standouts: A Bollywood Affair by Sonali Dev, Jeannie Lin’s new steampunk Gunpowder Alchemy, and Secrets of a Scandalous Heiress by Theresa Romain (yay for a Bath setting!).



What do you do when you’re not writing or reading?

Apart from working at my day job (cooking), mostly watching TV with my BFF. Fiction is my jam, and TV is fiction you can enjoy in real time with someone else! At the moment we’re obsessed with Leverage and enjoying The 100, Selfie, Forever, Brooklyn Nine-Nine, and an embarrassing number of others.



What’s next for you?

The third Lively St. Lemeston book comes out in January 2016! It’s called Listen to the Moon and it’s about Toogood (Nick’s impassive valet) and Sukey (Phoebe’s snarky maid) from Sweet Disorder. I’m writing it now and I can’t wait to share it with everyone!

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Thanks for visiting today, Rose!

If you’d like a chance to win a copy of True Pretenses, comment and tell us who your favorite fictional criminal is.

Also, note that the first Lively St Lemeston book, Sweet Disorder, is on sale for $0.99 at all retailers through tomorrow, January 20. And last but not least, Rose is giving away a con artist gift basket on her blog.

I’m sorry. I’m having a bad hair decade.

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So, I’m between projects at the moment, finishing up my blog tour for Freedom to Love and planning for my big Waterloo bicentennial trip to Europe this summer. I decided it might be a good idea to put a free short story or two up on my website in the meantime, and I’m planning to start by pairing off my characters’ next generation–Charles Farlow, son of Henry and Therese from Freedom to Love, with Lucy Atkins, daughter of Will and Anna from The Sergeant’s Lady.

Pairing Charles and Lucy will require me to venture into unfamiliar territory: the 1840’s. So in the next month or two I’ll be giving myself a crash course on early Victorian Britain–all the important political, technological, scientific, and cultural trends that will make their world different from the one their parents knew as young Regency lovers. But the very first thing I looked up was the fashions. I’ve already decided that Lucy is going to have her father’s chestnut-red hair with her mother’s Scottish looks. If I was the kind of author whose books became movies, I’d want her to be played by someone like Karen Gillan:

Karen Gillan

To complete my mental picture, I needed to know what sort of dress she’d wear to a ball, and how she’d arrange her hair. I hurried off to Wikipedia to check out 1840s in Western Fashion. The dresses are quite pretty, though I don’t like them as much as Regency or Edwardian fashion. At least the exaggerated puffed sleeves of the 1830’s were gone, and skirts hadn’t reached the crinolined extremes of the 1850’s or 60’s.

But then I saw the hair.

Spaniel Curls

“Spaniel curls” were all the rage.

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Maybe it’s just me, but it seems like an unfortunate look.

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On the other hand, authors who live in glass houses should be careful how they throw stones. Here’s me as a teen with 80’s hair:

80's hair

I used to hate my naturally straight hair and envy the girls who could effortlessly achieve the desired Big Hair SO MUCH. And my teenaged self would be boggled to learn that in 2015 I wouldn’t even own a bottle of hair spray.

So, how do you feel about 1840’s fashion? Are spaniel curls due for a comeback?